Top Artists – Neil Young

If you think this Neil Young record on Heavy Vinyl sounds good…

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Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Some reviewers loved it, we of course hated it, so what else is new? If you think this record sounds good, one thing is certain: you don’t own many — or any — good sounding Neil Young records. 
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Listening in Depth to Harvest

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Harvest.

Many copies we played would work for the heavy songs and then fall short on the softer numbers. Others had gorgeous sound on the country-tinged numbers but couldn’t deliever any whomp for the rockers. Only a select group of copies could hold their own in all of the styles and engage us from start to finish; we’re pleased to present those exceptional pressings as the Hot Stamper copies of Harvest that so many of you have been begging for.

Harvest is undeniably one of the most beloved albums in all of classic rock. We get letters all the time from customers hoping to get their hands on Hot Stamper copies, but we’ll never have the supply to keep up with the demand. It’s a tough nut to crack, because a Hot Stamper Harvest has to get so many things right — the lovely pedal steel guitar on Out On The Weekend, the LSO on A Man Needs A Maid and There’s A World (engineered by Glyn Johns), Neil’s grungy electric guitar on Alabama, and so much more.


In-Depth Track Commentary

Side One

Out on the Weekend

We love the sound of the drums on Neil Young records — think of the punchy kick drum on After The Gold Rush and the punchy thwack of the snare on Zuma. On the best copies, this song should have the kind of BIG, BOLD Neil Young drum sound we’ve fallen in love with. The pedal steel guitar sounds out of this world on our Hot Stampers. (more…)

Neil Young – Old Ways – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • A surprisingly good sounding album, with Triple Plus (A+++) sound from start to finish
  • Both sides here are incredibly big, full-bodied and energetic, with wonderfully present vocals and a huge bottom end – not bad for 1985
  • Neil’s unabashed country album (hello Waylon Jennings!) has been a long time coming; it’s the first copy to hit the site in over five years
  • We guarantee this one will make your MoFI pressing sound like the bad joke it was back in 1996 or your money back and then some

See all of our Neil Young albums in stock

We just finished a major shootout for Neil’s country-fried album from the mid-’80s and this was one of the best copies to hit our table. Most of the pressings we played were too gritty and grainy to hold our interest, but this one was sweeter and smoother by a country mile!

This is Neil heading out to the sticks with his buddies, authentic country greats such as Willie Nelson, Waylon Jennings and others (nice friends to have), doing what Neil loves to do — making the music that HE wants to make, not the music that anyone else wants him to, including David Geffen and his lawyers. Old friend Ben Keith (a huge part behind the sound of Harvest) shows up with his pedal steel guitar on a couple tracks. (more…)

Neil Young – Time Fades Away


Our White Hot Shootout Winner for 2017

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  • Triple Triple! Only the second Top Copy of this album to EVER hit the site
  • Both A+++ sides are big, rich and full-bodied with wonderful size and separation
  • Never released on CD, this is probably the toughest Neil album to come by
  • “Time Fades Away ranks with the bravest and most painfully honest albums of his career — like the tequila Young was drinking on that tour, it isn’t for everyone, but you may be surprised by its powerful effects.” — Allmusic, 4 stars

See all of our Neil Young albums in stock

Unlike most “live” albums this one was cut direct-to-disc with no fixes or overdubs, and on the best pressings that warts-and-all approach really pays off. There’s real openness, and the tonality on the better copies is both rich and sweet. This kind of sound has the potential to put you right in the front row. Unlike most “live” albums this one was cut direct-to-disc, with no fixes or overdubs, and on the best pressings that warts-and-all approach really pays off. There’s good weight, real openness, and the tonality on these better copies is both rich and sweet. This kind of sound can put you right in the front row.

Finding a copy like this is no walk in the park. The stamper numbers are all over the map, providing little if any guidance. Also, since the album didn’t sell all that well and was never released on CD, there just aren’t that many clean copies floating around. Complicating matters even further, the eight songs here were recorded at seven different shows, so the sound, of course, varies a bit from track to track. It took a long time and a lot of work to make sense of it all, but you Neil Young fanatics are going to get a thrill out of the sound on a Hot Stamper copy — guaranteed. (more…)

Neil Young – After The Gold Rush – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • A KILLER copy with a Triple Plus (A+++) side one and a Double Plus (A++) side two
  • Stunning classic rock sound: rich, full-bodied, warm, punchy, dynamic and clear
  • One of our favorite classic rock albums for music and sound, arguably Neil’s best
  • Allmusic 5 Stars, A Top 100 title, and a Demo Disc that is guaranteed to knock your socks off
  • “It’s a magnificent, style-setting album which saw the Canadian’s elevation to rock hero. For those who like their emotion raw.”

