Top Artists – Roxy Music

801 Live – None Rocks Harder

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The best Island copies of this album ROCK HARDER than practically any record we’ve ever played. If you have the system for it, this one will bring a Live Art Rock concert right into your living room!

It’s right at the top of the list of my Favorite Albums — a Desert Island Disc if ever there was one. I stumbled across it more thirty years ago and I’ve loved it ever since. It all started when a college buddy played me the wildly original Tomorrow Never Knows from the album and asked me to name the tune. Eno’s take is so different from The Beatles version that I confess it took me an embarrassingly long while to catch on.

Sometime last year I noted on the site that I had finally figured out how to tell the good pressings from the not-so-good ones. I had been focussing on the wrong things in the shootouts I had done over the last few years, and in that I have the feeling I was not alone. This seems to be a fairly common Major Audiophile Pitfall that we all get stuck in on occassion.

In this case I was trying to find a more transparent copy, one with more shimmer to the cymbals and air around the instruments. The first track is a little opaque and I wanted to be able to hear into the music better. I had tried many import and domestic copies, but none of them seemed to have the qualities I was looking for. They all sounded different, but I could not for the life of me find one that clearly sounded right.

That was my mistake. This album isn’t about clarity. It’s about the POWER OF ROCK AND ROLL. It’s about the sound of a live band in concert, a band with one of the most phenomenal rhythm sections ever captured on tape. The most phenomenal one I’ve ever heard, that’s for sure.

Doing the shootout I realized what separates the men from the boys on this LP — bass. The copies with the most powerful, deepest bass, the stuff under 50 cycles, most often get everything else right too. The bass is the foundation to the sound, and without it the guitars and voices don’t sound right. They’re just too thin. They need body, and body comes from bass.

The “bassy” copies are more dynamic too. They communicate the power of the music in a way that the leaner copies simply do not. With the leaner copies it’s a good album. With the bassy copies YOU ARE THERE.

Turn It Up

Assuming you play this record at the levels necessary for the suspension of disbelief to take hold, i.e., LOUD. The Legacy Focus’ speakers I currently use to audition records have three 12″ woofers that really pump it out at the low end, at high levels, with no audible distortion. It’s one of the reasons they’re used in recording studios for monitors.

I went down the wrong road because I got caught up in the details and missed the essence of the sound. Are you a detail freak? Is that where the music is — in the details? For audiophiles that’s Pitfall Number One. Brighter ain’t necessarily better; most of the time it’s just brighter, and, truth be told, worse. (Played an XRCD lately?)

Of course there’s more to the story than just good bass or dynamics, although for this album they are sine qua non as discussed above. Recent improvements (3/07), simply using new and improved room treatments in concert with our two pairs of Hallographs [now three and enough already], have made a huge difference in the area of top end extension. (Of course the tweeter is still putting out the same highs; the difference is that now the listener can hear them because the room is not interfering as much. Note that I said “as much”, because rooms can never really be fixed; every one I’ve ever been in has caused more than its share of problems.)

So now I would like to amend my previous comments in order to say that Top End Extension plays a crucial role in determining which copies truly soar above the others. The typically good-sounding imports have very little tape hiss. The Hot Stampers have clearly audible hiss that sounds just right. On some tracks, as soon as you drop the needle and hear the tape hiss sound right, you know you have a pretty darn good copy. The soundstage opens up, complete with tons of depth, transparency, and wall to wall sound floating free from the speakers. If the bass is there, and it’s not sloppy or congested, you, my friend, have what we call a Hot Stamper. All you have to do now is sit back and let the cinerama sound wrap itself around you. You are in for a treat!

Roxy Music – Siren

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975 I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it. As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do. Now I listen to each of the first five releases on a regular basis.

Somehow they never seem to get old, even after more than thirty years.

Of all the Roxy albums (with the exception of Avalon) this is probably the best way “in” to the band’s music. The earlier albums are more raucous, the later ones more rhythmically driven — Siren catches them at their peak, with, as other reviewers have noted, all good songs and no bad ones. (more…)

Roxy Music – Flesh + Blood

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  • Two incredible sides, each rating a Triple Plus (A+++) — rich, smooth, spacious sound
  • Credit as always goes to the brilliant engineering of Roxy’s go-to guy, Rhett Davies
  • Flesh + Blood from 1980 is the precursor to Avalon, with much the same style and sound
  • Some of Roxy’s best material and biggest hits are here, on exceptionally quiet British vinyl too

The British Original Polydor Super Deluxe pressings are the only way to go on this album. No domestic pressing or other import in our experience has ever been better than passable; we know, we’ve been cleaning and playing them for more than thirty years.

This British LP is cut by one of my favorite mastering houses in England, which no doubt accounts for the excellent sound. The estimable Robert Ludwig cut the domestic pressings. Unfortunately for us Americans it sounds to us like they gave him a dub tape to master from. (The same thing happened on Avalon by the way.)

