Outstanding Double Plus (A++) sound can be found on both sides of this wonderful Bill Evans album, a Better Records favorite since we first heard it some years ago
Evans is joined by an all-star lineup of Harold Land, Kenny Burrell, Ray Brown and the great Philly Joe Jones
Sonic highlights include a breathy, full sax; a big, solid piano; well-defined acoustic bass; and guitar tone that’s tubey and warm
“Most of pianist Bill Evans’ recordings were in a trio format, making this quintet date a nice change of pace… the results are quite tasteful and explorative in a subtle way.”
There aren’t too many ’70s jazz records that sound like this. The music is wonderful as well, and Evans is joined by an all-star lineup of Harold Land, Kenny Burrell, Ray Brown and the great Philly Joe Jones.
We were shocked to hear how good this album can sound on the right pressing. It has that natural, realistic feel that you get on the best Contemporary recordings. We don’t know what more you could do to make this music sound any better than it does on our best copies.
The sax is breathy and full, the piano is big and solid, the acoustic bass is well-defined with real weight and the guitar tone is tubey and warm. Hard to imagine that there are too many audiophiles with a substantial number of jazz records in their collection that sound as good as this (our own Hot Stampers excluded of course)!(more…)
Back at the Chicken Shack makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it on this New York label mono pressing
Joining Jimmy Smith is one of our favorite bluesy sax players, Stanley Turrentine – just play Kenny Burrell’s Midnight Blue to hear him at this best, and Burrell is especially good here too
Credit must go to Rudy Van Gelder once again for the huge space this superbly well-recorded quartet occupies
5 stars: “Recorded in 1960 with Kenny Burrell on guitar, Donald Bailey on drums, and Turrentine, the group reaches the peak of funky soul jazz that all other challengers of the genre would have to live up to.”
Tjader’s 1965 Latin Cool Jazz release – dubbed “Mambo Without a Migraine” – arrives with Shootout Winning Triple Plus (A++) sound throughout
Rich, smooth and Tubey Magical, this pressing was simply bigger, livelier and more palpable than any of the other copies we played
Superb engineering by Rudy Van Gelder – Soul Sauce features jazz legends Kenny Burrell, Donald Byrd, and Jimmy Heath
4 stars: “Soul Sauce is one of the highlights from Tjader’s catalog with its appealing mixture of mambo, samba, bolero, and boogaloo styles… he dodged the “Latin lounge” label with an album full of smart arrangements, subtly provocative vibe solos, and intricate percussion backing.”
Verve Stereo LP with RVG Stampers and very good sound. This album has that analog richness, warmth and smoothness that we prize so highly here at Better Records. Jimmy does some pop tunes, some Ellington and more on this one, which has a real funky feel to it, with Jimmy really getting into it and grunting along with the music in places.
This copy (especially on side one) was just plain bigger and richer and tubier, as well as more dynamic than the others we played.(more…)
As part of our recent shootout for the album we played what turned out to be a later reissue. According to my research it’s most likely from the late ’70s or early ’80s.
As a general rule we make a point to go out of our way to play practically any copy we can get our hands on, in the off chance that a reissue will beat the original. It’s happened plenty of times. Those of you with White Hot Stamper shootout winning copies of some of our favorite titles know what I’m talkin’ about.
Imagine our surprise when this pressing — in a stereo jacket with the label you see in the picture with the word “stereo” printed right on it — turned out to be deadMONO!
The sound was godawful — small, flat, and bereft of the ambience that makes this recording so enjoyable. The same would probably be true for the mono originals but since I haven’t played one of those in decades I will just say that that would be no more than a guess, to be taken for what it’s worth
Yet another reason not to believe a word you read on an album jacket or label.
A public service from your record loving audiophile friends here at Better Records.(more…)
This outstanding pressing of Ray Charles and Milt Jackson’s 1958 collaboration boasts solid Double Plus (A++) grades or close to them on both sides – exceptionally quiet too
Wonderful sound from start to finish — full-bodied and warm with wonderfully sweet vocals
Kenny Burrell lends his innovative guitar stylings to this soulful jazz collaboration
4 1/2 stars: “With Oscar Pettiford, Connie Kay, and Kenny Burrell in the various lineups, this is bluesy jazz in a laid-back manner; it surprised many hardcore R&B fans when these albums were originally issued.”
This wonderful pressing has superb sound throughout! It’s EXTREMELY rare to find a stereo copy of this title in anything but beat condition.(more…)
An outstanding copy of this amazing RVG recording with solid Double Plus (A++) sound or BETTER throughout
One of our All Time Favorite Blue Note albums for music and sound – is there a better bluesy Jazz Guitar album?
Both sides are rich, full and Tubey Magical with excellent clarity and a lovely bottom end
AMG 5 Stars – if there were a Top 100 Jazz List on our site, Midnight Blue would be right up at the top of it
Jazz Improv Magazine puts the album among its Top Five recommended recordings for Burrell, indicating that “[i]f you need to know ‘the Blue Note sound’, here it is.”
Midnight Blue is our favorite Kenny Burrell album of all time, at least in part because it’s one of the All Time best sounding Blue Notes.
If you already own a copy of Midnight Blue and you don’t consider it one of the best sounding jazz guitar records in your collection, then you don’t have a copy that sounds the way this one does! In other words, you don’t know what you’re missing. (And if you own the Classic Records release, or any other Heavy Vinyl pressing from the modern era, then you really don’t know what you are missing.)(more…)
Both sides have that Midnight Blue magic — superb transparency, plenty of deep bass, silky highs, and TONS of energy. The sound of the congas on this copy is wonderful — so punchy with clearly audible transients and so much ambience, it sounded to us like Ray Barretto was right there in the room with us, over by the left speaker. The ultimate copies have a degree of clarity that can BLOW YOU AWAY. (more…)
This outstanding copy of Out Of This World boasts solid Double Plus (A++) sound – exceptionally quiet vinyl too
This superb RVG recording comes to life on this pressing – it’s full-bodied and above all, lively (Rudy’s trademark sound)
This collaboration between Burrell and Coleman Hawkins highlights the blues roots of these two jazz greats, veterans who can swing with the best of them (which is why their discographies run for pages)
“Bluesy Burrell combines the finest elements of blues and bebop jazz into a blend that demonstrates just how well the styles fit together and proves that blues need not be minimalist in nature, and jazz can be a bit less rigid, allowing breathing space amidst perfect chord work and superb rhythm.”
This vintage Prestige Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is pretty much gone and sure doesn’t seem to be coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)