In an old commentary for a shootout we did for Carole King’s Tapestry album we took shots at both the CBS Half-Speed Mastered Audiophile pressing and the Classic Heavy Vinyl Audiophile pressing, noting that both fell far short of the standard set by the Hot Stamper copies we’d discovered. This finding (and scores of others just like it) prompted us to promulgate the following axiom of audiophile record collecting, which we are calling…
Better Records Record Collecting Axiom Number Two
The better your stereo gets, the fewer Heavy Vinyl and Half-Speed Mastered pressings you will want to play, or own for that matter.
(This assumes a fact not in evidence: that audiophiles get rid of their bad sounding records. It has been my experience that the reverse is actually more often the case. Most audiophiles seem to like to hang on to their bad sounding audiophile pressings, Why they do so I cannot for the life of me understand. To me a bad sounding audiophile record is a record that has no business being played and should either be tossed or sold, with any proceeds from the sale applied to the purchase of good records — you know, like the ones on our site.)