Top Artists – Buffalo Springfield

Buffalo Springfield – Listening for Tubey Magic Down Low

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On even the best copies there’s a bit too much Tubey Magic in the bass I regret to say. Tubbiness and bloat were par for the course. This may explain why so many copies have rolled off bass; the engineer cut the bass because he heard how tubby it was and figured no bass is better than bad bass. 

Which is just not true. Cutting the bass leans out and “modernizes” the sound, making the voices sound thin and dry. This pretty much ruins everything on this album just the way it ruins everything in practically every modern recording I hear. Having your bass under control on the playback side isn’t easy — in fact it’s probably the hardest thing to achieve in audio — but it can be done, and with good bass control the slightly wooly bass is just part of the sound you learn to accept.

It doesn’t actually interfere much with your enjoyment of the music, mostly because all the other instruments and voices sounds so magical.

Tubey Magical Midrange

The kind of MIDRANGE MAGIC on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible.

Most copies have no bass, no real top, and are compressed so badly they sound more like cardboard than vinyl. But not this copy — it breaks the mold, revealing to the world (well, our world anyway, the world at Better Records) that those badly recorded Buffalo Springfield records from the ’60s weren’t so badly recorded after all.



Further Reading

…along these lines can be found below.

You can find your very own Hot Stamper pressings by using the techniques we lay out in Hot Stamper Shootouts — The Four Pillars of Success.

We have 250+ Audio Exercises you can try at home for fun and profit.

We have a section for Audio Advice of all kinds.

And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.

Because in audio, much like the rest of life, hard work and challenges really do pay off.

Buffalo Springfield – Last Time Around

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A distinguished member of the Better Records Rock and Pop Hall of Fam

It’s really shocking how good this album can sound on the right pressings. When you get hold of one and know how to clean it right, some of these pressings are a damn sight better than the vast majority of audiophiles think! And the music, of course, is CLASSIC. The best side one and the best side two in our last shootout, unfortunately, were less than impressive on their flipsides. We’ve paired them up to give you the best sound we can find for the entire album! And if you want to hear exactly what you’re paying for, just turn either copy over and prepare to be underwhelmed.

(Alternatively, of course, you could leave the playing of bad-sounding pressings to the professionals.) (more…)

You Too Can Get an Old Buffalo Springfield Record to Sound This Good

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Not long ago we found a White Hot Stamper pressing of Last Time Around that really blew our minds. We were surprised to hear some of the breathiest, silkiest vocals we’ve ever heard on ANY Buffalo Springfield album, with startling presence and immediacy to boot! This side two had BY FAR the most energy and life of any side of any copy we’ve ever played. Man, does it ROCK.

Even as recently as 2010 we would not have expected to find that kind of sound on a vintage ’60s pop/rock album. We know better now.

When you get hold of the right copy and know how to clean it and play it right, these vintage pressings (well, the White Hot ones anyway) are a damn sight better than the vast majority of audiophiles think they are. How is such apparently never-before-possible sound being heard now, 45 years after the record came out? Our answer can be found below. 

Tubey Magical Midrange

 The kind of MIDRANGE MAGIC on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible. (more…)