Top Artists – Harry Nilsson

Harry Nilsson – Pussy Cats

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  • A superb sounding copy with Nearly Triple Plus (A++ to A+++) sound from start to finish; exceptionally quiet vinyl too
  • Both sides are incredibly rich, full-bodied and Tubey Magical yet still clean, clear, open and spacious
  • Produced by John Lennon, Nilsson’s partner in crime, it’s a really fun album, with an appealingly ragged and spontaneous vibe
  • “It may not be as wild as the lost weekend itself, but it couldn’t have been recorded at any other time and remains a fascinating aural snapshot of the early days of 1974.” – All Music

The soundstage is huge and open, there’s some real richness and body to the vocals and, perhaps most importantly, you get all the energy and presence required to bring this wild album to life.

John Lennon and Harry Nilsson were notorious partiers during Lennon’s “lost weekend” away from Yoko, and the album basically plays like all that excess playing out in the studio. The vibe is loose and spontaneous, and Nilsson’s voice is at its most ragged. That looseness and raggedness results in some startlingly emotional peaks — Many Rivers To Cross and Don’t Forget Me are positively spine-tingling — and some good-natured romps through classic covers like Subterranean Homesick Blues and Rock Around The Clock. It’s a whole lot of fun — especially when you have a copy that sounds like this! (more…)

A Little Touch of Schmilsson in the Night

 

For those of you who’ve never chanced upon it, here is the ‘live’ version of the album in five parts.

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Nilsson was way ahead of his time. Rod Stewart recently made an album of classic popular music that went to number one and revived his career. Harry Nilsson understands this music SO MUCH BETTER and sings it SO MUCH BETTER than Rod Stewart that one can only come to that conclusion. Either that or the rest of the world doesn’t appreciate Nilsson as much as I do. Probably both I guess. Too bad. This album is better than all the “also rans” albums put together. (more…)

Another Harry Nilsson Must Own Album (Which Makes Four for Those of You Keeping Score at Home)

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  • Amazing Shootout Winning Triple Plus (A+++) As Good As It Gets sound on both sides – maybe the best copy to ever hit the site
  • You can thank Ken Scott for his Tubey Magical engineering and Richard Perry for his Big As Life production approach – this is our kind of sound!
  • It’s one of Harry Nilsson’s four Must Own albums – for both sonics and music this copy is going to be very hard to beat
  • “… a fantastic set of songs that illustrate what a skilled, versatile songsmith Nilsson was… if you appreciate Nilsson’s musicality and weirdo humor, he never got any better.” – All Music

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Harry Nilsson – Harry

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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Harry Nilsson – Harry

A distinguished member of the Better Records Pop Hall of Fame and a Forgotten Classic from one of our favorite singer songwriters of the last fifty years, Mr. Harry Nilsson.

This forgotten gem sank like a stone in 1969, but time has treated this album well; it stil holds up. The production is superb throughout. Judging by this early Nilsson’s album, it appears he was already a pro in the studio, as well as an accomplished songwriter, and, more importantly, the owner of one of the sweetest tenors in popular music, then or now. (more…)

Listening in Depth to Nilsson Schmilsson

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Listening in Depth

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Jump Into The Fire is one of the best tests we used for side two. Copies that are too smooth make the “just bass and drums” intro sound thick and smeared. Too bright and the vocals will tear your head off. The “just right” copies rock from the start and never get too far out of control, even when Harry does. The best we can hope for is that the loudest vocal parts stay tolerable. Believe me, it is not that easy to find a copy that’s listenable all the way through, not at the high volume I play the record at anyway!

Again, with Nilsson screaming at the top of his lungs you better have a good copy to get through this track, and even then it’s a bit of a problem.

A tough test for the old stereo, that’s for sure. Make sure your equipment is tuned up and the electricity is good before you get anywhere near a pressing of this album.

Big production pop like this is hard to pull off. Harry did an amazing job, but the recording is not perfect judging by the dozen or so copies I played this week and the scores I’ve suffered through before. Let’s face it: Jump Into The Fire will never be smooth and sweet; neither will Down on side one. But other tracks on this album have DEMONSTRATION QUALITY SOUND. (more…)