Top Artists – Paul Desmond

Paul Desmond – Skylark – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

An A+++ side one backed with an A+ to A++ side two, both on quiet vinyl! We just finished our first big shootout for this fun album that features Gabor Szabo on guitar and this was one of the best copies we heard, especially on the first side where nothing else could compare.

Side one has got that CTI magic that you only get on their very best pressings. The sound is lively, full-bodied and tonally correct from top to bottom. It’s also very open and transparent, giving you lots of space between the various instruments. The top end is Right On The Money — listen to how natural and correct the ride cymbal sounds on the opening number. Most copies we played had a tendency to sound recessed and reserved, but this one has the kind of presence and energy that this music needs to sound ALIVE. A+++ all the way! (more…)

The Dave Brubeck – Time Further Out – Our Stereo Shootout Winner from 2011

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A distinguished member of the Better Records Jazz Hall of Fame .

This Columbia Original Six-Eye Label Stereo pressing is the new ALL TIME CHAMPION for this album, with two INCREDIBLE A+++ sides and surprisingly quiet vinyl for a record this old! We just finished a big shootout for Time Further Out and this copy was the best BY FAR. It gives you big drums, incredible spaciousness, tight bass, extended highs and wonderful clarity. I don’t think you could find a better sounding copy no matter what you did!    (more…)

The Dave Brubeck Quartet – Time Changes – Our Shootout Winner from 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

Side one is solid and warm. Note that the sax and piano are lively and present on track three, one of the better sounding tracks and one we used to test with in our shootout.

On side two of many copies the orchestra sounded dry, and sometimes aggressive when loud, but on this copy the sound stayed smooth and full. Note how breathy Desmond’s sax is.

  • This 360 copy has Super Hot sound on side one – big, solid and warm
  • Super Hot on side two – richer and tubier than most
  • More superb sound from the legendary CBS 30th street studios in New York
  • The fourth entry in Brubeck’s time signature series of classic jazz albums 

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The Dave Brubeck Quartet – Time Further Out – Our Mono Shootout Winner from 2010

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A distinguished member of the Better Records Jazz Hall of Fame for this amazing MONO LP.

This Columbia Six-Eye pressing is THE BEST SOUNDING MONO COPY OF THIS ALBUM WE’VE EVER HEARD! The better Mono pressings of this album give you extra immediacy, more solidity to the drums, and energy like you wouldn’t believe. That makes the drum solo on side two sound OUT OF THIS WORLD. Most copies are congested and veiled, but not this one! The sound is spacious and transparent with wonderful presence. You will not believe how lively it is! 

Both sides are rich and full-bodied with lots of sweetness and extension up top. The energy and transparency are wonderful. The bass is a bit tubby, but that’s what you get on these vintage Six Eye pressings. It’s worth it when there’s as much tubey magic as you get on this pressing. (more…)

The Dave Brubeck Quartet – Time Out

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A distinguished member of the Better Records Jazz Hall of Fame.

This time around no other copy of Time Out could touch our good Six Eye Stereo pressings — they were in a league of their own.

If you’ve been with us for a long time you may remember that this was not always the case. We used to really like some 360s as I recall, as well as the original mono pressing. This time around, not so much. 

This time around most everythings’s different. Allow us to explain.

1. Our stereo is different; we’ve made quite a number of changes to it since our last big shootout for Time Out a few years back.

2. We’re different; we have better (I would hope) listening skills. In fact I’m sure we listen for different qualities in a recording than we might have years ago.

3. Even more importantly, we don’t have the same pile of pressings we had years ago. They’re gone, replaced by a new batch. This new batch had some killer original pressings, some good 360s, and not much to speak of on the later labels.

With a different batch we might have found a great sounding 360 pressing; we have to believe they exist, and we certainly can’t say that our best copy here could not have been bettered in some way. That would be foolish; anything can be bettered. But for us, in 2014 (and probably through 2015), this is it. This is the right sound. (more…)

Dave Brubeck Quartet – 25th Anniversary Reunion – Reviewed in 2005

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A distinguished member of the Better Records Jazz Hall of Fame.

