Another in our series of Home Audio Exercises with specific advice on What to Listen For.
We learned something new a few years back about John Barleycorn while playing an especially TRANSPARENT copy. This pressing made it clear — really, for the first time — exactly what Winwood was doing with his left hand on the piano during the song Glad.
There are two musical figures that alternate: one involving the lower notes, which tend to be blurry, obscured and murky on most pressings, followed by two, the right-handed higher notes, which are usually much more clear and audible in the mix.
Only the very best copies let us “see” the bass notes of the piano so clearly and correctly. Next time you’re in the mood to compare different pressings of Barleycorn, pay special attention to the lower notes of the piano on Glad. It is our contention, backed by mountains of evidence, that no two copies of the album will get that piano to sound the same. (It will also help if you have large dynamic speakers with which to do the test.)
What to Listen For (WTLF) – Side Two
The toughest test on side two is the first track. Getting the voices right is practically impossible. If the voices are full, smooth, yet breathy and clear, you have that rare copy that actually gets the midrange right. Not many do. (more…)