An incredible sounding copy and the best to hit the site in many years — Shootout Winning Triple Plus (A+++) sound throughout
These sides are As Good As It Gets — clean, clear and full-bodied with lots of energy and lovely breathy vocals
Exceptionally quiet vinyl – Mint Minus to Minus Minus Minus – they don’t come quieter in our experience
5 Stars: “He would later make different albums, but he never made a better one. The truth is, The Wild, The Innocent & the E Street Shuffle is one of the greatest albums in the history of rock & roll.”
It’s not easy to find good sound on this record — or any Springsteen album, for that matter — but the better copies prove that this is a perfectly fine recording for what it is. Full and solid, the best pressings have the kind of energy and power to really communicate the passion and excitement of the music.(more…)
With two Nearly Triple Plus (A++ to A+++) sides, – just shy of our Shootout Winner – we guarantee you’ve never heard Nebraska sound as good as it does here – exceptionally quiet vinyl too
There’s more space, richness, vocal presence, and performance energy on this copy than others we’ve played, but please take the time to read about the recording of the album so you know what to expect from the sound
5 stars: “[A] recording artist’s demos of new songs often come off better than the more polished versions later worked up in a studio. But Bruce Springsteen was the first person to act on that theory, when he opted to release the demo versions of his latest songs, recorded with only acoustic or electric guitar, harmonica, and vocals, as his sixth album, Nebraska”
This famously compromised recording certainly has its limitations, but here is a copy that shows what Bruce recorded on four-track cassette tape in the best possible light.(more…)
MASTER TAPE SOUND ON SIDE ONE! The soundfield is HUGE, the vocals CLEAR and PRESENT, with energy and dynamics that are nothing less than off the charts. We didn’t hear another copy in our shootout that could touch this side one, and no copy sounded better on ANY side. That’s what we mean by Master Tape Sound — the sound is so transparent, lively and real that you feel like you are listening to the final two track mix being played back, not some mass-produced Columbia vinyl.
But that’s exactly what this is: Mass Produced Vinyl, no more, no less. Mastered at The Mastering Lab, sometimes these pressings — against all odds one might be inclined to think — come out the way they should, sounding gloriously alive and powerful. They come out Hot, White Hot in this case. Play this copy; you won’t believe how well recorded this album is, especially if all you’ve ever had to judge it by is an average Columbia LP, CBS Half-Speed or CD.(more…)
An incredible sounding copy with both sides earning Shootout Winning Triple Plus (A+++) grades
On the better pressings you get something approaching the warmth and unforced clarity of analog we audiophiles crave
Some of Bruce’s best material is here: the title track and One Step Up are two of our favorites
“Bruce Springsteen followed the most popular album of his career, Born in the U.S.A., with [a] low-key, anguished effort, Tunnel of Love.”
As is the case for the Bob Clearmountain mix of Born in the USA, the sound is not exactly vintage analog at its best, but at least on vinyl you get some warmth and unforced clarity. After all, this is 1987, not 1967 and not even 1977. That said, the copies that earned the better grades were big and rich, with plenty of studio space and nicely present vocals.
Mostly what they do well is that they fill out the sound and take the edge off of it without losing musical information, dynamics or energy. Not many copies managed that feat but this one did.(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
EXCELLENT SOUND and QUIET VINYL for BOTH SIDES of this ’80s classic from The Boss. Side one, at A+++, was the best we heard in our entire shootout! It’s tough to find great sounding copies of this album — or any Springsteen album for that matter — but this one is a HUGE step up, with the kind of clarity and fullness the typical pressing barely hints at.
We’re not the world’s biggest Springsteen fans here at Better Records (as you may have gathered by now) but when this sound is this good we can certainly get down and rock with The Boss.
So many copies left us cold with a flat, dry sound. If you’re bored by the first chorus of the title song, that’s a bad sign, and that was exactly our experience with most of the pressings that hit the table. When we threw this one on, things changed considerably. Bruce was really screaming, the drums were really pounding, and before we knew it we were really rockin’ out and enjoying the music. (more…)
We would be foolish to make claims for “audiophile quality” sound on Springsteen’s albums — they are what they are. The simple claim we make for our Hot Stampers is that the best of them sound as good as the album can sound, and we back that up with a 100% Money Back guarantee.(more…)