This album has SURPRISINGLY GOOD SOUND and even more SURPRISINGLY GOOD MUSIC! Who would have thought that these old goats still could still play jazz at this level? Especially Joe Morello on the drums — this guy drums up a storm, especially during his solos on the first track. He’s always been one of the strongest members of the foursome. But everybody here is good, and they do both their famous songs and some that they’re less well known for.   (more…)

The Dave Brubeck Quartet – Time Out – Our Shootout Winner from 2011

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A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING A+++ SOUND AND QUIET VINYL ON BOTH SIDES! Breathtakingly spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy does everything we want it to.

Listen to the drums on Everybody’s Jumpin’ . This album was recorded on a big sound stage and there is a HUGE room which can clearly be heard surrounding the drum kit. Add to that that some of the drums are in the left channel and some of the drums are in the right channel and you have one big drum kit — exactly the way it was intended to sound. (more…)

Paul Desmond & Gerry Mulligan – Two Of A Mind

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A distinguished member of the Better Records Jazz Hall of Fame.

THIS is the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There actually IS a CD of this album, and youtube videos of it too, but those of us with good turntables could care less.

And if you have an especially good turntable and the system that goes with it, we think you will find a world of difference in the sound of our Hot Stamper early pressing and any of the Heavy Vinyl records being produced of this very title. (more…)

Dave Brubeck Quartet – Time Further Out’s Engineering – When Less Is More

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FRED PLAUT is one of our favorite recording and mixing engineers. His work on Time Further Out speaks for itself — we think it’s the best sounding Brubeck recording of them all. 

We could find no information about the venue for this recording. It might be the Columbia Studios known as “The Church” — that would explain the amazing sound quality of the album — but it may just be Plaut’s engineering prowess in another location that makes this some of the best sound to be found on any Brubeck record.

Frederick “Fred” Plaut was a recording engineer and amateur photographer. He was employed by Columbia Records during the 1940s, 1950s, and 1960s, eventually becoming the label’s chief engineer.

Plaut engineered sessions for what would result in many of Columbia’s famous albums, including the original cast recordings of South Pacific, My Fair Lady, and West Side Story, jazz LPs Kind of Blue and Sketches of Spain by Miles Davis, Time Out by Dave Brubeck, Mingus Ah Um and Mingus Dynasty by Charles Mingus.

Wikipedia

Mark Wilder was interviewed about the recording of these Fred Plaut sessions.

Fred Plaut and Frank Laico were two of Brubeck’s recording engineers. Plaut is a true balance engineer; he’s my idol. I don’t know how he could pull off what he did in three hours.

He continued:

It’s amazing how well-recorded the group was back then. The sound is so three-dimensional, bigger than life.

Yet it’s amazing how little the engineers did to get that sound. They just put one mic a few feet from each instrument, and mixed live to 3-track—for left, center, and right. Then they edited the tape and mixed down to 2-track.

The old stuff sounds better than what we’re doing now. We’ve been going in the wrong direction sound-wise for many years. The layout of the stereo stage was more realistic then, too. Drums were on the left, piano on the right, sax and bass in the middle. (more…)

Paul Desmond – Desmond Blue

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Desmond Blue

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  • Paul Desmond’s phenomenal 1962 release finally arrives on the site, boasting outstanding Double Plus (A++) sound from first note to last
  • This is vintage Sixties Living Stereo at its best – big, rich and Tubey Magical like you will not believe
  • A “highly innovative and meticulously crafted work,” this collection is brimming with delightful jazz classics, including “My Funny Valentine,” “I’ve Got You Under My Skin,” and “Body and Soul”
  • 4 stars: “… lush, reflective, thought-provoking, and soul-stirring. This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These original Living Stereo pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)