Sonic Grade: B-? C+?
Another MoFi LP reviewed.
I first heard From Elvis in Memphis the way I heard so many albums back in the late ’70s and early ’80s: on the Mobile Fidelity pressing. I was an audiophile record collector in 1981 and if MoFi was impressed enough with the sound and the music to remaster it and offer it to their dedicated fans, of which I was clearly one, then who was I to say no to an album I had never heard? (Soon enough I would learn my lesson about MoFi’s A&R department. The MoFi release of Supersax Plays Bird, a record that had virtually nothing going for it, was the last time I took their advice.)
Turns out they did a pretty good job on the Elvis album though, not that I would have any way to know — back then it would not even have occurred to me to buy a standard RCA pressing and compare it to my half-speed-mastered pressed-in-Japan, double-the-price-of-a-regular LP. A decade or thereabouts later it would be obvious to me that MoFi had fooled around with the sound and that the right real RCA pressing would be more correct and more natural (but probably not as quiet of course).
Generic Audiophile LP Bashing
The most serious fault of the typical Half-Speed Mastered LP is not incorrect tonality or poor bass definition, although you will have a hard time finding one that doesn’t suffer from both.
It’s Dead As A Doornail sound, plain and simple, a subject we discuss in greater depth here.
And most Heavy Vinyl pressings coming down the pike these days are as guilty of this sin as their audiophile forerunners from the ’70s and ’80s. The average Heavy Vinyl LP I throw on my turntable sounds like it’s playing in another room. What audiophile in his right mind could possibly find that quality appealing? But there are scores of companies turning out this crap; somebody must be buying it. (more…)