Sonic Grade: D-
Dead as a doornail sound. Disgraceful.
We’ve raved about a number of live albums over the years. Some of the better sounding ones that come readily to mind (in alphabetical order) are Belafonte at Carnegie Hall, David Live, Johnny Cash At San Quentin, Donny Hathaway Live, The Jimi Hendrix Concerts, Performance – Rockin The Fillmore, Live Wire – Blues Power, Waiting For Columbus, Get Your Ya-Ya’s Out and Live at Leeds. I would be proud to have any of them in my collection.
Having just played a stack of copies of Made In Japan I’d put it right up there with the best of the best. In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan would be very likely to take Top Honors for Best Sounding Live Album of All Time. Yes, the sound is that good.
What to Listen For (WTLF)
The best sides tended to have the same qualities. They were huge, open, clear, transparent, rich, tubey and natural.
And of course they rocked, with startling dynamics, massive amounts of bass and a full-bodied midrange. The better the pressing the more the instruments jumped right out of the speakers. Live in your listening room was the sound we were after, and this copy delivers like nothing you have ever heard.
Machine Head Live? That would not be far off, and the fact they brought MARTIN BIRCH along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles. (more…)
Sonic Grade: F
A Hall of Shame pressing.
I’m guessing that very few people have ever heard this record sound good. The average copy is nothing special, but this one is a boring, lifeless mess so save your money.
Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.
Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles.
Machine Head is clearly one of the best sounding hard rock records ever made, and Made In Japan, its successor, sounds more like a top quality studio production than any live album I’ve ever heard. It’s shocking how clean and undistorted the sound is. Equally shocking is the fact that it’s every bit as big and lively as a Hard Rockin’ Live Album should be.
This is a combination the likes of which we have never heard. (more…)