The song Valentine is a key test for side two. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything.
On the top copies, the lead on the very next track, Stone Woman, is tonally correct. These two tracks, two of the best on the album, together make it easy to know if your copy is tonally correct in the midrange. Track two: background vocals. Track three: lead vocal. Easy enough.(more…)
A killer copy of Manifesto, with Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
Big, rich and lively throughout – the Tubey Magic on this early UK pressing will show you just how good this Rhett Davies’ recording can sound
This one may have won our shootout, but it has some minor condition issues, so we’re keeping the price down
“The songs ending each side fade out with real grace and leave you hanging, wanting more — drenched in a romance out of reach.” Rolling Stone
Good pressings of Manifesto are hard to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly don’t hear on most pressings.(more…)
Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975 I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it. As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do. Now I listen to each of the first five releases on a regular basis.
Somehow they never seem to get old, even after more than thirty years.
Of all the Roxy albums (with the exception of Avalon) this is probably the best way “in” to the band’s music. The earlier albums are more raucous, the later ones more rhythmically driven — Siren catches them at their peak, with, as other reviewers have noted, all good songs and no bad ones.(more…)
Two incredible sides, each rating a Triple Plus (A+++) — rich, smooth, spacious sound
Credit as always goes to the brilliant engineering of Roxy’s go-to guy, Rhett Davies
Flesh + Blood from 1980 is the precursor to Avalon, with much the same style and sound
Some of Roxy’s best material and biggest hits are here, on exceptionally quiet British vinyl too
The British Original Polydor Super Deluxe pressings are the only way to go on this album. No domestic pressing or other import in our experience has ever been better than passable; we know, we’ve been cleaning and playing them for more than thirty years.
This British LP is cut by one of my favorite mastering houses in England, which no doubt accounts for the excellent sound. The estimable Robert Ludwig cut the domestic pressings. Unfortunately for us Americans it sounds to us like they gave him a dub tape to master from. (The same thing happened on Avalon by the way.)
This is a transitional album. Some of it sounds like Avalon (Oh Yeah, Over You, etc) and some of it sounds more like their earlier material. It may not be as consistent as Avalon but it’s well worth owning for its best songs (listed below) and highly recommended for fans of the band.
Standout tracks on side one include In the Midnight Hour / Oh Yeah / My Only Love
Standout tracks on side two include Over You / Eight Miles High / Rain, Rain, Rain (more…)
A stunning early UK pressing of this Roxy classic: Triple Plus (A+++) on the second side and Double Plus (A++) on the first
Superb sound from start to finish — full-bodied and warm with wonderfully sweet vocals
Copies that are exceptionally open, clear and big present this music the way it was meant to be heard
Credit Rhett Davies with creating the sonic space that clearly displays so many singers, instruments and sounds
“Ferry was never this romantic or seductive, either with Roxy or as a solo artist, and Avalon shimmers with elegance in both its music and its lyrics.” – Allmusic, 5 stars
It is records like Avalon that get people (often known as audiophiles) to spend wads and wads of money in pursuit of expensive analog equipment good enough to bring this wonderful music to life.(more…)
Hey, this is a good sounding pressing! I had to pull out my best imports to beat it, which they did handily of course, but the typical audiophile trying to find a pressing superior to this one will have to do a fair bit of homework in order to succeed. We had multiple copies of Islands, Polydors, Atcos, Reprises and one copy of the Heavy Vinyl import I used to like. This pressing trounced most of them, and it’s cheap.
I highly recommend it to anyone who likes Art Rock from the ’70s and is never going to lay out the kind of bread our Hot Stamper pressings command. For around $20 you just can’t beat it.
With two seriously good Double to Triple Plus (A++ to A+++) sides, this UK LP is sure to be one of the best sounding Roxy Music records you’ll ever play
These sides are unbelievably rich and Tubey Magical – Roxy just does not get much better than this!
We’ve been working on this shootout for over ten years – here is one of the better copies we have to show for our effort
AMG 5 Stars: “…another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting.”
This album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one. Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.)(more…)
This killer early British Island import pressing had two amazing sides, each rating a Triple Plus (A+++) or very close to it
This one is simply bigger, richer, more clear and more Tubey Magical than almost every other copy we heard in our shootout
As quiet as any Island original we’ve ever heard – Mint Minus to Mint Minus Minus – they don’t come quieter
AMG raves that “…Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. Roxy Music rarely sounded as invigorating as they do here.”
Many of the best songs Bryan Ferry ever wrote and Roxy Music ever played are on this album. Musically it’s right up there with the first album and Siren. All three represent the high watermark of early- to mid-’70s Arty Rock.(more…)
Outstanding Double Plus (A++) sound on both sides – this is some of the most dynamic sound the band achieved
Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects and practically faultless
A Top 100 album, the band’s Masterpiece, and truly a Must Own Desert Island Disc of Glamorous Arty Rock
“Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these.(more…)
[These notes were written many years ago, which means that we ourselves may not agree with some or all of the commentary.]
This version just plain KILLS most domestic copies and probably quite a few Brit ones too. Simply Vinyl did a superb job here.
Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right.(more…)