Top Artists – James Taylor

James Taylor – JT – Our Shootout Winner from Way Back in 2007

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

SUPERB SOUND FROM START TO FINISH! Both sides have MASTER TAPE SOUND. With six plusses between the two sides it sure doesn’t get much better than this copy!

And don’t think we’re kidding about turning up your volume and rockin’ out to songs like Honey Don’t Leave L.A. and I Was Only Telling a Lie. Those are real rock songs and they show that old JT can rock with the best of them when he wants to. (more…)

James Taylor – Dad Loves His Work – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This Hot Stamper original Columbia is THE KING, the Best Sounding Copy we have ever played — the sound was OUT OF THIS WORLD! In fact, side two went so far beyond what we’ve come to expect from this album that we had to award it the rare Four Plus (A++++) grade.

The soundstage and depth on our Hot Stamper copies is HUGE — this is without a doubt the most spacious recording by James Taylor we’ve ever heard. If you want your speakers to disappear, replaced by a huge studio full of musicians playing their hearts out, this is the album that can do it. (more…)

James Taylor – Mud Slide Slim – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Side two here has STUNNING MASTER TAPE SOUND, and side one is not far behind. Side two is open and transparent with shocking clarity. All of the little details that are missing from the average copy really come through here — the sound of the room around the guitars, the transients of the hand percussion, and the weight of the piano, to name a few. The acoustic guitar sound is Right On The Money and the vocals sound amazing. The bottom end on this copy just can’t be beat — we’ve never heard another copy of Mud Slide Slim with such deep, note-like bass. The highs are silky sweet and there’s real three-dimensionality to the soundfield.

I don’t think you could find a better sounding side two no matter how hard you tried. We had dozens of Green Label originals and WE couldn’t! (We don’t bother with the Palm Tree label anymore, although they can be very good on the best copies.)

We give it A+++; it deserves every one of those pluses and then some. Without a doubt this is the best sound we have EVER heard for Mud Slide.

But what REALLY sets this one apart is how much IT ROCKS. The energy on this pressing has to be heard to be believed. Forget all that detail and soundstaging stuff and just focus on how this band is playing the HELL out of that first track, which arguably is the best song on the album. When you hear it sound like this there is no argument. (more…)

James Taylor – Sweet Baby James – Our Shootout Winner for 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It took three days, sixty seven copies, and multiple rounds, but SWEET BABY JAMES HOT STAMPERS ARE BACK! Both sides of this bad boy are DEMO QUALITY and ABSOLUTELY STUNNING. Add in the fact that the vinyl is unusually quiet, and you’ve got one heck of a copy here!

It ain’t easy to find copies of this album with great sound on both sides and reasonably quiet surfaces — that’s why you haven’t seen more than one Hot copy hit the site since February ’08. Even though neither side of this copy received the A+++ grade, this has to be considered a White Hot Stamper because of the combination of two stunning sides and quiet vinyl.

This was one of the most massive shootouts in Better Records history. We started out with SIXTY SEVEN copies. After weeding out the copies with obvious condition problems and known second-rate stampers, we were left with three dozen copies to audition. We battled through condition problems, bad stereo days, and listener fatigue to end up with a select number of exceptional copies. It’s a extremely taxing project, and that’s why these are just the second round of SBJ Hot Stampers to EVER hit our site. (more…)

Letter of the Week – Flag

Flag

One of our good customers had something to say about some Hot Stampers he purchased a very long time ago. [I know it was a long time ago because our customers seem to have lost interest in James Taylor in general and Flag in particular, so no further shootouts are likely to be done in the near to medium term, which is a pity because we quite like the album.]

Hey Tom,   

Ordered J. Taylor “Flag”, arrived in perfect condition, outstanding packaging. Thanks! My first Hot Stamper—admittedly a little skeptical. Have two copies of this (one of my favorite JT albums, if not the favorite). One from the initial release and one from a few years later (a near mint copy). Had some fun listening to the Hot Stamper vs. these two pressings. Also invited my amigo, Joe, a trusted friend and music lover. Well, what can I say— we both agreed, a truly and unanimous ‘Better Record’ —-Surprise— Nice work! You have our upmost respect for your time and energy put into this endeavor, wish we could indulge ourselves more of your recommendations. Will do what we can. Thanks for the experience, a real joy and education.

