We here present the best sounding copy of U2’s debit we’ve ever played, our Shootout Winner with Triple Plus (A+++) grades on both sides
The sound is bigger and richer, as well as more present and lively, than any other copy that’s ever hit our turntable
The vinyl is quiet for an Island pressing from 1980, with each side playing Mint Minus to Mint Minus Minus
“From the outset, U2 went for the big message — every song on their debut album Boy sounds huge, with oceans of processed guitars cascading around Bono’s impassioned wail. It was an inspired combination of large, stadium-rock beats and post-punk textures.”
Recordings from the ’80s are always a bit tricky in terms of sound quality, and U2 is not a band we have ever associated with the highest audiophile-quality sonics. We’ve been through quite a number of their albums now, including War, The Unforgettable Fire and The Joshua Tree.
While Demo Quality Sound may never be in the cards for these guys, over the years we’ve stumbled upon (stumbling being the only way to go about it) pressings that are much better at communicating their music than others, and certainly a great deal better than any Heavy Vinyl reissue or digital source.(more…)
When you get hold of a good pressing War can be a surprisingly good sounding album, much better than The Joshua Tree (although that may not be saying much).
This was one of the best copies we played in our entire shootout, with Big Bass, tons of Energy and even a pretty sizable helping of Tubey Magic, something we did not expect to hear on a U2 album. Most of them sound as dry and flat as a cassette. Not this one, or to be more precise, not this copy.(more…)
The soundstage is huge, and the overall quality of the recording is big and bold. Most copies of this album are either thin, shrill and agressive — like most U2 albums — or thick and veiled. This one is actually smooth and natural sounding, with the added benefit of some deep punchy bass! It conveys the ENERGY and POWER of the music, and that makes it a very unusual pressing indeed.
’80s vinyl is almost always tricky in terms of sound, and U2 is not a band we associate with audiophile-quality sonics. We’ve been through a number of their albums now, including this title, War and October, and while Demo Quality Sound may never be in the cards for these guys, we have at very least found pressings that do a better job communicating the music. I don’t want to throw on a record that just sounds like a CD when I have access to so much amazing sounding vinyl, but clean and play enough copies of this album and eventually you’ll find one like this copy that gives you something to enjoy.(more…)