An outstanding copy of Coleman’s sophomore release, with solid Double Plus (A++) sound from first note to last – reasonably quiet vinyl too
Our Contemporary Yellow Label Stereo LP here has have breathy, full-bodied brass and lots of tight, well-defined bass
The top end is nicely extended, which results in excellent space, transparency and clarity
4 stars: “…this is one of the things that came to define Ornette — his willingness to let simplicity and its bright colors and textures confound not only other players and listeners, but also him too.”
The drum sound is OUT OF THIS WORLD — Roy Du Nann always seems to get amazing sound out of Shelley Manne’s kit. Listen to the interplay between Ornette and Don Cherry — they really drive each other to insane levels over the course of the album.(more…)
A KILLER sounding Atlantic pressing with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
Both sides here are super rich and Tubey Magical yet still clean and clear with tons of energy and plenty of extension on both ends
“It’s an understatement to say that Ornette Coleman’s stint with Atlantic altered the jazz world forever, and Ornette on Tenor was the last of his six LPs (not counting outtakes compilations) for the label, wrapping up one of the most controversial and free-thinking series of recordings in jazz history… far ahead of its time.” – All Music
EXCELLENT A++ SOUND and QUIET VINYL for both sides of this great Ornette Coleman Blue Note album. Ornette’s music clearly isn’t for everyone, but you’ve got to hand it to the guy when it comes to getting good sound on his records. We’ve heard a number of Ornette records that had excellent sound, the trick is finding the ones that sound good and aren’t so crazy musically that there’s still appeal to the average audiophile. This one’s a bit out there for sure, but we enjoyed it — the excellent sound throughout helped the music make sense.
Of course, good recordings don’t always get you good sounding records, and this 2-pack helps prove that point. Each of these copies had one great sounding side backed with a flip that was much more typical. Fortunately, we ended up with an A++ side one and an A++ side two, which allowed us to pair them up. If you want to see just what the Super Hot Stampers give you that the average copy lacks, it’s as easy as flipping either record over and playing the side that didn’t earn a Hot Stamper grade. And as always, if you want to leave the tedium of playing mediocre sounding vinyl to the guys who sit through stacks of it every day (that’s us, natch), don’t worry — there won’t be a quiz at the end!
The sound on the A++ sides is bigger and livelier with more presence, better clarity and more extension up top. You get tighter bass with more weight, and more air and texture to the brass. If you’ve got a taste for free jazz, I think you’ll be very impressed with the winning sides.(more…)
WONDERFUL SOUND and QUIET VINYL on both sides! We played a stack of these and this was clearly one of the better copies, rating above A+ on both sides. This one has the old RCA tubey magic, that’s for sure! The sound is rich, full, natural and warm throughout. I bet you don’t have anything like this in your collection — it’s a very cool record!
If you’re looking for something different that sounds great and have a taste for adventurous music, give this one a try. We certainly enjoyed it.
This is not your typical Ornette Coleman album (is there such a thing?) — this album features music Coleman composed performed by a Woodwind Quartet on the first side (including trumpet interludes from Ornette) and a Chamber quartet on the second side.(more…)
This is a Blue Note LP with EXCELLENT sound! We didn’t have enough clean copies to do a shootout, but you can be sure that each side rates at least an A+ for sound.
Side one has tons of energy, gorgeous highs and a nice deep bottom end. Side two is rich and full-bodied with wonderfully textured brass. This is a superb copy with sound that does this complex music justice.
Whether you’ll like the music or not is another question — this is free form jazz; not everybody’s into it, that’s for sure. Ornette Coleman, though, is undeniably one of the masters of this genre. If you have a taste for adventurous, avant garde jazz, this is an excellent record for you both musically and sonically.(more…)
Outstanding sound throughout; Triple Plus (A+++) on the second side and Double Plus (A++) on the first
Both sides are big, full-bodied, clean and clear with lots of deep punchy bass and a nice extended top end
It’s not quite as ‘out there’ as some of his better known material, but those of you with a taste for adventurous jazz will still find much to love here
“… the most important thing about Something Else! was that, in its angular, almost totally oppositional way, it swung and still does; like a finger-poppin’ daddy on a Saturday night, this record swings from the rafters of the human heart with the most unusually gifted, emotional, and lyrical line since Bill Evans first hit the scene.” – All Music, 4 1/2 Stars
For us audiophiles the sound is shockingly good. If you’re looking to demonstrate just how good 1958 All Tube Analog sound can be, this killer copy will do the trick.(more…)