A stunning UK import copy with Triple Plus (A+++) sound or close to it from beginning to end
Incredibly big, punchy, dynamic, transparent and musical throughout – you won’t believe it
These top quality copies of Love Over Gold are far more natural than the any pressing you have ever heard
“Certainly a quantum leap from the organic R&B impressionism of the band’s early LPs and the gripping short stories of Making Movies, Love Over Gold is an ambitious, sometimes difficult record that is exhilarating in its successes and, at the very least, fascinating in its indulgences.” – Rolling Stone
We pick up every clean copy we see of this album, domestic or import, because we know from experience just how good the best pressings can sound. What do the best copies have? REAL dynamics for one. And with those dynamics you need rock solid bass. Otherwise the loud portions simply become irritating. A lack of grain is always nice — many of the pressings we played were gritty or grainy. Other copies that were quite good in most ways lacked immediacy and we took serious points off for that.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
I want to thank you once again.
Quite a few years ago now I contacted you and talked about this concept called “Hot Stampers”. It ended up both saving me a lot of misdirection and foolishly trying to rebuild my vinyl collection with new vinyl re-releases often called “audiophile” and “half-speed” issues.
After a few confirmations of what you said I quickly sold all those copies and began building a real world class collection of vinyl “original” Hot Stamper level records. A good number came from your business and I also made a hobby of trying to do what you do in finding “Hot Stampers”. Fortunately Philadelphia has a reasonable number of used record stores but unfortunately, as you well know, this is a rigorous and costly endeavor, but it can be rewarding at times and at other times requires that I rely on you.
So today I’m snowed in here and I fired up the rig and decided to do some small scale shoot outs and find the true great copies from my already culled collection. Put on several Hall and Oates and focused on “She’s Gone”. One was just clearly dynamic, clear and present. Then I put on several Dire Straits “Love Over Gold” and ended up with 3 killer copies (such a good lp). I then put on about 5 copies of Phil Collins “Face Value” with “If Leaving Me is Hard”. What a great love song, and narrowed it to 2.(more…)
Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Communique. If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up.(more…)
MASTER TAPE SOUND ON BOTH SIDES! This copy is a FLUKE — we guarantee you have never heard a copy sound even remotely this good. We sure haven’t, and we’ve probably played fifty or more. This copy found itself running way ahead of the pack and never looked back. Two A+++ sides back to back — what are the chances?
Telegraph Road does something on this LP that you won’t hear on one out of twenty pressings: It ROCKS. It’s got ENERGY and DRIVE.(more…)
Making Movies finally makes the grade on this White Hot Stamper copy! We’ve tried this one a few times over the years, very rarely having anything to show for it. The typical copy of this album tends to be dry, spitty, grainy, and somewhat dull, robbing the music of much of its charm. These guys obviously know their way around a studio — many of you must know just how good their first album can sound — so we’ve always been frustrated at what we hear on copy after copy that hits out table.
Making Movies finally makes the grade on this White Hot Stamper copy! We’ve tried this one a few times over the years, very rarely having anything to show for it. The typical copy of this album tends to be dry, spitty, grainy, and somewhat dull, robbing the music of much of its charm. These guys obviously know their way around a studio — many of you must know just how good their first album can sound — so we’ve always been frustrated at what we hear on copy after copy that hits out table.(more…)
This has to be one of the worst sounding copies of Dire Straits’ first album we have ever played. There are plenty of bad sounding pressings of this album around — most of the domestic copies we’ve auditioned over the years were pretty awful — so we really can’t give it an F. (The 10cc title from this same series wasn’t half bad, FYI; certainly not the joke this pressing is.)
Making Movies on Simply Vinyl had been out of print for quite a while, so when it was repressed recently [in the mid-2000s I would guess] we took the opportunity to give it a fresh spin and were SHOCKED — that’s right, SHOCKED — to hear how good it sounded, every bit as good as we remember it from years ago.
It sounded like a good British import, not some 180 gram remastered wannabe. Most 180 gram records don’t do anything for us these days [circa 2008] — they leave a lot to be desired as we point out left and right in our commentaries — but here’s a wonderful exception to the dismal heavy vinyl rule.
But it is a good British (or Dutch, same thing) import, because Simply Vinyl is not in the remastering business.
We played another copy on SV a year or so later, 2009 or 2010 as I recall, and it did not sound nearly as good as the one we describe above, for what that’s worth.
Also SV has “newer” masterings of many of their records which in our experience are uniformly inferior to the earlier ones. I would not buy any SV if I were you unless I heard it first or could return it.
The Warner Brothers 180g Double LP pictured above was mastered by Stan Ricker at half-speed. Most of the time that means that it will be too bright and the bass will be sloppy. And what do you know, it IS too bright and the bass IS sloppy!
Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this! (more…)