Top Artists – Frank Zappa

Frank Zappa’s The Grand Wazoo Is Crazy Tubey Magical

More Frank Zappa

More Grand Wazoo

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  • KILLER sound from start to finish: Triple Plus on side two, nearly that good (A++ to A+++) on side one 
  • DEMO DISC QUALITY – full-bodied, rich, spacious, BIG and PRESENT, with practically zero smear on the horns (nice!
  • The Tubey Magical keyboards found on the title cut are really something to hear, especially on this copy
  • The Grand Wazoo now gets my vote as the best sounding record Zappa ever made (along with Absolutely Free)

Wow – big, present and clear, with lots of lovely studio space, yet full-bodied. These sides about as right as any we’ve ever heard.

As noted above, the Tubey Magical keyboards at the start of The Grand Wazoo are amazing sounding here. How Zappa ever decided to go digital when he managed to record so well in analog (from time to time, let’s be honest) is beyond me.

A Big Group of Musicians Needs This Kind of Space

One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.

Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.

And most of the time those very special pressings are just plain more involving. When you hear a copy that does all that — a copy like this one — it’s an entirely different listening experience. (more…)

Frank Zappa – Cruising With Ruben & The Jets

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More Ruben & The Jets

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  • An excellent copy with both sides rating a solid Double Plus (A++) or better
  • Both sides here are killing it — big, full and solid with a big bottom end and tons of energy 
  • It’s a classic of twisted Doo-Wop that belongs in your collection. At least we think you should give it a chance anyway; hearing it sound this good might just make a believer out of you
  • The new CD – with its modernized sound and wrong-headed re-recorded rhythm tracks – is a bad joke next to the top early pressings

Is the thought bubble on the cover the real story behind the album?

Is this the Mothers of Invention recording under a different name in a last ditch attempt to get their cruddy music on the radio?

This was one of the best copies we heard in our most recent shootout, our first since 2013! At this rate you should expect the next top copies to show up on the site sometime in 2021, a thought that should give everyone (including us) pause to say the least. (more…)

The Grand Wazoo and Its Prodigious Amounts of Tubey Magic

More Frank Zappa

More The Grand Wazoo

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  • KILLER sound from start to finish: Triple Plus on side two, nearly that good (A++ to A+++) on side one 
  • DEMO DISC QUALITY – full-bodied, rich, spacious, BIG and PRESENT, with practically zero smear on the horns (nice!
  • The Tubey Magical keyboards found on the title cut are really something to hear, especially on this copy
  • The Grand Wazoo now gets my vote as the best sounding record Zappa ever made (along with Absolutely Free)

Wow – big, present and clear, with lots of lovely studio space, yet full-bodied. These sides about as right as any we’ve ever heard.

As noted above, the Tubey Magical keyboards at the start of The Grand Wazoo are amazing sounding here. How Zappa ever decided to go digital when he managed to record so well in analog (from time to time, let’s be honest) is beyond me. (more…)

A Question for Classic Records – What Did You Do to My Beloved Hot Rats?

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This Is Analog?

You could’ve fooled me. And somebody’s been messing around with the sound of the drums on the new version — a certain Mr. Frank Zappa no doubt. He really did the album a disservice.

Classic Meddling

Bernie’s version for Classic beats a lot of copies out there — the later Reprise pressings are never any good — but it can’t hold a candle to a good one. What’s wrong with the Classic? Well, to my ears it just doesn’t sound natural or all that musical. Sure, it’s a nice trick to beef up those drums and give them some real punch, but does it sound right? The other quality that the best copies have going for them and the Classic has none of is Tubey Magic. The Classic is clean, and at first that’s a neat trick since the originals tend to be a bit murky and congested. But it’s clean like a CD is clean, in all the wrong ways. This is analog? Coulda fooled me.
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Listening in Depth to Frank’s Hot Rats

Hot Stamper Pressings in Stock

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Presenting another entry in our extensive Listening in Depth series., now 85 strong!

Side One

Peaches En Regalia

This track tends to be a bit dull and could use a little sweetening on the top end on almost any copy you find. 1 or 2 dB at 10k might just be what the doctor ordered.

Willie the Pimp (more…)

Frank Zappa’s Big Band Jazz Fusion Masterpiece

Waka/Jawaka

 

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  • This copy is an absolute KNOCKOUT, with Triple Plus (A+++) sound on both sides
  • A Top 100 Title, and deservedly so: the sound is HUGE – big, rich, punchy, lively and clear
  • The size and power of a big band, Zappa style, with White Hot Stamper sound? There is (almost*) nothing like it
  • Rolling Stone raved that it’s “…some of the best material he’s done in years.”

See all of our Frank Zappa and Mothers of Invention albums in stock

(*Other than The Grand Wazoo, which can have sound every bit as good but is not the equal of Waka/Jawaka musically.)

What an incredible album. I know of no other music like it in the world. It’s not big band, it’s not rock, it’s not jazz, it’s a unique amalgamation of all three with an overlay of some of Zappa’s idiosyncratic compositional predilections (say that three times fast) thrown in for good measure.

In our opinion it’s nothing less than Zappa’s MASTERPIECE, the summation of his talents, and a record that belongs in every right-thinking audiophile’s collection. (We say that about a lot of records audiophiles don’t know well, but we’ve been doing it for most of our 27 years in this business and don’t see much reason to stop now.)

The Secret

Most copies, especially the WB brown label reissues, are dull and smeary with not much in the way of top end extension, failing pretty miserably at getting this music to come to life. This copy gets as much of what we like about the sound to actually come through the speakers as any copy we have ever played, and that makes it a very special copy indeed.

Not long ago we discovered the secret to separating the men from the boys on side one. On the lively, punchy, dynamic copies — which are of course the best ones — you can follow the drumming at the beginning of ‘Big Swifty’ note for note: every beat, every kick of the kick drum, every fill, every roll — it’s all there to be heard and appreciated. If that track on this copy doesn’t make you a huge fan of Aynsley Dunbar, I can’t imagine what would. The guy had a gift.

Big Swifty!

The 17-plus-minute-long Big Swifty is a suite in which each section slowly, almost imperceptibly blends into the next, so that you find yourself in a completely new and different section without knowing how you got there — that is, until you go back and play the album and listen for just those transistions, which is what makes it worth playing hundreds and hundreds and hundreds of times.

Big Swifty is a jazz suite with amazingly innovative work by Sal Marquez on trumpet. He single-handedly turns this music into a work of GENIUS. I can’t imagine a more talented player. Zappa on guitar is excellent as well. Aynsley Dunbar plays his ass off, only falling short when it comes time to do his drum solo on Waka/Jawaka. The interplay of each of these rock musicians is in the tradition of great jazz artists.

And since the drumming throughout this record is so crucial to the music itself, a copy that really gets that right is one that gets everything right.

A Desert Island Disc

What more can I say? If you love Zappa you need this record. If you want to expand your musical horizons and hear big band like you’ve never heard it before, this is the record for you. I’ve listened to this album literally hundreds and hundreds and hundreds of times. It gets better every time I play it.

Blue Labels and Reissues

By the way, the Blue Label originals are quite a bit better than the later Warner Brother reissues. I would avoid any reissues for Zappa’s albums; we’ve never heard a good one. And that includes the Classic Records reissue of Hot Rats.