A while back we discussed the kind of sound that Glyn Johns managed to get for the likes of Humble Pie and The Who: “But oh what a glorious sound it is when it’s working. There’s not a trace of anything phony up top, down low or anywhere in-between. This means it has a quality sorely at odds with the vast majority of audiophile pressings, new and old, as well as practically anything recorded in the last twenty years, and it is simply this: The louder you play it the better it gets.“
This is without a doubt a big speaker record, one that requires the highest-resolution, lowest-distortion components to bring out its best qualities. If you have a system like that you should find much to like here.
I bought my first copy in 1972 when I was still in high school and it quickly became one of my favorite records. All these years later it still is. It’s records like this that shaped my audio purchases and pursuits. It takes a monster system to even begin to play this record right and that’s the kind of stereo I’ve always been drawn to. A stereo that can’t play this record, or The Beatles, or Ambrosia, or Yes, or the hundreds of other amazing recordings we put up on the site every year, is not one I would be very likely to own. (more…)