At about the two minute mark the big chorus in Watching the River Run is also a great test for weight, resolution, dynamic energy, and freedom from strain in the loudest parts. When the whole band is projecting, really belting it out, the shortcomings of practically any copy will be most evident. It was a key test every pressing had to pass.
When the music gets loud you want it to get better, with more size, energy and, especially, emotional power, just they way it would be heard in concert. Any strain or congestion in the choruses results in the loss of serious points. (This is of course one of the biggest issues we have with Heavy Vinyl — it never gets up and it never gets going the way real records do. “Boring” is the adjective we most commonly use to critique the few we hear, and who wants to listen to boring records?)
Practically all copies have a midrange equalization problem, with a lack of lower mids and boosted upper mids, which often thins out the vocals and leads to hardness and honkiness.
The better copies manage to keep the EQ anomalies within bounds while giving us full-bodied pianos; rich, lively vocals, full of presence and brimming with enthusiasm; harmonically-rich guitars, and a three-dimensional soundstage that reveals the space around them all. (more…)