What’s especially interesting about this copy is that we went crazy for it even though it did not have the best bass of the copies we played, which, as you will see below, clearly contradicts what we had previously written. We thought that the copies with the best bass had the best everything else too, but that was not what we heard this time around.
THIS copy got the music to work its magic, and it did it with most, but not all, of the bass of the best. Not sure how to explain it. Rules were made to be broken maybe? (more…)
This KILLER pressing of Phil Manzanera’s debut album boasts Shootout Winning Triple Plus (A+++) sound from start to finish
Two stunning sides – Demo Disc quality sound barely begins to describe the size and power of this recording
This album is an amazing SONIC BLOCKBUSTER, with sound that will positively leap out of your speakers
A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his Engineering Masterpiece
The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.
Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more.(more…)
The best Island copies of this album ROCK HARDER than practically any record we’ve ever played. If you have the system for it, this one will bring a Live Art Rock concert right into your living room!
It’s right at the top of the list of my Favorite Albums — a Desert Island Disc if ever there was one. I stumbled across it more thirty years ago and I’ve loved it ever since. It all started when a college buddy played me the wildly original Tomorrow Never Knows from the album and asked me to name the tune. Eno’s take is so different from The Beatles version that I confess it took me an embarrassingly long while to catch on.
Sometime last year I noted on the site that I had finally figured out how to tell the good pressings from the not-so-good ones. I had been focussing on the wrong things in the shootouts I had done over the last few years, and in that I have the feeling I was not alone. This seems to be a fairly common Major Audiophile Pitfall that we all get stuck in on occasion.(more…)