Top Artists – Peggy Lee

Peggy Lee – In Love Again!

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  • KILLER sound for this original Capitol Rainbow Label stereo pressing with both sides earning Triple Plus (A+++) grades 
  • This vintage Capitol stereo pressing is rich, full-bodied and Tubey Magical – we’re talking All Tube Analog from 1963 after all – with relatively sweet, breathy vocals
  • Stick with stereo on this album. The Mono pressings — at least the ones we’ve played — aren’t worth anybody’s time (scratch that: any audiophile’s time)
  • “… 12 quality performances from a highly identifiable singer who is not shy about taking other people’s material and re-imagining it or about coming up with her own vehicles.”

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Peggy Lee – If You Go (1961)

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  • Stunning sound throughout with a Shootout Winning Triple Plus (A+++) grade on the second side and a solid Double Plus (A++) grade on the first
  • This vintage Capitol stereo pressing is rich, full-bodied and Tubey Magical – we’re talking All Tube Analog from 1961 after all – with wonderfully sweet and breathy vocals 
  • “… the man writing the charts here is Quincy Jones, and he is only occasionally interested in underscoring the heartbreak with suitably sad music… Lee responds to the music with a world-weary tone, but an occasional swing in her step, as if this is not her first romance, nor her first one to go wrong.”

This vintage Capitol pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Peggy Lee – Latin ala Lee! – S&P (Reviewed in the ’00s)

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Not sure if we would still agree with what we wrote back in the 2003 when this record came out, but here it is anyway.

The Record of the Year for 2003. I know how crazy that sounds, but it’s true! If you don’t have a smile on your face fifteen seconds after playing track one, you better check your pulse, cuz, as the famous song has it: Jack, You Dead. Amazingly good sound, courtesy of a fabulous and painstakingly difficult remix by the mastering guru himself, Steve Hoffman. This is popular music for the previous generation — but why should we be denied these long forgotten treasures? (more…)