This British Sunray original pressing takes the sound to a level BEYOND all others. This copy has deep, punchy bass that exceeded my wildest expectations. I’ve been playing this record for thirty years and I’ve never heard a bottom end like this before. Side one here rates an A+++ — Master Tape Sound, As Good As It Gets (AGAIG). (more…)
A distinguished member of the Better Records Rock Hall of Fame.
This QUIET Original Sire LP has EXCELLENT SOUND! We just did a mini-shootout for this fun album, and this copy was the clear winner on both sides. It’s got the kind of deep, meaty, well-defined bass that’s absolutely critical to this music. The various instruments and noises have more room to breathe than on the other copies we played. The overall sound is airy, open, and spacious with excellent clarity. The percussion — a HUGE part of this album — sounds Right On The Money. You can really hear the sound of the skins! (more…)
This British Island Sunray LP is the copy we’ve been waiting for! We love this music but we’d never heard a copy of this album that could hold its own sonically with our Hot Stamper copies of Taking Tiger Mountain — until we played this one.
We hardly ever see enough clean copies of this to do a full shootout, but we know Hot Stamper sound when we hear it and this copy’s got it — on BOTH sides. It’s got a wonderfully meaty bottom end that was missing from many of the copies we’ve played before. Baby’s On Fire is super punchy, and Cindy Tells Me has AMAZING bass. The vocals are full-bodied and breathy with lots of texture and wonderful presence. The clarity here is superb — none of the smearing so common to the domestic pressings. (more…)
What’s especially interesting about this copy is that we went crazy for it even though it did not have the best bass of the copies we played, which, as you will see below, clearly contradicts what we had previously written. We thought that the copies with the best bass had the best everything else too, but that was not what we heard this time around.
THIS copy got the music to work its magic, and it did it with most, but not all, of the bass of the best. Not sure how to explain it. Rules were made to be broken maybe? (more…)
A distinguished member of the Better Records Rock Hall of Fame.
This is Eno’s Masterpiece as well as a Desert Island Disc for yours truly. On the right pressing this is a Twisted Pop Demo Disc like nothing you have ever heard. If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated musical creations, with all the weight and power of live music, this is the record that will make all your audio effort and expense worthwhile.
That’s the kind of stereo I’ve been working on for forty years and this album just plain KILLS over here.
That being said, it may not be the kind of thing most music loving audiophiles will be able to make much sense of if they have no history with this kind of Art Rock from the ’70s. I grew up on Roxy Music, 10cc, Eno, The Talking Heads, Ambrosia, Supertramp, Yes and the like, bands that wanted to play rock music but felt shackled by the chains of the conventional pop song. This was and still is my favorite kind of music. (more…)
The best Island copies of this album ROCK HARDER than practically any record we’ve ever played. If you have the system for it, this one will bring a Live Art Rock concert right into your living room!
It’s right at the top of the list of my Favorite Albums — a Desert Island Disc if ever there was one. I stumbled across it more thirty years ago and I’ve loved it ever since. It all started when a college buddy played me the wildly original Tomorrow Never Knows from the album and asked me to name the tune. Eno’s take is so different from The Beatles version that I confess it took me an embarrassingly long while to catch on.
Sometime last year I noted on the site that I had finally figured out how to tell the good pressings from the not-so-good ones. I had been focussing on the wrong things in the shootouts I had done over the last few years, and in that I have the feeling I was not alone. This seems to be a fairly common Major Audiophile Pitfall that we all get stuck in on occasion. (more…)
- This outstanding copy of Low boasts superb Double Plus (A++) sound from beginning to end
- Huge amounts of studio space can be heard on this copy, along with the Tubey Magical richness only the best Brit copies can offer
- These British pressings (not originals by the way) play about as quietly as records from the era ever do
- 5 stars on Allmusic for this groundbreaking album recorded with Eno — “Low is a dense, challenging album that confirmed his place at rock’s cutting edge…”
I’ve said it on the site numerous times: I spent a good portion of the ’70s playing Art Rock records like Taking Tiger Mountain, Siren, Crime Of The Century, Deceptive Bends and scores of others. I remember being blown away when Low came out, and with this shootout we had a blast hearing just how good a killer Hot Stamper pressing can sound on the much more highly-evolved stereo system (equipment, room, set-up, tweaks, electricity, etc.) we have today. (more…)
Sonic Grade: B-
Hey, this is a good sounding pressing! I had to pull out my best imports to beat it, which they did handily of course, but the typical audiophile trying to find a pressing superior to this one will have to do a fair bit of homework in order to succeed. We had multiple copies of Islands, Polydors, Atcos, Reprises and one copy of the Heavy Vinyl import I used to like. This pressing trounced most of them, and it’s cheap.
I highly recommend it to anyone who likes Art Rock from the ’70s and is never going to lay out the kind of bread our Hot Stamper pressings command. For around $20 you just can’t beat it.
- With two seriously good Double to Triple Plus (A++ to A+++) sides, this UK LP is sure to be one of the best sounding Roxy Music records you’ll ever play
- These sides are unbelievably rich and Tubey Magical – Roxy just does not get much better than this!
- We’ve been working on this shootout for over ten years – here is one of the better copies we have to show for our effort
- AMG 5 Stars: “…another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting.”
This album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one. Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.) (more…)
- Outstanding Double Plus (A++) sound on both sides – this is some of the most dynamic sound the band achieved
- Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects and practically faultless
- A Top 100 album, the band’s Masterpiece, and truly a Must Own Desert Island Disc of Glamorous Arty Rock
- “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these. (more…)