Top Artists – Pink Floyd

The Wall Sounds Terrible on this Japanese “Audiophile” Pressing

More Pink Floyd

More The Wall

xxxxx

Sonic Grade: F

Presenting an old member of our Hall of Shame.

This Japanese Import is one of the dullest, muddiest, worst sounding copies of The Wall we have ever played. It is clearly made from a dub tape. 

And somehow this pressing, or one very much like it, ended up as a TAS List Super Disc. I would hope that the copy Harry played sounded a whole lot better than this one.

And the CBS Half-Speed is every bit as bad! Two Hall of Shame titles for the price of one.

“NEVER would I have thought a single record could make this kind of difference…”

pinkfdarks

pinkfdarkside180

Dan, our letter writer, is a new convert to the world of Hot Stampers. Although his system is modest by his own admission, the sound he was able to conjure up in his living room was “…a revelation…”
A good Dark Side can have that effect on you.

Hi Tom,
I received this DSOTM yesterday…

First I played the 180gm 25th anniversary release, so I listened to the first side. While it didn’t necessarily ‘grab’ me, I sat through and listened, with the assumption that I really needed to get a feel for this to do a somewhat critical A/B listening experience.

Then I put this Hot Stamper on.

From the very beginning, I heard vocals I never heard before, in my 12 years of listening to this album. There was such a dramatically engaging ‘dreamlike’ flow to the music, that I have never experienced before! The soundstage was so 3-dimensional, the speakers disappeared, and moment after moment, I completely forgot I was sitting in my living room!
(more…)

Roger Waters – The Pros and Cons of Hitch Hiking


Our White Hot Shootout Winner for 2017

xxx

  • An incredible Shootout Winning pressing with Triple Plus (A+++) sound on both side – this is absolutely As Good As It Gets
  • Like the recordings of Floyd, the sound is BIG, with lots of energy, excellent presence and real weight down low
  • The first copy to hit the site in years, this is a tough one to come by and few indeed sound the way this one does
  • “The Pros and Cons of Hitch Hiking continues to showcase Waters’ unprecedented knack of addressing his darkest thoughts and conceptions in a most extraordinary fashion. ” – Allmusic, 4 stars

See all of our Pink Floyd albums in stock

Let me tell you, it is no walk in the park to find a copy of The Pros and Cons of Hitch Hiking that sounds as good as this one and plays as quietly. Those of you who like Floyd’s The Final Cut will probably get a lot out of the album. (more…)

Listening in Depth to Pink Floyd – Wish You Were Here

More Pink Floyd

More Wish You Were Here

Listening in Depth

xxxxx

For those of you who aren’t familiar with the album, Pink Floyd managed to record one of the most amazing sounding records in the history of rock music. The song Wish You Were Here starts out with radio noise and other sound effects, then suddenly an acoustic guitar appears, floating in the middle of your living room between the speakers, clear as a bell and as real as you have ever heard. It’s obviously an “effect,” but for us audiophiles it’s pure ear candy.

In-Depth Track Commentary

Side One

Shine on You Crazy Diamond, Pts. 1-5

Right from the dynamic intro you can tell this is going to be a wild ride. David Gilmour’s haunting guitar line that comes cutting from out of the abyss should be warm with tons of room for his phasers to do their phasing.

After the band comes in and the vocals begin (listen for the man chuckling in the left channel) you should pay attention to the balance of the mix. Most copies tend to be very midrangy which can make the guitars aggressive and harsh, often times taking emphasis away from the vocals. The good copies have lots of transparency and allow everything to sit in their respectively places. This is probably most noticeable during the saxophone solo.

The tenor that starts off this section needs to be breathy, full-bodied, and sitting delicately in the center of your speakers. It does NOT need be be honky and hard sounding without any top extension. As the solo slowly crescendos, notice the guitar line spread across the soundstage that actually bookends the saxophone. The more dynamic copies really let you hear the intricacy and delicacy of his picking that foreshadows the time signature shift about to come. (more…)

Are All MoFis Created Equal? A Pair of Pink Floyd LPs Proved They Aren’t

pinkfdarks_5017_0511b

 

Many if not most audiophiles are still under the misapprehension that Mobile Fidelity, with their strict ’quality control’, managed to eliminate pressing variations of the kind we discuss endlessly on the site.

Such is simply not the case, and it’s child’s play to demonstrate how false this way of thinking is, assuming you have these four things: good cleaning fluids and a machine, multiple copies of the same record, a reasonably revealing stereo, and two working ears. With all four the reality of pressing variations for ALL pressings is both obvious and incontrovertible.

The discussion below of a Hot Stamper Pair of Dark Sides may shed light on some of the issues involved.
(more…)

Ranking the Most Tubey Magical Rock Recordings

A Space in Time

 

This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted. (Of course, as it turns out, recording technology only got worse as the decade wore on, and during the ’80s the sound of most records went off a cliff.)

Big Production British Rock & Roll just doesn’t get much better than A Space in Time.
(more…)

Expanding Space Itself on The Dark Side of the Moon

Dark Side of the Moon

pinkfdarks_1603_1_1123544238

Recently we played a copy with all the presence, all the richness, all the size and all the energy we ever hoped to hear from a top quality pressing of Dark Side of the Moon. It did it ALL and then some. The raging guitar solos (there are three of them) on Money seemed to somehow expand the system itself, making it bigger and more powerful than I have ever heard. Even our best copies of Blood Sweat and Tears have never managed to create such a huge space with that kind of raw power. This copy broke through all the barriers, taking the system to an entirely new level of sound.

Take the clocks on Time. There are whirring mechanisms that can be heard deep in the soundstage on this copy that I’ve never heard as clearly before. On most copies you can’t even tell they are there. Talk about transparency — I bet you’ve NEVER heard so many chimes so clearly and cleanly, with such little distortion on this track. (more…)