Is this one of the Greatest Rock Albums of All Time? Unquestionably. It’s the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.
Is it Bowie’s Masterpiece? Absolutely. No other Bowie record ranks higher in my book. No other Bowie record would command a similar price, regardless of its sonic merits.
Is it amazingly well recorded? You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott’s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further.
Ken Scott engineered this record and he did his usual amazingly good job. The guitars may not sound “real”, they way they actually do in real life, but they sure sound GOOD! Lots of rich, sweet tubey magic, the sound we love here at Better Records.(more…)
With STUNNING Shootout Winning Triple Plus (A+++) sound or very close to it on both sides, this copy is one of the best we have ever heard
It’s all here: huge amounts of rock solid bass, clear guitar transients, breathy, natural vocals, and jump out of the speakers presence and energy
A real Demo Disc at high volumes on the right system – Modern Love, China Girl and the title track are knockouts when you play them good and loud
Top 100 of course – Let’s Dance is one of the best sounding Bowie albums ever recorded – this superb pressing is proof!
Bowie is without question one of the all-time great frontmen and producers. This is his last good album and a Must Own for audiophiles, especially if you have big dynamic speakers. Like we say, with this one you are in for a treat.
Hearing a top copy of Let’s Dance is truly a special experience; the damn thing is amazingly well recorded, especially considering it came along well after the Golden Age of Rock Recording (the ’60s and ’70s, don’t you know). The sound is analog at its best; rich, full and super-punchy.(more…)
MASTER TAPE SOUND ON BOTH SIDES of the TAS List SuperDisc! We just finished a big shootout for this album, and this knockout copy took top honors on both sides with A+++ sound from start to finish. Drop the needle on any track for some of the best sounding synthesizers you’ll ever hear!(more…)
THE BEST SOUND I HAVE EVER HEARD FOR THIS ALBUM! We’ve been playing this album for years, but we’ve sure never heard it sound like this. Both sides have BIG, FULL-BODIED SOUND that takes this soulful music to an entirely new level.
Both sides here are AGAIG — As Good As It Gets, Master Tape Sound. The overall sound is open, spacious, and transparent with lots of DEEP bass. You can easily pick out all the background vocals, and Bowie’s voice sounds just right. The strings have amazing amounts of texture — you can really hear the sound of the rosin on the bow. The highs are silky sweet and the bottom end is punchy and powerful. You won’t believe how superb the cymbal crashes sound — you’re right there in the room with these guys!(more…)
With Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two, this copy of Hot Space took top honors in our recent shootout
The best pressings – like this one – have plenty of bass and are smoother and fuller than the rest
Disco, funk, rhythm and blues, dance and pop music all found their way onto this 1982 release -the monster hit Under Pressure with none other than Mr. David Bowie closes out side two
“Hot Space is an essential cog for Queen completists… [it] has invention and ideas to spare.”
Queen albums in general are notoriously hard to find good sound for, and Queen albums from 1982 are probably even harder.
We’re guessing this album’s appeal is probably limited to fans of the band, but for those of you who want something different, or to hear Under Pressure sound good, we offer Hot Space with White Hot Stamper sound.(more…)
THE BIG BOWIE SOUND for this wonderful follow-up to Ziggy Stardust! We just finished shooting out a number of imports and domestic pressings of this album, and this British Orange Label pressing was THE KING — on both sides! This one’s got the kind of “meat on the bones” sound that takes these great glam-rock songs to a whole new level! You won’t believe how dynamic the sound is!
This copy’s got it all — textured vocals, big time WHOMP to the bottom end, off-the-charts energy, tight bass, depth to the soundfield, and so much more. I’ve never heard this album sound any better and I don’t expect to anytime soon. The overall sound is clean, clear, open, spacious, and incredibly transparent. Sometimes the vocals are mixed a little far back, but at times Bowie will be IN THE ROOM with you.(more…)
The following is our 2007 commentary for the best Ziggy Stardust we had ever heard
This RCA Import has DRAMATICALLY better sound than any Ziggy LP we’ve ever played here at Better Records. Whatever you think you know about the sound of this record, THINK AGAIN. The sound of this copy is so far beyond any expectation I had that hearing it was nothing short of a REVELATION. It’s TWO FULL GRADES better than any copy we played in our shootout.
Ater hearing this copy we had to lower our grades for every other pressing we had played. This was a completely new standard.(more…)
This Let’s Dance may look like an ordinary record, but it sure doesn’t sound like one. The sound is OUT OF THIS WORLD! You’re looking at THE Big Beat Demo Disc of All Time. What the Hot Stamper copy of Back in Black was to Super-Fidelity HARD Rock, this White Hot Stamper of Let’s Dance is to Super-Fidelity FUNKY Rock. In other words, this is the FREAKISHLY HOT STAMPER copy that gives you As Good As It Gets, Demo Disc, Mind Altering Sound.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Picked up your SHS of “Ziggy” last week–my daughter is 13 and starting to get into Mick Ronson, and I got this to show her what I think is his best work, not just on guitar, but in essentially creating the overall sound for the “Ziggy Stardust” album. What I didn’t expect was how fantastic this album sounds. I’ve had other copies and they sound like I’m wearing a blanket over my head. Alongside my HS copy of “Freak Out” (first record I ever bought from you guys, I think), this has to be the most dramatic improvement over a typical recording I’ve ever heard! Records like this justify Better Records in spades–wow!!