Top Artists – Harry Nilsson

Harry Nilsson – A Little Touch of Schmilsson in the Night – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame

AMAZING SOUND AND WONDERFUL MUSIC! We just finished our first huge shootout for this great album and this one was a BIG step up over most of the pressings we played. This is one of the better sounding orchestral-backed male vocal albums that we know of, and on a copy like this the sound can be MINDBLOWINGLY GOOD. Side one is rich, lush and warm; more importantly, the vocals are PERFECTION.

Side one earned an A+++ grade, which means this copy is going to be incredibly hard to beat no matter how many copies you have access to. The orchestra sounds excellent and the vocals are Right On The Money. There’s tons of ambience, shocking immediacy and lots of punch to the bottom end. You are not going to believe how big and lush the sound of this record is. Guaranteed to make your jaw drop or your money back! (more…)

Harry Nilsson – Son of Schmilsson – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We had a great time shooting out a big stack of these, as we’re just wild about Harry here at Better Records. Unfortunately, most copies out there are too dark and grainy to get all that excited about. Here’s a copy that tells a much different story —both sides have good energy, smooth and sweet vocals, and nice extension up top. Drop the needle on Turn On Your Radio or The Lottery Song and we bet you fall in love with this one!

What Shootout Winning sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1971
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above

Ken Is The Man

It’s yet another triumph from one of our favorite engineers, KEN SCOTT (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century and many more).

This is one of Nilsson’s best albums, sonically and musically. (With Ken Scott at the board at Trident Studios the sound has to be good, doesn’t it?) Side one is amazingly good from start to finish. On the two CD set of Nilsson’s greatest hits (which is excellent, by the way) almost all of side one from this album is used, as well as the best material on side two here, which includes Spaceman and The Most Beautiful World In The World. In other words, this album has more than half a dozen of the best songs Nilsson ever wrote.

Nilsson Schmilsson and the album simply titled Harry are the other two superb Nilsson records that I highly recommend. Harry is my favorite of all his albums, maybe because it was so different from anything that I’d ever heard up to that point. A Little Touch… is also a personal favorite — standards done in the Nilsson style — is wonderful.

By the way, if the documentary Who Is Harry Nilsson (and Why Is Everybody Talkin’ About Him?) is on the box, you should definitely check it out. Most of us here have seen it by now and it’s a ton of fun. (more…)

Letter of the Week – Sergio Mendes & Brasil ’66, A Little Touch of Schmilsson and Stardust

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I was totally blown away by the Sergio Mendes & Brasil ’66 album you sent me. The lovely, sweet female vocals and the awesome percussion was to die for. For a supposed easy listening album, I was getting very excited! In fact, I cannot stop listening to it. My only compliant is it is too short in duration. When it is over, I want (need?) more! Do his other albums sound like this? If so, I will be buying more.

This is what I love about you guys, you turn me on to albums I would never have even thought to listen to. For example, on your recommendation, I ordered Harry Nillsson’s A Little Touch of Schmilsson in the Night. This is an album I would never have given a second look at, yet, as soon as the needle hit the groove, I was floored. The vocal presence is startling. It is like Harry is in the room singing to me. It reminds me a lot of one of my other favourites I bought from you a while back – a White Hot copy of Willie Nelson’s Stardust. 

Willie, Harry and Sergio as demo discs…who would have thought! (more…)

Letter of the Week – A Little Touch of Schmilsson and Its “Meltingly Sweet” Strings

A Little Touch of Schmilsson in the Night

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

I played the A Little Touch Of Schmilsson White Hot Stamper and loved it. The strings on side one are meltingly sweet, especially on You Made Me Love You. Anytime you get a hot Nilsson stamper please keep me in mind.

