The domestic pressings are Direct Metal Mastered, the imports are not. Not being mastered DMM did not seem to confer any real benefit to the sound, which to us was a bit counterintuitive, but that’s the reason we do shootouts, so we know the actual sound of the vinyl rather than the sound our biases would lead us to expect.
The sound is big, rich and solid, with much less processing and grit on Ferry’s voice than most copies. The space and ambience are excellent. The sound by track two is actually quite good (track one being a bit dull).
Bigger, richer and cleaner than any copy we played. No grain, no congestion, just sweet, sweet sound like you have never heard for this album before.(more…)
This domestic pressing has STUNNINGLY GOOD SOUND on side two! It’s the best we’ve ever heard the album — super high-resolution transparency coupled with amazing immediacy. And talk about energy — the sound here positively JUMPS out of the speakers!
This side two blew our minds with its distortion-free sound, transparency and its punchy, note-like bass. The recording space is wall to wall HUGE, with amazing depth and three-dimensionality that’s only hinted at by most of the pressings we played. It’s meaty and punchy down low and there’s plenty of extension up top. (more…)
Both sides are blessed with the kind of early ’70’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you!
Nobody can manage to get a recording to sound like this anymore and it seems as if no one can even remaster a recording like this anymore, if our direct experience with scores of such albums counts as any sort of evidence.(more…)
AN AMAZING COPY OF THIS VERY FUN ALBUM! We had a nice stack of British copies and this one had an unbeatable A+++ side one backed with a killer A++ – A+++ side two, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!
Most of the copies we played didn’t come near this one in terms of presence or energy. The sound positively JUMPS out of the speakers and fills the room! There’s loads of tubey magic, big punchy drums, and depth to the soundfield.(more…)
The song Valentine is a key test for side two. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything.
On the top copies, the lead on the very next track, Stone Woman, is tonally correct. These two tracks, two of the best on the album, together make it easy to know if your copy is tonally correct in the midrange. Track two: background vocals. Track three: lead vocal. Easy enough.(more…)
It’s been years since I last played this album, and I’m happy, ecstatic even, to report that it sounds far better than I remember it sounding. In the old days I recall it as somewhat dry, flat and transistory. Now it’s BIG and BOLD, revealing a band that’s on fire in the studio.
This White Hot side two had by far the most energy of any side we played, showing us just what a monster rocker this album can be when it’s mastered and pressed right. The reviews were mixed when the album was released in 1978 but time has been kind to it — after hearing the killer copies I would rank it up at the top with the best of Ferry’s and Roxy’s work.
The first three tracks are uptempo barn burners sure to get you out of any funk you may find yourself in, day or night.(more…)
You’ll find excellent Double Plus (A++) sound on both sides of this classic Ferry album from 1985
This copy was super big, full and lively with plenty of presence and bottom end weight
On this record, bigger bass and punchier drums make all the difference in the world
“Instead of ragged rock explosions, emotional extremes, and all that made his ’70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match…”
Excellent sound and quiet vinyl on both sides! If you’ve spent any time with this album, you will be blown away by how great both sides of this copy sound.
Key Listening Test
The song Valentine, the second track on side two, is a key test for that side. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything.(more…)
One of the best copies to ever hit the site, with Shootout Winning Triple Plus (A+++) grades or close to it on both sides
This original UK Island pressing is bigger, richer, more Tubey Magical, clearer, and with better bass – it knocked us out
Outside of the first three Roxy albums, there is simply no recording by the band that as good as the first three Bryan Ferry solo projects
“Ferry for the most part looked to America, touching on everything from Motown to the early jazz standard that gave the collection its name… Wrapping up with a grand take on “These Foolish Things” itself, this album is one of the best of its kind by any artist.” – All Music
We had a nice stack of British copies to play and are happy to report that this one had an unbeatable Triple Plus (A+++) side two backed with a killer Double to Triple Plus (A++ to A+++) side one, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!
The sound positively JUMPS out of the speakers and fills the room. There’s loads of Tubey Magic, big punchy drums, and depth to the soundfield.(more…)
Our shootout winner for side two and only the second copy to hit the site in many years – Triple Plus (A+++) on side two, Double Plus (A++) on one
For material and sound I consider this to be the best of Bryan Ferrry’s solo albums – it’s a blast from start to finish
The energy, presence, bass, and dynamic power (love that horn section!) place it well above his other side projects
4 Stars: “The title track itself scored Ferry a deserved British hit single, with great sax work from Chris Mercer and Mel Collins and a driving, full band performance. Ferry’s delivery is one of his best, right down to the yelps, and the whole thing chugs with post-glam power.”
We shot out a number of other imports and this killer side two is As Good As It Gets. The presence, bass, and dynamics place it head and shoulders above the competition. It has what we like to call Master Tape Sound — right in every way.(more…)