Top Artists – Graham Nash

Andrew Gold / Andrew Gold – A Fab Favorite from 1975

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  • A STUNNING sounding copy and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound throughout
  • These sides are dripping with Analog magic — transparent, sweet and rich from beginning to end and the bass is especially meaty and well-defined
  • Those of you who have tried our Hot Stampers of JT will know exactly what to expect; Garay LOVES BASS and so do we
  • “An abundance of riches can be heard in Andrew Gold’s first solo album. There are great Beatlesque melodies here, as well as heartfelt love songs that are Gold’s specialties. Playing nearly all of the instruments himself makes this a truly “solo” effort.” – All Music, 4 Stars

As audiophiles we all know that sound and music are inseparable. My comments for this copy note how spacious and present and full of energy it is. After dropping the needle on a dozen or so copies, all originals by the way, you KNOW when the music is working its magic and when it’s not.

As with any pop album there are always some tracks that sound better than others, but when you find yourself marvelling at how well-written and well-produced a song is, you know that the sound is doing what it needs to do. It’s communicating the Musical Values of the material. This Hot Stamper copy brings Andrew Gold’s music to LIFE.

This record is dripping with Analog Tubey Magic. It’s transparent, sweet and rich from beginning to end. The bass is especially meaty and well-defined. Val Garay puts plenty on his recordings, one of the reasons we love listening to them. The vocals are present and clear, the studio is huge, and the snare is FAT the way it always is on Val’s recordings. (more…)

James Taylor – Gorilla – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

This White Hot Stamper copy has TWO AMAZING sides back to back, with a side two that is so off the charts we seriously considered giving it Four Pluses. The Four Plus copies have to meet a standard higher than our regular top grade, and we define that standard as “better than we ever imagined any copy could ever sound.” The Triple Plus side here is doing what it should — it’s correct from top to bottom, full of energy, transparent, and musical. It’s exactly what you want it to sound like in every possible way.

Side two does all that and more. It’s BIGGER, richer and more clear than it has any right to be. We’ve played thirty or forty of these over the past ten years, and this one just takes the sound of the recording to another level we had no idea was even possible.

To be honest, the recording itself cannot begin to compete with the likes of Sweet Baby James or JT, both of which are Top 100 Titles. This can be a good sounding record, not a great one, in league with those.

But the average copy is so flat, lifeless and hard sounding that you might just wonder if there isn’t something wrong with your stereo when the needle hits the Gorilla groove. Most copies are awful, and the same goes for the albums that came before it and after it, Walking Man and In the Pocket, respectively. (more…)

Graham Nash’s Wild Tales

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A distinguished member of the Better Records Rock and Pop Hall of Fame and a Forgotten Classic from 1974. 

Like the man’s first album, no one pays much attention to this music nowadays, but Better Records is trying to remedy that situation by making available to the audiophile public numerous copies of this album, every one of which is guaranteed to turn you into a fan. This is not new music, but it may be new music to you, so “discovering” it will be every bit as much fun for you in 2016 as it was for me in 1973.

This is not an “audiophile” record. It ain’t never going to make the TAS List or get a mention by anyone in the Audiophile Press Corps. This is a record for music lovers who care about good sound. If you’re reading this, that’s you. Us too, and proud of it.

From one audiophile to another, this is a great record that belongs in your collection. (more…)

Crosby / Nash – Graham Nash / David Crosby

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  • Close to Shootout Winning sound on both sides – Nearly Triple Plus (A++ to A+++) – one of the best copies of this shockingly well recorded album to hit the site in years
  • The vocals are exceptionally breathy, smooth and sweet here – this recording is the very definition of Midrange Magic, thanks to the engineering of Bill Halverson
  • 4 stars: “This self-titled release is one of most impressive side project to arise from CSN. The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies.”

Where in the world did all the Midrange Magic that we were hearing on this copy of the album come from?

On a song like Where Will I Be the sound is so unbelievably transparent, open and intimate it sounds like an outtake from David Crosby’s first album, one of the ten best sounding rock records ever made. How did Bill Halverson learn how to record as well as Stephen Barncard all of a sudden?

I was in high school when I first played this album and I remember being disappointed with it, mostly because I was expecting another Deja Vu. As I grow older I appreciate other qualities in a recording; I’ve come to appreciate this album for what it is: not the Grand Musical Statement that Deja Vu is, but a simpler, more intimate portrait of two artists at the start of a lifelong harmonious collaboration. With a damn fine batch of songs to sing.

Top Quality Sound

The Midrange Magic on some of these tracks is off the scale. The transparency is also remarkable, with richness and sweetness matched by few copies in our huge shootout.