All the best,
Phil

 

Harry Nilsson – Pussy Cats

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More Pussy Cats

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  • A superb sounding copy with Nearly Triple Plus (A++ to A+++) sound from start to finish; exceptionally quiet vinyl too
  • Both sides are incredibly rich, full-bodied and Tubey Magical yet still clean, clear, open and spacious
  • Produced by John Lennon, Nilsson’s partner in crime, it’s a really fun album, with an appealingly ragged and spontaneous vibe
  • “It may not be as wild as the lost weekend itself, but it couldn’t have been recorded at any other time and remains a fascinating aural snapshot of the early days of 1974.” – All Music

The soundstage is huge and open, there’s some real richness and body to the vocals and, perhaps most importantly, you get all the energy and presence required to bring this wild album to life.

John Lennon and Harry Nilsson were notorious partiers during Lennon’s “lost weekend” away from Yoko, and the album basically plays like all that excess playing out in the studio. The vibe is loose and spontaneous, and Nilsson’s voice is at its most ragged. That looseness and raggedness results in some startlingly emotional peaks — Many Rivers To Cross and Don’t Forget Me are positively spine-tingling — and some good-natured romps through classic covers like Subterranean Homesick Blues and Rock Around The Clock. It’s a whole lot of fun — especially when you have a copy that sounds like this! (more…)

A Little Touch of Schmilsson in the Night

 

For those of you who’ve never chanced upon it, here is the ‘live’ version of the album in five parts.

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Nilsson was way ahead of his time. Rod Stewart recently made an album of classic popular music that went to number one and revived his career. Harry Nilsson understands this music SO MUCH BETTER and sings it SO MUCH BETTER than Rod Stewart that one can only come to that conclusion. Either that or the rest of the world doesn’t appreciate Nilsson as much as I do. Probably both I guess. Too bad. This album is better than all the “also rans” albums put together. (more…)

Another Harry Nilsson Must Own Album (Which Makes Four for Those of You Keeping Score at Home)

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  • Amazing Shootout Winning Triple Plus (A+++) As Good As It Gets sound on both sides – maybe the best copy to ever hit the site
  • You can thank Ken Scott for his Tubey Magical engineering and Richard Perry for his Big As Life production approach – this is our kind of sound!
  • It’s one of Harry Nilsson’s four Must Own albums – for both sonics and music this copy is going to be very hard to beat
  • “… a fantastic set of songs that illustrate what a skilled, versatile songsmith Nilsson was… if you appreciate Nilsson’s musicality and weirdo humor, he never got any better.” – All Music

(more…)

Harry Nilsson – Harry

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Rock and Pop Classics

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Harry Nilsson – Harry

A distinguished member of the Better Records Pop Hall of Fame and a Forgotten Classic from one of our favorite singer songwriters of the last fifty years, Mr. Harry Nilsson.

This forgotten gem sank like a stone in 1969, but time has treated this album well; it stil holds up. The production is superb throughout. Judging by this early Nilsson’s album, it appears he was already a pro in the studio, as well as an accomplished songwriter, and, more importantly, the owner of one of the sweetest tenors in popular music, then or now. (more…)

Listening in Depth to Nilsson Schmilsson

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More Nilsson Schmilsson

Listening in Depth

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Jump Into The Fire is one of the best tests we used for side two. Copies that are too smooth make the “just bass and drums” intro sound thick and smeared. Too bright and the vocals will tear your head off. The “just right” copies rock from the start and never get too far out of control, even when Harry does. The best we can hope for is that the loudest vocal parts stay tolerable. Believe me, it is not that easy to find a copy that’s listenable all the way through, not at the high volume I play the record at anyway!

Again, with Nilsson screaming at the top of his lungs you better have a good copy to get through this track, and even then it’s a bit of a problem.

A tough test for the old stereo, that’s for sure. Make sure your equipment is tuned up and the electricity is good before you get anywhere near a pressing of this album.

Big production pop like this is hard to pull off. Harry did an amazing job, but the recording is not perfect judging by the dozen or so copies I played this week and the scores I’ve suffered through before. Let’s face it: Jump Into The Fire will never be smooth and sweet; neither will Down on side one. But other tracks on this album have DEMONSTRATION QUALITY SOUND. (more…)