Top Artists – Linda Ronstadt

Linda Ronstadt – Heart Like A Wheel – Cisco Reviewed

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Sonic Grade: C

This pressing beats the typical Capitol LP, which is an aggressive, grainy piece of crap. Take my word for it: I easily have 30-40 copies of this album, and I can tell you from years of experience that it is extremely difficult to find good sounding pressings of this music. Cisco has done a service to the audiophile community by producing a very enjoyable LP of this, Linda’s masterpiece. It’s music that belongs in your collection. (If you have the bread, check out our Hot Stamper copies, guaranteed to kill any modern pressing — including this one — or your money back.) 

Cisco’s verison is completely free from compression of any kind, and sometimes that works in favor of the overall sound and sometimes it doesn’t. I may have additional commentary discussing these issues down the road, but for now let’s just say you will have a hard time finding a better copy of Heart Like A Wheel on vinyl. And of course, virtually no Capitol pressing is ever going to be as quiet as one of these lovely 180g RTI LPs.

Something Phony This Way Comes

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Here’s what we learned when doing our most recent shootout.

Many copies sounded like they were half-speed mastered.

They had a little something phony added to the top of Linda’s voice, they had a little bit of suckout right in the middle of the midrange, the middle of her voice, and they had a somewhat diffuse, vague quality, with sound that lacked the SOLIDITY we heard on the best pressings. These hi-fi-ish qualities that we heard on so many copies reminded us of the kind of audiophile sound we decry at every turn. We’ve played literally hundreds and hundreds of MoFis and other half-speed mastered records over the course of the last twenty years, and one thing we know well is That Sound.
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The Recordings of Linda Ronstadt – These Are Some that Didn’t Make the Grade

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More Albums that Didn’t Make the Grade

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These are just some of the recordings by Linda Ronstadt that we’ve auditioned over the years and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame

Free Service provided to the Audiophile Public, courtesy of Better Records.

Linda Ronstadt Albums with Hot Stampers

Linda Ronstadt Albums We’ve Reviewed

Linda Ronstadt – Rockin’ Out on Simple Dreams

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More Simple Dreams

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Clearly this is one of Linda’s best albums, and I would have to say, based on my fairly extensive experience with her recorded output, that it is in fact THE BEST SOUNDING record she ever made. I love Heart Like a Wheel, but it sure doesn’t sound like this, not even on the Triple Plus copies that win our shootouts. 

Kudos once again must go to VAL GARAY, the man behind so many of our favorite recordings: James Taylor’s JT (a Top 100 title), Andrew Gold, Prisoner In Disguise, etc. (more…)

How Exactly Is This an Audiophile Record?

 

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Linda Ronstadt – What’s New

Not having played this record in more than a decade, it’s interesting to hear this Mobile Fidelity pressing with much better equipment than was previous available to me. The first thing I noticed was the amazing transparency of the recording, no doubt the reason audiophiles have always liked it.

Next on the list, and a bit of a surprise, is the correct tonality — this record is tonally right on the money, something Mobile Fidelity rarely achieves. This MoFi was mastered by Jack Hunt, not Stan Ricker, which may explain why the top end is more correct than usual.

Third and last is George Massenburg’s approach to this recording, which, to be charitable, is not to my liking. Let’s just say he prefers a certain artificiality to his sound that does little for me. (more…)

You’ll Be Crying When You Get This Piece of Crap on Your Turntable

Don’t Cry Now

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Sonic Grade: F

A Hall of Shame pressing and another MoFi Audiophile LP debunked.

You’re looking at one of the worst audiophile disasters in recent memory. Talk about dead as a doornail sound, folks, if you own this pressing, take it from us, you don’t know what you’re missing. Buy the next domestic copy you spot at your local record store for five bucks and find out. No way it can sound as bad as this compressed, lifeless, dull “audiophile” record.
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Listening in Depth to Heart Like a Wheel

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real  depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold. (more…)

Today’s Heavy Vinyl Mediocrity – Linda Ronstadt’s Greatest Hits on DCC

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[This review was written many years ago, around 2004 I think.  This was one of the first DCC records I did a shootout with against regular TML domestic pressings and found wanting.]

Sonic Grade: C

As much as I admire Steve Hoffman’s work for DCC, on this title the DCC is not as good as the best domestic copies. The best domestic pressings are leaner and meaner than the DCC, and just plain more fun. The DCC sounds thick in the midrange and fat in the bass, although some of that boost in the bass could have been used to the advantage of some of the domestic pressings we played. 1 DB or so at 50-60 cycles would help, but the DCC has a boost in the middle and upper bass that causes the bass to sound bloated next to a good pressing.  (more…)