Relatively quiet vinyl for this album — Mint Minus to Mint Minus Minus throughout
A 4 1/2 star album in the AMG
This is the just the kind of sound you want on an album like this — Big and Bold! If you’ve got the full range dynamic speakers to play the album good and loud, you will discover, as we have, what a powerful British Blues Rock album this is. No hits, just heavy electric blues played with feeling, a year before Zeppelin came along and took it to a whole new level.
Years ago — in 2011 to be exact — we said the following in a listing for a very good sounding domestic pressing:
Solid bass, present vocals, plenty of energy — the only thing missing here is the Tubey Magical richness and sweetness that only the British originals (in our experience) have, and in spades by the way. But try to find one! Over the last two or three years I think we’ve managed to get hold of exactly one clean copy.
Fast forward almost eight years and we’ve only had a couple more! I personally have seen the original British pressing of this album sell on the web for more than 1000 dollars, which explains why we never have them. (more…)
Free’s Third Album on the Original British Island Pink Label — Wow!
Found one at a local record store a while back. It was the first one I’d ever seen in nice enough condition to buy. Checking the dead wax was a bit of a shock though. Guess where it was mastered. Right here in the good old U S of A. In fact, at one of the worst mastering houses of all time: Bell Sound in New York.
Now what does that tell you about British First Pressings? Are those the ones you’re looking for? Don’t get me wrong; I look for them too. But you had better look before you leap, or you’ll end up with a bad sounding, probably quite expensive pressing. It’s one more reason why we try to play as many records as we can here at Better Records. You can’t rely on anything but the grooves. (If you see Bell Sound in the dead wax, run for cover. You know what the original domestic Let It Be’s sound like? That’s Bell Sound in all its glory.)(more…)
A superb copy of the band’s third studio album with outstanding Double Plus (A++) sound – reasonably quiet vinyl to this title too
Stunning Live-in-the-Studio Rock Sound that must be heard to be believed – All Right Now sounds fantastic
The recording sounds more alive than 99 out of 100 rock records we’ve played, and we’ve played the best sounding rock records ever made
Top 100 and 4 1/2 stars: “From Paul Kossoff’s exquisite and tasteful guitar work, to Paul Rodgers’ soulful vocals, this was a group that was easily worthy of the mantle worn by Cream, Blind Faith, or Derek & the Dominos.”
To find a copy that plays this quietly and sounds this good is no mean feat, but here one is!
This is one of our favorite recordings and a member of our Top 100, but it only works when you get the right pressing. This one has the big, spacious soundstage and punchy bottom end to bring it to life!(more…)
An insanely good sounding Island import pressing with Nearly Triple Plus (A++ to A+++) sound from start to finish and one of the few copies to hit the site in many years!
These side were doing everything right — incredibly big, full-bodied and spacious with tons of big rock energy and a solid bottom end
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
“… an album that stands alongside its predecessor as a benchmark of British blues at the turn of the 1960s.” – All Music, 4 Stars
KILLER sound throughout! It’s got exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound that Free practically invented. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.)(more…)