Listen to the three-dimensional quality of the piano on the first track of side two. Skip to the second track and you will hear some of the best bass to be found on the side. The song is not about the bass, obviously, so we hasten to point out the vocals and harmonies — the sine qua non of any CSN or Y record — are Truly Right On The Money as well. (more…)

Graham Nash’s Wild Tales and Their Mysteries Many and Deep

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What hurts so many pressings of this album is a lifeless, compressed quality and a lack of presence. Were the stampers a bit worn for those copies, or was it bad vinyl that couldn’t hold the energy of the stamper, or perhaps some stampers just weren’t cut right — these are mysteries, and they are mysteries that will always be mysteries, if for no other reason than that the number of production variables hopelessly intertwined at the moment of creation can never be teased apart no matter how hard one thinks about them. As we like to say at every turn, thinking is really not much help with regard to finding better sounding records.

Not surprisingly, we’ve found that cleaning them and playing them seems to work the best. They work the best because nothing else works at all.

What More Can You Ask For

What happens when you clean and play a bunch of copies? You come to recognize what the best ones are doing what the average ones aren’t. And the effect of that understanding on this particular title was simply to recognize the nature of this project, that these are a great bunch of well-crafted songs played with energy and enthusiasm by a very talented group of top flight musicians, totally in sync with each other. This is what they were trying to do, and really, what more do you want?
(more…)

Graham Nash – Songs for Beginners – Greatest “Copy” Ever

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A distinguished member of the Better Records Rock Hall of Fame.

WHOA! We’ve paired up two FOUR PLUS sides to create this stunning 2-pack with mindblowing Demo Quality sound for the whole album. These A++++ sides will show you just how amazing it can sound: super full-bodied, rich, warm and natural. 

Please note that we award this very special grade so rarely that we don’t even have a graphic to represent it in our sonic grade box. The scale usually only goes to three pluses, but these two sides went up to four!

This is an incredible recording, and on a copy like this the sound is truly stunning. When you hear Chicago here you will not believe how CINEMATIC the sound is! It’s everything we love about ANALOG, and then some.

Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best. Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better than this. (more…)

Andrew Gold – All This and Heaven Too

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Superb engineering by Greg Ladanyi (Toto 4, The Pretender, El Rayo-X, demo discs one and all). Contains the monster hit Thank You for Being a Friend. AllMusic gives this one 4 1/2 Stars. It’s also the last good album our fab friend made.  

Andrew Gold is another talented popster who got little respect from the critics, or the public for that matter. His music has a lot of the same qualities as Buddy Holly’s: simple catchy tunes about love, with clever lyrics and tons of hooks.

If you know the “Asylum Sound” — think of the Tubey Magical Analog of The Eagles first album and you won’t be far off — you can be sure the best copies of All This and Heaven Too have plenty of it. Rarely do we run into recordings from the mid- to late-’70s with richer, fuller sound. The bass on the best copies is always huge and note-like. In the ’80s the very engineer for this record, Greg Ladanyi, would produce solo albums for the likes of Don Henley with no bass. How this came to be I cannot begin to understand, but record after record that we play from that decade are bright and thin like a transistor radio. This accounts for why you see so few of them on the site.

But Andrew Gold’s albums from the later ’70s are amazingly rich and tubey. That sound never went out of style with us. In fact albums with those sonic qualities make up the bulk of our sales, from The Beatles to The Eagles, Pink Floyd to Elton John, Simon and Garfunkel to Graham Nash. In our world the more “modern” something sounds the lower the grade. (more…)

Andrew Gold – What’s Wrong With This Picture? (2015)

More Andrew Gold

What’s Wrong With This Picture?

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The best copies of Gold’s sophomore release are incredibly rich, sweet and Tubey Magical. They also have tons of deep punchy bass and wonderfully breathy vocals.

If you own many Asylum records, you know this title is yet another example of classic Asylum Analog. Think of the sound of the Eagles first album and you won’t be far off.

AAndrew Gold is another talented popster who got little respect from the critics, or the public for that matter. His music has a lot of the same qualities as Buddy Holly’s: simple catchy tunes about love, with clever lyrics and tons of hooks. He covers one of Holly’s songs on this very album. (more…)

Graham Nash – Songs for Beginners – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Songs for Beginners.

This is one helluva well recorded album. Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best.

Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlely is highlighted by the big productions surrounding them. This is that rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale.

The recording is of course superb throughout, in the best tradition of Crosby Stills and Nash’s classic early albums: transparent, smooth and sweet vocals, with loads of midrange magic ; deep punchy bass; lovely extension on the top to capture the shimmer of the cymbals and harmonic trails of the acoustic guitars; with the whole balanced superbly by one of our all-time heroes, Glyn Johns. (more…)

Andrew Gold – Andrew Gold – Our Shootout Winner from 2010

More Andrew Gold

Andrew Gold – Andrew Gold

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

As audiophiles we all know that sound and music are inseparable. My comments for this side two note how spacious and present and full of energy it is. After dropping the needle on a dozen or so copies, all originals by the way, you KNOW when the music is working its magic and when it’s not.

As with any pop album there are always some tracks that sound better than others, but when you find yourself marvelling at how well-written and well-produced a song is, you know that the sound is doing what it needs to do. It’s communicating the Musical Values of the material. This Hot Stamper copy brings Andrew Gold’s music to LIFE. (more…)