An excellent copy which earned Double Plus (A++) grades for sound on both sides – there’s plenty of rich, Tubey Magic from 1962 to be found on this vintage stereo pressing
If you made the mistake of buying the atrocious Anadisq pressing MoFi put out in the ’90s, here is your chance to hear what a wonderful recording Val Valentin cooked up with these cats in their prime
“This first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier… this first effort is a particularly strong set.”
For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1961-62 All Tube Analog sound can be, this killer copy will do the trick.(more…)
Peterson really puts on a great show. He’s made an awful lot of records during his career and most of them aren’t especially noteworthy. This album is clearly an exception to that rule. (“If You Could See Me Now” is another one.)
This pressing was a huge step up from the other copies we played in our recent shootout. This copy has the immediacy that puts you front and center at The London House for a great jazz show. Ray Brown is incredible on the bass.(more…)
I don’t know of any other Pablo recording of the Duke from this era that has such big, open, clear, solid sound.VAL VALENTINdid the engineering, and as he has so often over the course of his storied career, he knocked it out of the park.
What both sides of this exceptionally good sounding Pablo pressing have to offer is not hard to hear:
The biggest, most immediate staging in the largest acoustic space
The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
Natural tonality in the midrange — with all the instruments of this stellar jazz combo having the correct timbre
Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we describe above, and for that you will need to take this copy of the record home and throw it on your table.(more…)
This original Verve Black Label LP plays M-. Top recommendation! One of the greatest duet albums of all time, if not THE GREATEST.
1. Can’t We Be Friends 2. Isn’t This a Lovely Day 3. Moonlight in Vermont 4. They Can’t Take That Away From Me 5. Under a Blanket of Blue 6. Tenderly 7. A Foggy Day 8. Stars Fell on Alabama 9. Cheek to Cheek 10. The Nearness of You
A superb sounding Pablo recording from 1976 – this copy gives you outstanding Double Plus (A++) sound or better from start to finish
We found the sound superb, but even better is the fact that with only three instruments – vibes, guitar (Joe Pass) and bass (Ray Brown) – each of the players has plenty of room to stretch out and have fun with the tunes
5 Stars: “The colorful repertoire — ranging from “The Pink Panther” and “Blue Bossa” to “Nuages” and “Come Sunday” — acts as a device for the musicians to construct some brilliant bop-based solos.”
DEMO QUALITY, MASTER TAPE SOUND (!) on BOTH SIDES! Hey, wait a minute, this is the direct to disc version, there is no Master Tape. How can it have Master Tape Sound?
Simple. It’s the RARE copy that actually sounds like this one. Most Eastwind pressings — like pressings on any label — do not convey all the information of the master tape that you know must exist because you HEAR it on some copies. Some Direct Discs have much more of the sound that was cut live directly onto the acetate than others. This is one of those, one of the ones with MUCH MORE SOUND!
This is my favorite piano trio record of all time. Joe Sample, Shelly Manne and Ray Brown only made one album together, this one, recorded direct to disc right here in Los Angeles for Eastwind in the Seventies. Joe Sample for once in his life found himself in a real Class A trio, and happily for jazz fans around the world he rose to the occasion. Actually it was more like an epiphany, as this is the one piano trio album I put in a class by itself. All three of The Three are giving us the best they’ve got on this one. When it comes to piano trio jazz, there is none better.(more…)
This Minty Verve LP with the old style paste-on back cover sounds great! Big sounding ’60s jazz with lively arrangements from Oliver Nelson and Jimmy Heath. Clark Terry’s trumpet and flugelhorn contributions play a major role in the festivities. This is cool, swinging ’60’s jazz at its best!
A lot of Verve records from this era are poorly mastered, but this one sounds just right to us.