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Folks, a Hot Stamper collection of the Greatest Records of All Time would not be complete without a knockout copy this album, that’s why it’s been a Better Records All Time Top Ten Rock Title right from the start. (more…)

Neil Young – Comes A Time

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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Neil Young – Comes A Time

Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours), and a Forgotten Classic from 1978.

So many copies we played just sounded flat, with dull guitars and hard vocals. Some made Neil sound like he was singing from the back of the studio. Still others noticeably lacked leading edge transients of any kind, blunting the attack of the various stringed instruments.

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Believe me, a Neil Young record with dull guitars is not worth playing, owning or writing about. You won’t find one on our site.

But there’s one very special quality that this recording has that few of his others do: lovely female vocal harmonies. Nicolette Larson is all over this record, adding an extra layer of mellow magic to the proceedings. Maybe it’s the woman’s touch that makes this album so relaxed and heartfelt. Neil is completely and utterly in the zone here, so whatever put him in that special state of mind is fine by me. (To quote Mr. Young himself, A Man Needs a Maid.)

As for the music, all of side one is wonderful from start to finish; I wouldn’t change a note. Side two is not as strong musically, but the sound can be every bit as good if you’ve got the right pressing, that’s for sure. (more…)

Listening in Depth to Crosby, Stills, Nash & Young – So Far

 More So Far

More Crosby, Stills, Nash and Young

More entries in our Listening in Depth series

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For example, on Find the Cost of Freedom the best copies have DEMO DISC QUALITY SOUND. You could say everything that needs to be said about the beauty of analog with this one track alone. It’s not even two minutes long, but it’s two really wonderful minutes of Crosby, Stills, Nash & Young at the height of their powers. The voices should sound as sweet and as silky as any CSN three part (four part?) harmony you have ever heard. This song rivals Helplessly Hoping for vocal blend.

In-Depth Track Commentary

Side One

Déjà Vu

When you get a good copy of this album, this song sounds like it was lifted right off of a Hot Stamper copy of Deja Vu itself. It’s so rich and Tubey Magical you’d swear it couldn’t get any better. Huge amounts of deep bass. Acoustic guitars that ring for days. Midrange magic to die for. Not many of them sound this way, unfortunately.

If I could indulge in some more MoFi and Half-Speed bashing for a moment, the bass “solo” at the end of this song is a great test for bass definitition. The notes are relatively high, and it’s easy for them to sound blurred and wooly. The MoFi, like virtually all Half-Speed mastered records, has a problem with bass definition. If you own the MoFi, listen for how clearly defined the notes are at the end of this track. Then play any other copy, either of So Far or Deja Vu. It’s a pretty safe bet that the bass will be much more articulate. I know how bad the MOFI is in this respect. Rarely do “normal” records have bass that bad.

Stephen Barncard Does It Again

Listen to this song and compare it to anything on the Barncard-engineered first solo LP by David Crosby. That is the sound of Barncard’s engineering — open, spacious, rich, sweet; tons of deep bass; absolutely no trace of phony eq on vocals; acoustic guitars that ring for days — the man is a GENIUS. Thank god he was involved with music of this quality. If only more of the LP pressings did a better job of revealing the exquisite beauty of the recordings themselves. (I suppose that burden must be carried by the few Hot Stamper copies we can dig up.) (more…)

Crosby, Stills, Nash & Young – 4 Way Street

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Our Latest Shootout Winner

  • An honest to goodness Top Copy, with two Triple Plus (A+++) sides and two Double Plus sides – this is about as good as it gets, folks
  • If you want to hear Crosby, Stills, Nash and Young rock out live in your listening room, this is the pressing that can do it
  • Bill Halverson did a great job but you have to work your tail off to find a copy that does his brilliant engineering justice. Sad, isn’t it?
  • Rolling Stone raves that “Crosby, Stills. Nash, and Young are all performers of unquestionable talent, and mostly because they stay out of each others’ way, 4 Way Street must surely be their best album to date.”

If you want to hear Crosby, Stills, Nash and Young rock out live in your listening room, this copy will let you do it. It’s not easy to find good sound on even one side of this album, let alone all four! (more…)

After the Gold Rush – What a Record

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This is amazing copy of AFTER THE GOLD RUSH and a member of our Rock Hall of Fame.

It’s an album we admit to being just a bit obsessed with. We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

Folks, your Hot Stamper collection is just not complete without a knockout copy of After The Gold Rush; that’s why we’ve named it a Better Records All Time Top 100 title. We built our reputation on finding records that sound like this, because who else can find a copy of this album that delivers so much magic? When you drop the needle on any track on side two, you’ll know exactly why we are able to charge these kind of prices for a record like this — because on the right system, it’ll sound like a million bucks! (more…)