Clean copies of the album are rare enough as it is; good sounding clean copies are as rare for this title as for practically any we offer.
Fortunately we’ve made some strides of late finding the “right’ pressings for this band, and with better cleaning technologies we are finding that the better copies such as this one are sounding the way we want our Creedence records to sound.
Note that the Hoffman reissues and the MoFi pressing sound nothing like the Creedence records we all grew up with, and records that sound that enervated, small, lifeless and boring just can’t be what audiophiles want, can they?
Those of you who have been watching the site for a while have probably noticed that we hardly ever list Hot Stamper copies of Creedence records. That’s because it is DARN NEAR IMPOSSIBLE to find copies that sound any good, a fact that many of you have probably stumbled upon on your own.
The typical copy of this album is grainy, murky, and veiled — and that’s just for starters. It took us a HUGE stack of copies to find ANY that had bottom end weight, midrange presence, freedom from grain (mostly) and real energy.(more…)
This is the first White Hot Stamper copy of Bayou Country to ever hit the site. We were shocked at how good this one sounds — on both sides — compared to the copies we’ve heard over the years. It is TOUGH to find a pressing of this album that didn’t turn out bright and edgy, but here’s one that was worth the headache of playing a ton of mediocre copies. Seriously, we played a huge stack of these and most had us running for cover.
Man, the average copy of this album is an unmitigated disaster. Let’s start with the vocals. I’m not sure who’s idea it was to have John Fogerty’s vocals sound as if they were recorded via telephone, but every copy we played had an edgy quality to Fogerty’s voice. On some copies the edge is bad enough to render the copy completely worthless sonically. Who can sit and listen to a record that makes you cringe every time the singer says anything? Not us.
Furthermore, most copies are badly congested and far from transparent. After dropping the needle on the first few copies and hearing the muddy music and gritty vocals we nearly gave up, but I’m glad we stuck to it long enough to find a few copies that did a good job conveying this classic music.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Just some comments on the records purchased in July. Some of these records were a night and day experience for me. I bought ten years after a space in time and nilsson son of shmilsson from the columbia record club back in the early seventies. I’ve taken good care of them and thought they sounded very good so I didn’t need to upgrade. You mentioned that we’ve never heard these records sound like this, so I thought I’d take a chance. WOW! Space in time, son of schmillson, eat a peach it was like there was a blanket taken off the speakers. Everything sounded sooo much better, more involving, the sound jumped out at me. And not that in your face shrill run for the volume control sound which was so prevalent in the late 80’s and into the 90’s.
CCR cosmo’s factory, I’ve got an original mofi copy which sounded really good ( I must have lucked out, 90% of the mofi’s I bought didn’t have a problem with sibilance. The ones that did have that problem and the dead as a doorknob presentation, anadisc 200 are all gone.)
The super hot stamper of Cosmos factory on side 1 completely smoked the mofi, side 2 they were comparable. The super hot stamper had more depth to it you could hear into the recording making the experience more lifelike.
A KILLER Shootout Winning Triple Plus (A+++) copy – you won’t find better sound for this band on vinyl
Proud Mary and Good Golly Miss Molly are absolute MONSTERS on this early pressing – you will be floored
Our pick for the best sounding CCR recording – when you have a copy that sounds like this one, and, trust me, a copy as good sounding as this one is tough to find
4 1/2 stars: “All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival’s muscular, spare, deceptively simple sound as an evocative portrait of America.”
It’s beyond tough to find copies that aren’t bright, gritty, grainy or edgy — that’s how most Creedence records sound I’m afraid — but here’s a Bayou Country that’s fairly smooth, exceptionally lively, mostly transparent and just plain rockin’ enough to make your day.(more…)
KILLER Triple Plus (A+++) sound from the first note to the last – it doesn’t get any better than this folks!
The sound is incredibly present and punchy with great clarity, excellent bass, freedom from grain and real swamp rockin’ energy
So many great songs: Run Through the Jungle, Lookin’ Out My Back Door, Who’ll Stop the Rain, etc.
A 5 star album and arguably the best record the band ever made: “…an album made during stress and chaos, filled with raging rockers, covers, and intense jams…”
We’ve made some strides of late (in 2015 as a matter of fact) finding the “right’ pressings for this band on some of their albums, especially this one, and with improved cleaning technologies we’re finding that the better copies such as this one are sounding the way we want our Creedence records to sound.
Note that the Hoffman reissues and the MoFi pressing sound nothing like the Creedence records we all grew up with, and records that sound that small, lifeless, boring or wrong just can’t be what audiophiles want, can they?(more…)
It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.(more…)
The first White Hot copy of Green River to ever hit the site! We’ve been trying this one for years but it’s insanely tough to find copies that really deliver. Creedence recordings tend to be somewhat rough and raw and this one is no exception, but this copy brought the music to life in a way that very few before it ever have on our system.
Green River isn’t ever going to be a knockout demo disc, but a copy like this allows you to enjoy the music as it was recorded. Most copies are so dull, grainy and lifeless that someone would have to wake you at the end of a side!(more…)
This Fantasy stereo pressing boasts Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus ( A++) side two
Both sides here are quite a bit richer and fuller than most with a big bottom end and solid midrange presence and energy
4 stars: “John Fogerty spent time polishing the production, bringing in keyboards, horns, even a vocal choir. His songs became self-consciously serious and tighter, working with the aesthetic of the rock underground — Pendulum was constructed as a proper album, contrasting dramatically with CCR’s previous records, all throwbacks to joyous early rock records where covers sat nicely next to hits and overlooked gems tucked away at the end of the second side.”
The typical copy of this album is grainy, murky, and veiled — and that’s just for starters. It took us a HUGE stack of copies to find ANY that had bottom end weight, midrange presence, freedom from grain (mostly) and real energy.
Those of you who have been watching the site for a while have probably noticed that we hardly ever list Hot Stamper copies of Creedence records. That’s because it is DARN NEAR IMPOSSIBLE to find copies that sound any good, a fact that many of you have probably stumbled upon on your own.(more…)