ABSOLUTELY STUNNING SOUND for this White Hot Stamper pressing!
Both sides cannot be beat — both have the BIG M.J. SOUND that jumps from the speakers and fills the room. We’ve never a copy that was so full of ANALOG MAGIC!
The vocals are PERFECTION — breathy, full-bodied, and present. The overall sound is open, transparent, and PUNCHY with rock solid bass. The top end is extended and sweet, with tons of ambience the likes of which I’ve never heard before.
Normally when you have a copy with plenty of presence it’s somewhat sibilant in places. Not so here. For some reason this copy has all the highs, but it’s cut so clean it practically doesn’t spit at all. Even on the song I Can’t Help It, which normally has a problem in that respect. Since that’s my favorite song on this album, and probably my favorite MJ song of all time, hearing it sound so good was a revelation.
Better Sound than Thriller?
Yes. As consistently brilliant as Thriller may be musically — it is the biggest selling album of all time after all — speaking strictly in terms of sonics the sound of the best copies of Off the Wall is substantially sweeter, tubier, more natural, richer, and more ANALOG than Thriller.
Thriller is clearly more aggressive and processed-sounding than Off the Wall. The Girl Is Mine or Human Nature from Thriller would fit just fine anywhere on Off the Wall, but could the same be said for Beat It or Thriller? Just thinking about them you can hear the artificiality of the sound of both those songs in your head. Think about the snare that opens Beat It. I’ve never heard a snare sound like that in my life. Practically no instrument on Off the Wall has that kind of overly processed EQ’d sound.
Choruses Are Key (more…)