Top Artists – Dire Straits

In Defense of Simply Vinyl – Are Their LPs Really Worse Than Anybody Else’s?

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Making Movies on Simply Vinyl had been out of print for quite a while, so when it was repressed recently [in the mid-2000s I would guess] we took the opportunity to give it a fresh spin and were SHOCKED — that’s right, SHOCKED — to hear how good it sounded, every bit as good as we remember it from years ago.

It sounded like a good British import, not some 180 gram remastered wannabe. Most 180 gram records don’t do anything for us these days [circa 2008] — they leave a lot to be desired as we point out left and right in our commentaries — but here’s a wonderful exception to the dismal heavy vinyl rule.

But it is a good British (or Dutch, same thing) import, because Simply Vinyl is not in the remastering business.

Addedum 2012 

We played another copy on SV a year or so later, 2009 or 2010 as I recall, and it did not sound nearly as good as the one we describe above, for what that’s worth.

Also SV has “newer” masterings of many of their records which in our experience are uniformly inferior to the earlier ones. I would not buy any SV if I were you unless I heard it first or could return it.

 

Dire Straits Debut from 1977 – Rhett Davies Knocked It Out of the Park

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More Dire Straits – Dire Straits

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  • SUPERB sound throughout, with both sides of this very special British pressing rating a strong Double Plus (A++) or BETTER! 
  • The sound is shockingly rich, full and solid with fantastic energy – you will not believe all the space and ambience on this copy
  • A Better Records Rock & Pop Top 100 title, a True Demo Disc, and our favorite by the band for both sound and music
  • “…the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”

What superb sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1978
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments (and effects!) having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above. (more…)

Brothers in Arms – Half-Speed Mastered, But Why?

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Sonic Grade: D

Another Half Speed debunked.

The Warner Brothers 180g Double LP pictured above was mastered by Stan Ricker at half-speed. Most of the time that means that it will be too bright and the bass will be sloppy. And what do you know, it IS too bright and the bass IS sloppy!

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Dire Straits Brothers In Arms, Properly Mastered and Pressed


Our White Hot Shootout Winner for 2018

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  • This killer domestic pressing gives you a Triple Plus (A+++) side one and a side two that’s not far behind (A++)
  • Fully extended from top to bottom with a wide-open soundstage, for this music this is the right sound.
  • So Far Away, Money For Nothing and Walk Of Life all sound great on this Triple Plus side one!
  • “One of their most focused and accomplished albums … Dire Straits had never been so concise or pop-oriented, and it wore well on them.” — Allmusic, 4 stars

See all of our Dire Straits albums in stock

Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this! (more…)

Dire Straits Making Movies – Our White Hot Import


Our White Hot Shootout Winner for 2018

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  • With two Triple Plus (A+++) shootout winning sides, this copy is As Good As It Gets!
  • Both sides here are rich, smooth and Tubey Magical, with breathy vocals and huge amounts of studio of space around the instruments
  • The sound is dramatically bigger, richer and livelier than what we’re used to hearing from this album, finally!
  • 4 1/2 stars Allmusic: “Making Movies is helped by a new wave-tinged pop production, which actually helps Knopfler’s jazzy inclinations take hold … ranks among the band’s finest work.”

See all of our Dire Straits albums in stock

When you get an amazing sounding UK pressing such as this one (on the lovely Orange Vertigo label) the first thing you notice is that the music really comes together, especially if you’ve been playing a sub-generation domestic pressing, which is the only kind Warners made as far as we know. (The first album is the same way of course.) (more…)

Ranking the Most Tubey Magical Rock Recordings

A Space in Time

 

This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted. (Of course, as it turns out, recording technology only got worse as the decade wore on, and during the ’80s the sound of most records went off a cliff.)

Big Production British Rock & Roll just doesn’t get much better than A Space in Time.
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Dire Straits Love Over Gold – Testing for the Piano and Snare

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Another in our series of Home Audio Exercises.

Telegraph Road does something on this copy that you won’t hear on one out of twenty pressings: It ROCKS. It’s got ENERGY and DRIVE.

Listen to how hard Allan Clark bangs on the piano on side one — he’s pounding that piano with all his might. No other copy managed to get the piano to pop the way it does here, clear and solid. Wow, who knew? Maybe this is the reason HP put the record on the TAS Super Disc List. (I rather doubt he’s ever heard a copy this good but who’s to say?)

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Best test for side two?

The snare drum on Industrial Disease. Play five copies of the album and listen for how much snap there is to the snare on each of them. It will be obvious which ones get the transient attack right and which ones don’t. (If none of them do try five more copies!) (more…)