This White Hot Stamper copy of Planet Waves boasts not only great Bob Dylan sound, but some of the best sound for The Band that you’ll ever hear! That’s right, Dylan is backed by Messrs. Robertson, Danko, Helm, Manuel and Hudson on this album, and I don’t know when we’ve ever heard such audiophile quality sound from that crew. It’s a real treat to hear their signature styles without the cardboard-y, compressed quality we usually find on their albums.
Lots of great material on this album, not sure why it doesn’t get more respect. On A Night Like This, Going Going Gone, Forever Young, You Angel You… these are wonderful, well-recorded songs.(more…)
An outstanding copy with nearly Triple Plus (A++ to A+++) sound on sides one and four and Double Plus (A++) sound on the other two sides – exceptionally quiet vinyl too
Dylan and The Band team up for exuberant versions of many classics from each of their repertoires – a copy like this lets you appreciate just how wonderful the performances are
“Dylan reworks, rearranges, reinterprets these songs in ways that are still disarming, years after its initial release… “
“Without qualification, this is the craziest and strongest rock and roll ever recorded. All analogous live albums fall flat.”
One of the great Live Classic Rock albums of all time in Hot Stamper form! We played a ton of these and found that most copies bored us to death. Some lacked energy, even more never opened up, and most of them were too thin-sounding. We had to play a HUGE stack of copies to come up with a few good ones, and on a double album like this, that’s a TON of work.(more…)
This Columbia Double LP pressing has some of the very best sound we’ve heard for this album, with all four sides finishing strongly in a recent shootout. Of course, given the nature of these recordings, you don’t get stunning sonics along the line of, say, Magical Mystery Tour or Dark Side Of The Moon, but at least you get to hear these great songs sound the way they were intended to, without the complications of bad mastering and pressing getting in the way. (more…)
Flat, compressed, no top end, no Tubey Magic, this is Ron McMaster’s work at its worst, helped along by the fact that he does not have the original master tape or even a copy of it to work with, but instead the new remix that was made a few years back because the original tape had been lost. And somehow reviewers like it! (more…)
You’ll find outstanding Double Plus (A++) sound on both sides of this superb pressing of Dylan’s 1974 release
With wonderfully rich, natural tonality, these early pressings are by far the best way to hear the album sound the way it should
Lots of great material on this one, not sure why it doesn’t get more respect: On A Night Like This, Going Going Gone, Forever Young, You Angel You… these are seriously good, very well-recorded songs
“Reteaming with the Band, Bob Dylan winds up with an album that recalls New Morning more than The Basement Tapes, since Planet Waves is given to a relaxed intimate tone…”
This is an excellent recording, boasting not only great Bob Dylan sound, but some of the best sound for The Band that you’ll ever hear. That’s right, Dylan is backed by Messrs. Robertson, Danko, Helm, Manuel and Hudson on this album, and I don’t know when we’ve ever heard such audiophile quality sound from that crew. It’s a real treat to hear their signature styles without the cardboard-y, compressed quality we usually find on their albums.(more…)
Some great music is to be found here, and quite respectable sound on the “hotter” copies. ’Ain’t Got No Home’ and ’A Change Is Gonna Come’ are two personal favorites of the ten tracks here.
Both sides are tonally balanced from top to bottom, with more energy and space than others. The bass is huge, the brass rich, the all analog sound smooth and natural. It’s no demo disc; it just sounds bigger, clearer, and more right than the other sides we played.
Listen to how Tubey Magical the organ on The Great Pretender sounds. The top extends and the bass is punchy.(more…)
One of the great Live Classic Rock albums of all time, now available in White Hot Stamper form! We recently undertook a massive shootout for this spirited double LP and three of the better sides from the whole shebang are on this here pressing. Sides one and two each earned our top grade of A+++, while side four clocked in at A++. Side three, as is often the case, was not quite up to the same standards.
We feel that the best material is contained on the other three sides, so we doubt this will be a dealbreaker for many of you.(more…)
In 2012 the new MoFi put out another remastered Big Pink. Since their track record at this point is, to be honest, abysmal, we have not felt the need to audition it.
It’s very possible, even likely, that they restored some of the bass that’s missing from the originals. But bad half-speed mastered bass — poorly defined, never deep and never punchy — is that the kind of bass that would even be desirable?
To us, it is very much a problem. Bad bass is just plain annoying. Fortunately for us it is a problem we have to deal with much less often now that we’ve all but stopped playing half-speed mastered records.(more…)
Holy mother of god, this is one KNOCKOUT copy of The Band’s self-titled masterpiece! Both sides earned our top grade of A+++ and beat the pants off every other copy — including quite a few RL-mastered originals — in the shootout. On top of that, both sides play between Mint Minus and Mint Minus Minus, which is pretty dan quiet for this album. We love this music, but most copies out there have flimsy sound, trashed vinyl, or both. Here’s the exceedingly rare copy that does just about everything right WITHOUT the typical crackly campfire surface noise!
This Capitol Green Label pressing mastered by Robert Ludwig has TWO KILLER SIDES. When you play either side of this copy, you are going to lose your mind. It’s got Master Tape clarity, You Are There presence, and unbelievable transparency. Drop the needle on Night They Drove Old Dixie Down or Up On Cripple Creek and get ready for some SERIOUS MAGIC!(more…)
This Capitol pressing has some of the best sound we’ve ever heard for this album! It’s beyond frustrating to try to find great sound for Big Pink — most copies tend to be an absolute nightmare. The sound is rich, warm, sweet, and full-bodied with exceptional clarity and transparency. There’s tons of ambience and you can really hear the sound of the room around the drums. The sound of the organ is AMAZING!
Side one earned an A++ grade. It has a strong bottom end and the vocals sound correct. The sound can be a bit murky at times, but that’s pretty much the case for every Band record we’ve ever played — it’s just kind of their sound. (The Moody Blues are another band whose records always sound murky, for whatever reason.)
Side two was a bit better — fuller, cleaner, livelier and more transparent than just about any copy we’ve ever heard. There’s tons of tubey magic and real weight to the bottom. We gave it an A++ to A+++ — you’ll have a VERY hard time finding one that sounds even close to this good if our experience is any guide. (more…)