Top Artists – John Coltrane

John Coltrane – Lush Life – DCC and OJC Reviewed

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Sonic Grade: B or so (DCC) 
Sonic Grade: C or so (OJC) 

The DCC heavy vinyl pressing is a nice record; I remember liking it back in the day. I’m guessing it’s a bit better than the ’80s OJC, which is, like most OJC pressings, typically thin and hard. Neither one of them can hold a candle to the pressings we offer on the site. If for some reason we could not find copies of the album that substantially beat the sound of either of these two remastered LPs, we simply would not have anything to offer, since neither of these versions could be considered Hot Stampers. Nice records, sure, but Hot Stampers? Not a chance.

It was only a few months ago, early in 2016 in fact, that we chanced upon the right kind of pressing — the right era, the right label, the right stampers, the right sound. Not just the right sound though. Better sound than we ever thought this album could have.

Previously we had written:

“There are great sounding originals, but they are few and far between…”

We no longer believe that to be true. In fact we believe the opposite of that statement to be true. The original we had on hand — noisy but with reasonably good sound, or so we thought — was an absolute joke next to our best Hot Stamper pressings. Half the size, half the clarity and presence, half the life and energy, half the immediacy, half the studio space. It was simply not remotely competitive with the copies we now know (or at least believe, all knowledge being provisional) to have the best sound.

Are there better originals than the ones we’ve played? No doubt. If you want to spend your day searching for them, more power to you. And if you do find one that impresses you, we are happy to send you one of our Hot Copies to play against it. We are confident that the outcome would be clearly favorable to our pressing. Ten seconds of side one should be enough to convince you that our record is in an entirely different league, a league we had no idea even existed until just this year.

By the way, the mono original we played was by far the worst sound I have ever heard for the album. By far. (more…)

John Coltrane – My Favorite Things

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  • You’ll find excellent Double Plus (A++) sound on both sides of this 1961 Coltrane classic
  • You’ll also find dramatically more richness, fullness and presence than most copies have to offer
  • An exceptionally difficult album to find with top quality sound and decent surfaces, but here one is!
  • 5 stars: “The unforced, practically casual soloing styles of the assembled quartet allow for tastefully executed passages a la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band.”

An album like this is all about its Tubey Magical Stereoscopic presentation. If you’re looking to demonstrate just how good 1961 All Tube Analog sound can be — thanks go to legendary engineers Phil Lehle and Tom Dowd — this excellent copy should be just the record for you. (more…)

John Coltrane – The Stardust Session

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  • An excellent copy of this Coltrane double album – recorded in one day! – with all four sides rating Double Plus (A++) or close to it
  • Spacious, open, transparent, rich and sweet, it’s a remarkable disc from the Golden Age with the added benefit of mastering using the more modern cutting equipment of the ’70s.
  • Superb sound quality courtesy of Rudy van Gelder’s engineering (1958/1963) and the superior mastering of David Turner (1972)
  • 4 Stars: “…Coltrane is heard near the end of his ‘sheets of sound’ period, perfecting his distinctive style and taking colorful and aggressive solos.”

The record takes its material from three John Coltrane albums: ‘Bahia’, ‘Stardust’ and ‘Standard Coltrane.’ We would be surprised if the originals of any of them can beat the sound of this reissue. (more…)

Our Better Records Hall of Fame for Jazz – Now 355 Strong

 The Better Records Hall of Fame for Jazz

We’ve been searching for years trying to find just what kind of Lush Life pressing — what era, what label, what stampers, mono or stereo, import or domestic — had the potential for good sound.

No, scratch that. We should have said excellent sound. Exceptional sound. We’ve played plenty of copies that sounded pretty good, even very good, but exceptional? A pressing of that caliber had eluded us — until 2016. (more…)

Standard Coltrane – If You’re Looking for the Best Sound…

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A distinguished member of the Better Records Jazz Hall of Fame.

As you may have guessed by now, remastered is a bit of a dirty word around these parts. Most remastered records we play, from The Beatles to John Coltrane to ZZ Top, sound to us like pale imitations of the real thing, whether the real thing is an original or a reissue from back in the day.

But only a fool could fail to appreciate how correct and lively the best copies of this remastered record sound, and we’re no fools here at Better Records. We judge records by one and only one criterion: how they sound. We pay no mind to labels, record thicknesses, playback speeds, mastering speeds or anything else you can read about on audiophile websites.

We’re looking for the best sound. We don’t care where it comes from. (more…)

Thick and Dull – Not Our Sound!

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John Coltrane – Giant Steps

Rhino 45 RPM 2 Disc Set Debunked

Sonic Grade: F

The sound of the 45 RPM 2 disc version cut by Bernie Grundman does not exactly tickle our fancy. It sounds thick and dull, much like the Deja Vu Bernie remastered years ago for Classic Records.

As is the case with so many of the Heavy Vinyl reissues released these days, the studio ambience you hear on these pressings is a pitiful fraction of the ambience the real pressings are capable of revealing, the ones mass-produced by Atlantic, original and reissue alike.

Rhino bills their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using “performance” to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

John Coltrane’s Giant Steps – Another in a Very Long Line of Disappointing Rhino Remasters

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Sonic Grade: D

Mastered by Kevin Gray, this record has what we like to call ”modern” sound, which is to say it’s clean and tonally correct for the most part, but it’s missing the Tubey Magic the originals and the good reissues both have plenty of.

Any properly mastered, properly pressed ’70s copy on the red and green label will be richer, fuller, sweeter, and just plain more enjoyable than this 180 gram version. It’s below average, which means it merits a D.

That said, “Giant Steps” is not an easy record to find in good condition, because any serious jazz lover would have played it plenty. It is inarguably one of John Coltrane’s greatest achievements.  (more…)

The Recordings of John Coltrane – These Are Some that Didn’t Make the Grade

John Coltrane Albums with Hot Stampers

John Coltrane Albums We’ve Reviewed

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These are just some of the recordings by John Coltrane that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame

Free Service provided to the Audiophile Public, courtesy of Better Records.

More Titles that Didn’t Make the Grade

 

Milt Jackson & John Coltrane on Killer ’70s Reissue Vinyl

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  • Stunning sound on this stereo pressing with both sides rating close to our Shootout Winner, just shy of Triple Plus (A++ to A+++)
  • One of Tom Dowd’s many outstanding recordings of John Coltrane at the height of his powers – the sound is to die for
  • Exceptionally quiet on both sides for a vintage jazz album such as this – it actually plays a true Mint Minus
  • 5 stars: “Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording.”

If all you have ever played is an original pressing or a modern reissue, you are in for a treat — this copy is going to murder them.

We found all of this out the hard way, by having some originals and some of the “wrong” reissues in our shootout. Of course, we didn’t know they were not going to be especially good sounding until we played them, but it didn’t take long to recognize there was one stamper and one stamper only that had the sonic goods. It was simply no contest. And it was not an original pressing.

Needless to say, this record has that stamper. (more…)

John Coltrane and Johnny Hartman – Not So Special on Heavy Vinyl

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Sonic Grade: C (at best)

We were only slightly impressed with both the Speakers Corner pressing of this album and the earlier Impulse Heavy Vinyl edition from the ’90s. Neither one in our opinion is worth pursuing.

This could very well be the greatest collaboration between a horn player and a singer in the history of music. I honestly cannot think of another to rank with it. Ella and Louis has the same feel — too giants who work together so sympathetically it’s close to magic, producing definitive performances of enduring standards that have not been equaled in the fifty plus years since they were recorded. And, on the better copies, or should we say the better sides of the better copies, RVG’s sound is stunning. (more…)