Top Artists – Steely Dan & Donald Fagen Solos

Steely Dan – A Killer Can’t Buy a Thrill (and Some Lessons We Learned)

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From the moment the needle hit the groove on side one, we were treated to some of the best sound we’ve ever heard for this album.

Both sides have an incredibly tight and punchy bottom end, with the kind of energy and WHOMP that brings this music to life! The soundfield is BIG, WIDE, and OPEN, with a three-dimensional quality that we didn’t hear on other copies. The top end is silky sweet — just listen to the cymbals on Do It Again.

Dirty Work sounds superb here — rich and sweet mids, breathy brass, and lots of texture to the vocals. Often this track sounds dull and dubby, but it’s actually just a case of the mix being smoother than most of the other songs on the album. If this track sounds smooth, and the other songs sound right, the tonality is correct for the whole side, because that’s what the best copies sound like.

Flip the record over and the good times begin all over again. Elliot Randall’s guitar on Reeling In The Years has the meaty texture and uncanny presence to take the song to an entirely new level. Fire In The Hole is exceptionally dynamic with real weight to the piano, and the double tracked vocals on Turn That Heartbeat Over Again sound rich and poppy the way they should.

Combine two sides this good and press them on fairly quiet vinyl and you have yourself an LP that’s practically a FLUKE. (more…)

Steely Dan – Pretzel Logic – Our Four Plus Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This BEYOND White Hot side one (A++++) has nothing less than MASTER TAPE SOUND. Our Four Plus ranking is rare enough, but in this case it has the added benefit of conferring upon this very pressing the status of the BEST SOUNDING STEELY DAN RECORDING we have ever heard.

There is no recording better in the Steely Dan catalog, and I don’t think there’s a copy anywhere that’s any better than this one. (more…)

Letter of the Week – Aja and Tea for the Tillerman

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom,   

A friend and I just did a shootout of 16 copies of Aja, plus one of your White Stampers, which easily trounced them all (including some DJ 12″ singles from the album), and in exactly those areas that you cover in some of the WTLF descriptions you have for that album. Just a great big, open and lovely-sounding record–what a thrill!. And thanks very much for those notes–they help clarify the critical listening process.

We also listened to 16 copies of Tea for the Tillerman. Among those (UK pink rims, German, Japanese, and many US labels) were two excellent early brown label A&M pressings, which I saved for the end of the shootout. And we had the Analogue Productions 33 rpm pressing, which has been a big disappointment since I first heard it. Those two original A&Ms both sound so much more natural, with more delicacy, extension, air, presence and energy than the AP version. My listening buddy said they sounded as if they were cut at 45 rpm; and neither of us really expected your White Hot UK pink-rim pressing could be a significant improvement over those.

But, as good as those are, it was also obvious that your WHS brought the music several steps closer. The A&M brown labels both added some thickness and over-emphasized the low range of his voice–which (until we heard your WHS) was a pleasant coloration. But as you frequently mention, the biggest issue, once you’ve heard a great copy, is how much more energy and flow the music has. The WHS stamper just pulled you into those songs, so you could feel every little dynamic shift and tonal change that the musicians were bringing to the table. It allowed that music to breathe in a way I’ve never heard before. What a record!

The BIG thing your Hot Stampers do is present the music in a perfectly balanced way–no frequency range is emphasized, which also means none are compromised. I think this is why you can always turn up the volume on a Hot Stamper. If you’ve got a bad mastering or bad pressing, at some point, turning up the volume only make parts of the recording more unlistenable. Turning up a Hot stamper makes it a bit louder, sure. But it also brings you further into the studio, and closer to the music–and that’s we really want, right? (more…)

Letter of the Week – Pretzel Logic

Pretzel Logic

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,  

Holy Squatsauce, Batman! That is definitely the best-sounding Pretzel Logic I have heard. I don’t remember the black label copy sounding like this one. It clearly eclipses my Pink Probe copy and the difference was not subtle. Lots more life and more dynamic, clearly better highs and bass, voices and instruments stand out from the mix. Makes me wonder what the master tape sounds like and how much the US music-lover is missing on all the pathetic-sounding pressings around. Thanks.

Roger L.

 

Donald Fagen – The Nightfly – MoFi Debunked

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Sonic Grade: F

A Hall of Shame Pressing.

More phony MoFi EQ on the top and sloppy bass. You can do a whole lot better and you sure won’t have to try very hard to do it.

Yet another Mobile Fidelity Pressing Debunked. Our Audiophile Scorecard has plenty more where this one came from.

Why Own a Turntable if You’re Going to Play Mediocrities Like These?

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This commentary was posted in 2007 and amended later with the statement that we would no longer be ordering new heavy vinyl titles starting in 2010. By 2011 we had eliminated them completely from our site. If you bought any Heavy Vinyl pressing from us, ever, now is the time to get rid of it and hear what a Hot Stamper can do for your musical enjoyment. 


Three of the Top Five sellers this week (8/22/07) at Acoustic Sounds are records we found hard to like: AjaAqualung and Blue. Can you really defend the expense and hassle of analog LP playback with records that sound as mediocre as this Rhino pressing of Blue? 

Why own a turntable if you’re going to play records like these? I have boxes of CDs that sound more musically involving and I don’t even bother to play those. Why would I take the time to throw on some 180 gram record that sounds worse than a good CD? (more…)

Letter of the Week – Pretzel Logic

Pretzel Logic

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Holy Squatsauce, Batman! That is definitely the best-sounding Pretzel Logic I have heard. I don’t remember the black label copy sounding like this one. It clearly eclipses my Pink Probe copy and the difference was not subtle. Lots more life and more dynamic, clearly better highs and bass, voices and instruments stand out from the mix. Makes me wonder what the master tape sounds like and how much the US music-lover is missing on all the pathetic-sounding pressings around. Thanks. (more…)

Letter of the Week – Aja and Pretzel Logic

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,  

Funny enough, I listened to Pretzel Logic yesterday. Very tubey, we love it. I have an AAB-1006 (RE-3) pressing of Aja that sounds fantastic. (If you have any insight on that pressing I’d love to hear it!)

There are so many stampers for that record, and the same stamper that sounds great on one copy can sound terrible on another, so we just buy them and play them and let the chips fall where they may.

Best, TP (more…)

Steely Dan – Can’t Buy A Thrill – Speakers Corner Debunked

More Steely Dan

More Can’t Buy A Thrill

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Sonic Grade: F

Hall of Shame pressing.

This has to be one of the worst sounding versions ever pressed. You think the average ABC or MCA pressing is opaque, flat and lifeless, not to mention compromised at both ends of the frequency spectrum? You ain’t heard nothin’ yet!

As bad as the typical copy of this album is, the Speakers Corner Heavy Vinyl is even worse, with not a single redeeming quality to its credit.

If this is what passes for an Audiophile Record these days, and it is, it’s just one more nail in the coffin for Heavy Vinyl. (more…)