Rick K.

 

Audiophilia 101 – What Kind of Audio Fool Was I?

More commentaries on Record Collecting

Audiophilia 101

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Today’s audiophile seems to be making the same mistakes I was making as a budding audiophile more than thirty years ago. Heavy Viny, the 45 RPM 2 LP pressing, the Half-Speed Limited Edition — aren’t these all just the latest audiophile fads, each with a track record progressively more dismal than the next? 

Our Story Begins

One Man Dog has long been a favorite James Taylor album of mine. It didn’t catch on too well with the general public when it came out but it caught on just fine with me. I used to play it all the time. As a budding but misguided audiophile back in the early ’70s, I foolishly bought the import pressing at my local record store, The Wherehouse, assuming it would sound better and be pressed on quieter vinyl. The latter may have been true, probably was true, but the former sure wasn’t. Turns out even the average domestic original is far better sounding, but how was I to know?

Compare and Contrast? What For?

Back in those days it would never have occurred to me to buy more than one copy of a record and do a head to head comparison to see which one would sound better. I approached the subject Platonically, not scientifically: the record that should sound better would of course sound better, so why waste time testing?

Later on in the decade a label by the name of Mobile Fidelity would come along claiming to actually make better sounding pressings than the ones the major labels put out, and — cluelessly — I bought into that nonsense too. (To be fair, sometimes they did — Touch, Waiting for Columbus and American Beauty come to mind, but my god, Katy Lied, Year of the Cat and Sundown have to be three of the worst sounding records I’ve ever played in my life.) (more…)

James Taylor on Warners / Rhino 180g Vinyl EQ Anomaly Test

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Sweet Baby James

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Another in our series of Home Audio Exercises.

There is one obvious and somewhat bothersome fault with this new pressing, an EQ issue. Anybody care to guess what it is? Send us an email if you think you know. Hint: it’s the kind of thing that sticks out like a sore thumb, the kind of obvious EQ error I can’t ever recall hearing on an original.

Our Heavy Vinyl Review

This Warner Brothers 180g LP is the BEST SOUNDING Heavy Vinyl reissue to come our way in a long long time. Those of you who’ve been with us for a while know that that’s really not saying much, but it doesn’t make it any less true either, now does it? Let’s look at what it doesn’t do wrong first.

It doesn’t sound opaque, compressed, dry and just plain dead as a doornail like so many new reissues do. It doesn’t have the phony modern mastering sound we hate about the sound of the new Blue. (We seem to be pretty much alone in not liking that one, and we’re proud to say we still don’t like it.)

The new Sweet Baby James actually sounds like a — gulp — fairly decent original.
(more…)

James Taylor – Sweet Baby James

More James Taylor

More Sweet Baby James

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  • With two seriously good Double Plus (A++) sides, this copy was one of the best we played in our recent shootout – exceptionally QUIET vinyl too
  • Just listen to all that lovely echo – it’s a dead giveaway that both sides have resolving power far beyond the other copies you may have heard 
  • A Top 100 Title, inarguably a Masterpiece – Fire and Rain and Suite for 20 G (one of JT’s All Time Best) are out of this world here
  • 5 Stars: “Sweet Baby James launched not only Taylor’s career as a pop superstar but also the entire singer/songwriter movement of the early ’70s that included Joni Mitchell, Carole King, Jackson Browne, Cat Stevens, and others…”

Vocal reproduction is key to the best sounding copies of Sweet Baby James as it is on so many Folkie Pop Rock albums from the era.

To find a copy where Taylor’s vocals are front and center — which is exactly where they should be — but still rich, sweet, tonally correct and Tubey Magical is no mean feat. Only the best copies manage to pull it off. (more…)

James Taylor – Dad Loves His Work – What to Listen For

More James Taylor

Dad Loves His Work

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.  

The soundstage and depth on our Hot Stamper copies is HUGE — this is without a doubt the most spacious recording by James Taylor we’ve ever heard. If you want your speakers to disappear, replaced by a huge studio full of musicians playing their hearts out, this is the album that can do it. But of course there’s a lot more to the sound of the best copies than a big soundstage. Tonality is key.  (more…)