It seems as though Bill Porter just doesn’t know how not to make an amazing sounding Living Stereo recording. Everything the guy touches is GOLD! Need a refresher course in tubey magic after playing too many modern recordings or remasterings? These records are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — it’s all here.
I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS List what a great record this is, although I’m pretty sure anybody playing this album would have no trouble telling after a minute or two that this recording is very special indeed.(more…)
This original White Dog Black Label RCA pressing may not say Living Stereo on the label, but it sure has the kind of Living Stereo sound we audiophiles have come to love. It’s got the sound of RCA’s Nashville studios and Bill Porter’s engineering all over it, not to mention the kind of 1963 Tubey Magical Analog that would be long gone by the time the decade came to an end.
Along with George Harrison, who wrote the liner notes for Chet Atkins Picks on The Beatles, we’re proud to call ourselves Chet Atkins fans.(more…)
This is a very nice looking RCA reissue LP with DEMONSTRATION QUALITY SOUND! I can’t believe how good this late reissue sounds! It may not have all the tubey magic of the best originals, but it does have the tubey magic that Bill Porter recorded and that the RCA engineers managed to transfer accurately to this LP. I can tell you I’ll never pass up another one of these. Without a doubt this has to be the best sounding Christmas record we have for sale.
Sleigh Ride sounds amazing, but, as you can see in the reviews for his other classic recordings, most everything sounds amazing on these Bill Porter engineered Chet Atkins records!(more…)
This Minty looking RCA Victor LP has an AMAZING SIDE TWO backed with a great side one. Side two is full of the tubey magic that’s missing from the Classic Records version and it has a wonderfully extended top end. Side one lacks some of the top end extension found on side two but the first track has that tubey Nashville sound that we love here at Better Records. The rest of the side is pretty damn good as well.
Somewhat better than Hot Stamper sound for this Chet Atkins record from 1974, recorded at the legendary (especially for audiophiles who appreciate naturalness) Nashville RCA Studios. There’s plenty of Tubey Magic on both sides of this pressing, just a bit more than ideal in fact, as it can get a little thick at times. But the sound of these two pickers pickin’ away is positively JUMPIN’ out of the speakers, with that live-in-the-studio sound we love here at Better Records. We grade both sides A+ to A++. The sound was essentially the same on both sides, the differences not worth mentioning.
The music is just as fun and entertaining as you would expect from these two Old Pros. (more…)
This RCA Living Stereo LP has an A++ side two! It’s rich, warm and sweet with great transparency and clear transients — if it had just a bit more top it would be right up with the very best copies. Side one is not quite up to the same standards, and is very noisy. The vinyl plays about Mint Minus Minus on side two, but its a rare copy that plays any quieter.
Harry Pearson put this record on his TAS List of Super Discs.
This is one of Chet Atkins’ best albums. Sonically it’s right up there with The Other Chet Atkins and the Hollywood album. It seems like Bill Porter just doesn”t know how not to make an amazing sounding Living Stereo recording. Everything the guy touches is GOLD!(more…)
It’s been quite a while since I played the Classic pressing, but I remember it as nothing special, tonally fine but low-rez and lacking space, warmth and above all Tubey Magic. I don’t think I’ve ever played an original that didn’t sound better, and that means that the best grade to give Classic’s pressing is probably a D for below average.