An outstanding copy with Shootout Winning Triple Plus (A+++) sound form start to finish – the first to ever hit the site!
The code has finally been cracked – this specific early Atco domestic pressing showed us a huge, rich, Tubey Magical Trafalgar we had no idea could even exist, mostly because all the British LPs we had on hand for the shootout were a joke next to it
The lead single “How Can You Mend a Broken Heart?” was the first Bee Gees’ No. 1 single in the United States
4 stars – “Trafalgar remains one of the Bee Gees’ most critically acclaimed albums and can be found within the pages of 1001 Albums to Hear Before You Die.”
This vintage Atco pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
An outstanding copy of Streisand’s fourth solo studio album with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
This copy is hard to fault – big, open, clear, with space and three-dimensionality that modern pressings can only dream of
4 1/2 stars: “Barbra Streisand returned to form on her fourth album, People, with a selection of songs that showed some of the imagination of her debut album… it was a definite improvement over the second and third albums. (People won Grammy Awards for Best Vocal Performance and Best Album Cover.)”
This vintage Columbia 360 Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.(more…)
The Bee Gee’s 1970 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound throughout
Tubey Magical, with strong midrange presence, the sound here is worlds away from the dubby domestic pressings sitting in the bins at your local record store
This album marked the musical reunion of the Gibb brothers, and the band returned with this “surprisingly hard-edged… more progressive” sound
4 stars: “…[with 2 Years On] the Bee Gees suddenly found themselves right back in the thick of popular music, and as close to the cutting edge of pop/rock as they’d ever been.”
Why does no one ever mention that the song Lonely Days that starts off side two, which is surely one of the best tracks these boys ever recorded, had its arrangement, structure and harmonies stolen and reworked by Jeff Lynne throughout the entire time he was fronting ELO? That’s his sound, but the BeeGees had it first!(more…)
This ain’t no zombie audiophile BS, the kind of sleep-inducing reverb-drenched trash that passes for “female vocals” in bad audio showrooms around the globe. (Paging Diana Krall.) This is Barbra and The Bee Gees at the peak of their Pop Powers. It just doesn’t get any better.
This is THE BEST ALBUM Babs ever made, and you can take that to the bank. It’s also one of the best sounding, if not THE best sounding of her later Monster Pop Productions. Can’t say for sure as I haven’t played all that many. Her first album is a true Demo Disc as well, but that one’s all about the Tubey Magical ’60s Columbia era, the Golden Age of Natural Sound, a world away from Guilty and its layers and layers of tracks. Having said that, there are multi-tracks and then there are multi-tracks.(more…)