This is a transitional album. Some of it sounds like Avalon (Oh Yeah, Over You, etc) and some of it sounds more like their earlier material. It may not be as consistent as Avalon but it’s well worth owning for its best songs (listed below) and highly recommended for fans of the band. 

Best Tracks

Standout tracks on side one include In the Midnight Hour / Oh Yeah / My Only Love

Standout tracks on side two include Over You / Eight Miles High / Rain, Rain, Rain (more…)

Roxy Music – Avalon

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  • A stunning early UK pressing of this Roxy classic: Triple Plus (A+++) on the second side and Double Plus (A++) on the first 
  • Superb sound from start to finish — full-bodied and warm with wonderfully sweet vocals
  • Copies that are exceptionally open, clear and big present this music the way it was meant to be heard
  • Credit Rhett Davies with creating the sonic space that clearly displays so many singers, instruments and sounds
  • “Ferry was never this romantic or seductive, either with Roxy or as a solo artist, and Avalon shimmers with elegance in both its music and its lyrics.” – Allmusic, 5 stars

It is records like Avalon that get people (often known as audiophiles) to spend wads and wads of money in pursuit of expensive analog equipment good enough to bring this wonderful music to life. (more…)

Roxy Music – A Heavy Vinyl Winner!

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Roxy Music

Sonic Grade: B-

Hey, this is a good sounding pressing! I had to pull out my best imports to beat it, which they did handily of course, but the typical audiophile trying to find a pressing superior to this one will have to do a fair bit of homework in order to succeed. We had multiple copies of Islands, Polydors, Atcos, Reprises and one copy of the Heavy Vinyl import I used to like. This pressing trounced most of them, and it’s cheap. 

I highly recommend it to anyone who likes Art Rock from the ’70s and is never going to lay out the kind of bread our Hot Stamper pressings command. For around $20 you just can’t beat it.

 

Roxy Music – For Your Pleasure

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  • With two seriously good Double to Triple Plus (A++ to A+++) sides, this UK LP is sure to be one of the best sounding Roxy Music records you’ll ever play
  • These sides are unbelievably rich and Tubey Magical – Roxy just does not get much better than this!  
  • We’ve been working on this shootout for over ten years – here is one of the better copies we have to show for our effort
  • AMG 5 Stars: “…another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting.”

This album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one. Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.) (more…)

Country Life – A Killer Roxy Album from ’74

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  • This killer early British Island import pressing had two amazing sides, each rating a Triple Plus (A+++) or very close to it
  • This one is simply bigger, richer, more clear and more Tubey Magical than almost every other copy we heard in our shootout
  • As quiet as any Island original we’ve ever heard – Mint Minus to Mint Minus Minus – they don’t come quieter
  • AMG raves that “…Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. Roxy Music rarely sounded as invigorating as they do here.”

Many of the best songs Bryan Ferry ever wrote and Roxy Music ever played are on this album. Musically it’s right up there with the first album and Siren. All three represent the high watermark of early- to mid-’70s Arty Rock. (more…)

Roxy Music’s Music Debut Is a Masterpiece

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  • Outstanding Double Plus (A++) sound on both sides – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects and practically faultless
  • A Top 100 album, the band’s Masterpiece, and truly a Must Own Desert Island Disc of Glamorous Arty Rock
  • “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these. (more…)

Roxy Music – Avalon – A Simply Vinyl Mastering Success ? Or Is It?

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Sonic Grade: B (I’m guessing)

[These notes were written many years ago, which means that we ourselves may not agree with some or all of the commentary.] 

This version just plain KILLS most domestic copies and probably quite a few Brit ones too. Simply Vinyl did a superb job here.

Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right. (more…)

Roxy Music – Stranded – White Hot for 2018


Our White Hot Shootout Winner for 2018

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  • Outstanding sound with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
  • The sound on this British original Island pressing is wonderful throughout – rich, smooth and oh-so-analog
  • One of the group’s best sounding recordings, the Tubey Magic on their early albums is off the scale, especially here
  • “The operative adjective for Roxy’s first true masterpiece is gorgeous (it’s the same adjective for their final one, too) – The centerpiece, “Mother Of Pearl”, might be Roxy’s finest seven minutes.”

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Stranded is one of the better recordings by the band, coming in second for sonics only to the first album, which is really saying something considering that the first album is a Better Records Top 100 title. The Tubey Magic on the early albums has to be heard to be believed!

These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance on the vocals, grain or grunge. It’s the rich, full-bodied ANALOG sound we adore here at Better Records, although it’s worth noting that the sound on some tracks is noticeably better than on others.

We thank Chris Thomas for his production and John Punter for his engineering work at AIR Studio. This album and the first one are without question the two best sounding Roxy albums, and that’s true for any incarnation of the band.

Both belong in any serious rock and pop collection, and if you are a fan of Art Rock, every Roxy album should be on your shelf, along with your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and so many others (most of which are personal favorites of mine, albums I have played hundreds of times over the last 30 years and plan to play hundreds of times in the next). (more…)