The best copies have no trace of phony sound from top to bottom. They’re raw and real in a way that makes most pop records sound processed and wrong. Our best Hot Stampers have plenty of the qualities we look for in The Band. Energy, presence, transparency, Tubey Magic… you name it — you will find it there. The biggest strength of this recording is its wonderful, natural midrange. And tons of bass.
Despite what anyone might tell you, it’s no mean feat to find good sounding copies of this record. There are good originals and bad originals, as well as good reissues and bad reissues. Folks, we’ve said it many times — the label can’t tell you how a record sounds, but there’s a sure way to find out that information. You’ve got to clean ’em and play ’em to find out which ones have Hot Stampers, and we seem to be the only record dealers who are doing that, in the process making unusually good pressings available to you, the music-loving audiophile.(more…)
[I believe this review is from the mid to late ’90s.]
This is the EMI Centennial version we sold years ago for close to thirty bucks. I thought at the time the MFSL gold CD was better. Now, after many stereo changes, I realize the gold CD is actually fat in the midbass and a little thick and sucked out in the midrange. (MFSL’s, and quite a few others’, standard audiophile EQ.)
I know this because the EMI LP is correct in those areas and shows you how truly wonderful the recording is. If only it had more bass. Who knows? Between the music and the sound you may not even miss it.
Above 100 hertz this album is magic. Below 100 it’s tragic. (Ha ha.)
Most copies of this album do not have a boosted bottom or top, which means that at normal listening levels — depending on how you define that term — they can sound pretty flat. This is one album that needs to be turned up, obviously not to the levels of a live rock concert, but up about as loud as you can until you can get the bass and the highs to come out. We found ourselves adding more and more level in order to get the sound to come to life, and it was playing pretty loud before the sound was right.
But it’s SO GOOD when it’s loud. Why the hell would you not want to crank it up and ROCK OUT?(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame and one of their four essential albums (the others being Music from Big Pink, the Self-Titled second and Rock of Ages).
This is the UNDISCOVERED GEMin the Band catalog. Allmusic is right on the money when they call this the best Band album since their self-titled second release. I positively LOVE this music, having practically worn out my copy soon after the album was released in 1975.
This album is a favorite of ours here at Better Records, but it’s beyond difficult to find good-sounding copies. Most are just too flat, dry and grainy to bother with, but we’ve finally managed to unearth a few copies that are capable of doing justice to these great songs. If you’re a fan I wouldn’t wait too long on this one!
Yes, every track is good, something that one cannot say about any other Band release after their classic sophomore effort. What makes the album a Must Own is the song It Makes No Difference. It’s a strong contender for the Best Band Ballad ever written (and takes the prize in my book).
Many of them are also Desert Island Discs for yours truly. A Desert Island Disc is simply a record I would not want to live without. If there are any on the list that you haven’t heard, try giving them a listen. You may be glad you did.(more…)