With two seriously good Double Plus (A++) sides, this was one of the better sounding copies we played in our recent shootout – exceptionally quiet vinyl too
The presence is superb — turn it up good and loud and you’ll be right there at the Jazz Corner of the World with Blakey and the boys, circa 1960
4 1/2 stars: “Mixing up standards and favored originals from peer group composers, the band is, in the vernacular of the era, cooking… this band was as definitive a modern jazz ensemble as there ever was, and the immaculately chosen repertoire elevates this to one of the greatest live jazz session ever, and belongs on the shelf of all serious jazz listeners.”
There’s lots of deep, note-like bass to go a long with plenty of extension up top. The transparency is mindblowing — you can really hear the sound of the musician’s breath moving through the horns.(more…)
With a sonic grade of A+++ this White Hot Stamper original CTI pressing has a side two that won Top Honors in our recent shootout. It’s CLEARLY the best sounding side we have ever offered of this funky jazz classic, but it has serious condition issues, including a mark that plays at the end of track one all the way into track two. If you can live with that mark you will hear some amazing sound and music on side two. And if you buy this copy and realize you can’t, feel free to send it back for a full refund.
We ran into lots of condition problems with this album; perhaps your experience has been the same. Not many played anything close to Mint Minus, including this one.(more…)
Both sides are open, spacious and transparent, with a lovely and quite extended top end. Just listen to the trumpet solo on ’A Night In Tunisia’; you can really hear the leading edge transients. The baritone sax played by the estimable Pepper Adams also sounds particularly nice throughout the record.
Side One – Record One
Big, open and rich, with tight bass and a huge baritone sax, we found this side Hard To Fault.
Side two of this copy badly lacked warmth, which is a deal killer for us. That “clean” Heavy Vinyl sound drives us up a wall.(more…)
This SHOCKINGLY QUIET Blue Note NYC Label Stereo pressing is the one of the VERY BEST SOUNDING COPIES OF THE SIDEWINDER WE’VE EVER HEARD! When we dropped the needle on this one, we immediately stopped listening critically and just began enjoying the album. That’s the sign of an exceptional copy — the sound gets out of the way and the music becomes the point.(more…)
This QUIET, hard-to-find Blue Note Blue Label LP has EXCELLENT SOUND AND MUSIC! It’s transparent, open and spacious with deep, tight bass. The piano has nice weight to it and the trumpet has the right amount of bite.
The lineup here is fantastic, including Grant Green, Herbie Hancock, Billy Higgins, Wayne Shorter, and Reginald Workman.
No copy we played against it nor any copy we can remember ever hearing sounded any better to us. Both musically and sonically, this is Blue Note at its best!
There’s LIFE and PRESENCE the likes of which you almost never hear on ANY jazz record. The sound is rich and full, from the extended top end all the way down to the deepest bass.
The trumpet on this album is NEAR PERFECTION! It sounds just right to us — tonally correct with lots of texture and wonderful leading edge transients. The drums, played superbly by Billy Higgins, sound amazing as well. Just listen to the ride cymbal to hear how extended the top end is. The bottom end is Right On The Money as well — deep, punchy, and well-defined.(more…)