Top Artists – The Grateful Dead

Jerry – Garcia (Compliments)

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  • STUNNING sound for Jerry’s sophomore solo effort with both sides earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
  • “This was an opportunity for Garcia to do something different — to sing, to perform, and to arrange a variety of songs however he wanted. As a result, he surely sounded like he was having the time of his life…” – John Metzger, The Music Box

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Grateful Dead – Shakedown Street

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  • This original Arista LP earned Shootout Winning Triple Plus (A+++) grades – you’ll have a hard time finding a copy that sounds remotely as good as this one does – exceptionally quiet vinyl too
  • Midrange magic that’s no doubt missing from whatever 180g reissue has been made from the tapes (or, to be clear, a modern digital master copied from who-knows-what-tapes)
  • Grateful Dead fans and completists will surely want to add this to their collection – it’s As Good As It Gets
  • “The rough-edged blues of “I Need a Miracle” and the Caribbean-tinged “Fire On the Mountain” would become set list staples, and their Latin-flavored version of The Rascals’ ’60s rock classic “Good Lovin'” is one of the band’s most beloved covers.” Amazon

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Letter of the Week – Fresh Cream and Wake Of The Flood

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,     

Just got the Fresh Cream and Grateful Dead albums….cranked up the rig and they sound WONDERFUL…..no surprise but LOTS of satisfaction! Thanks for your sale to enable this “poor” retired audiophile access to great sound….

Thanks for being such a unique person to have discovered what the audio world never really knew or appreciated or admitted to…and for making it available to others….

Best Regards,

EdZ

Fresh Cream

Wake Of The Flood

The Grateful Dead – American Beauty – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

MASTER TAPE SOUND AND MOSTLY QUIET VINYL ON BOTH SIDES, BABY! We went through all of 2008 without finding a single Hot Stamper copy of this great album, but today I am pleased to report that American Beauty Hot Stampers are back in stock at Better Records! Drop the needle on any track on either side — I guarantee you’ve never heard this band sound so good, or your money back. 

If you’re looking for a mindblowingly good copy of the Grateful Dead’s masterpiece, you’re going to have to act quickly, because our supply is extremely limited. I understand if you want to write the Dead off based on their later output, but you just can’t deny the power of this album. (more…)

Jerry Garcia – Garcia

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  • Incredible sound throughout for this original Warner Brothers pressing with both sides earning Shootout Winning Triple Plus (A+++) grades or very close to it
  • These superb sides are doing everything right — clean, clear, full-bodied and musical with wonderfully present vocals and a lovely bottom end
  • “Garcia is nothing short of a full-bodied artistic expression from one of rock & roll’s most multi-faceted musicians. Both initiated Deadheads as well as enthusiasts of the burgeoning early-’70s singer/songwriter movement will find much to cherish on this recording as Garcia redefines his immense talents and seemingly undiluted musical potential.” – All Music, 4 1/2 Stars

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The Grateful Dead – Workingman’s Dead – Watch for Strain in Jerry’s Voice

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More Workingman’s Dead

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Presenting another entry in our extensive Listening in Depth series.

High Time tells you the most about the sound of side one on any given copy. If the pressing in question is lean, bright, grainy, transistory or aggressive in any way, Jerry Garcia’s voice will sound strained. Far from a professionally trained singer, he’s already straining to some degree on even the best copies. 

The better pressings have him sounding ever so slightly dull at the beginning of the track. As the song progresses he starts pushing his pipes pretty hard. The sound will become quite unpleasant if there is any added brightness when he tries to reach those high notes. (more…)

Letter of the Week – After The Gold Rush, So Far and Workingman’s Dead

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom, 

I have really been enjoying the Neil Young “After The Gold Rush” and CSN&Y “So Far.” They are like the “Workingman’s Dead” LP. Just a thrill to hear. The instruments on “After The Gold Rush” fill my room like they would in a live performance. Addictive. (more…)

Grateful Dead – Terrapin Station

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Terrapin Station

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  • This original pressing earned Shootout Winning Triple Plus (A+++) grades or very close to it throughout – you’ll have a hard time finding a copy that sounds any better than this!
  • Produced by Keith Olsen of Fleetwood Mac fame, it’s no surprise that the recording quality is quite a bit better than most of the records they had been making at the time
  • Pretty darn quiet throughout, Mint Minus to Mint Minus Minus, as quiet as we can find them
  • “Terrapin Station offers a few choice glimpses of the band doing what it does best. While the most prominent example is the album’s extended title suite, there are a few others such as the cover of the Rev. Gary Davis gospel-blues “Samson and Delilah” and a resurrection of the Martha & the Vandellas hit “Dancin’ in the Streets.” 

Most Dead studio albums after Workingman’s Dead are full of filler, but this one actually has some good songs: the extended title song suite, the hard-rockin’ Passenger (note the similarities to Fleetwood Mac’s Station Man), and the darkly funky Estimated Prophet. The cover of Dancin’ In The Streets may have earned this album the epithet of Disco Dead, but it’s actually a good bit of fun if you don’t take it too seriously. (more…)

The Grateful Dead – Aoxomoxoa

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More Aoxomoxoa

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  • This original Green Label Warner Brothers LP has STUNNING Triple Plus (A+++) sound or close to it from start to finish
  • These sides were doing everything right — big, full-bodied and present with tons of energy and a nice extended top end
  • “When the LP hit the racks in the early summer of 1969, Deadheads were greeted by some of the freshest and most innovative sounds to develop from the thriving Bay Area music scene.” – All Music 

NOTE: This is the later remixed version from 1971. We found it far better sounding than the original 1969 mix. If you’re interested in the original mix, we have some of those copies with lower grades but if you want the best sound, this copy is definitely the way to go. (more…)

Grateful Dead – Wake Of The Flood

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More Wake Of The Flood

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  • Stunning sound throughout with Triple Plus (A+++) sound or close to it on both sides and vinyl that is about as quiet as we can find
  • This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
  • A difficult album to find audiophile quality sound for, this is one of the best copies to ever hit the site
  • “Wake of the Flood was certainly as good – if not arguably better than – most of their previous non-live efforts.”

This is the album that comes after American Beauty on the Grateful Dead timeline, and while it’s certainly not in the same league as that masterpiece, there’s still a lot of good music on here. The All Music Guide gives it four stars out of five and calls it “certainly as good — if not arguably better than — most of their previous non-live efforts”. (more…)