Top Artists – Blondie

Blondie – Autoamerican – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

DEMO DISC SOUND on this A+++ Hot Stamper Side One! This is one KILLER New Wave Pop Record. All the Blondie magic you could ever want is in these grooves! The truly POWERFUL sound of this Power Pop Band really comes through on this Bad Boy, or should we say Bad Girl? Whatever. This was the Hands Down Hot Stamper Winner of our latest shootout. Man, we had a ball with this one.

To be fair, consistency is the problem with this album, with some songs being absolute Pop Masterpieces (The Tide Is High on side one, Rapture on side two), but other tracks falling short of the standard set by Parallel Lines, where every track bar none was a gem of songcraft and High Gloss Pure Pop Production.

Still, what’s good is good, and the sound is STUNNING, with real Demo Disc qualities. The Right Pressing of the Right Stamper.

As expected, if you clean and play enough copies of a standard domestic major label album like this one, sooner or later you will stumble upon The One, and boy did we ever. One of our copies was OFF THE CHARTS with presence, breathy vocals, and punchy drums. It was positively swimming in studio ambience, with every instrument occupying its own space in the mix and surrounded by air. There was not a trace of grain, just the silky sweet highs we’ve come to expect from analog done right.

This is of course the premise behind Hot Stampers themselves. They are out there to be stumbled upon. You can’t tell what pressing from what era from what country is going to be The One (Keanu, are you listening?) until you actually sit down, clean and play a big pile of them. We found a source for this title sealed and managed to pick up over a dozen new copies, and those, along with some other used ones we had laying around, comprised our data pool. (more…)

Blondie – Eat To The Beat

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  • Incredible sound for the band’s followup to Parallel Lines with both sides of this 2-pack earning a Triple Plus (A+++) or close to it!
  • Turn it up as loud as you want – the top end and vocals are balanced, smooth and tonally correct, not gritty or edgy 
  • The drums and bass of Die Young Stay Pretty are as real sounding as if you were standing five feet from the band
  • 4 1/2 stars: “The British… made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for Atomic and almost the same success for Dreaming 

Our 2-pack sets combine two copies of the same album, with at least a Super Hot Stamper sonic grade on the better of each “good” side, which simply means you have before you a pair of records that offers superb sound for the entire album. (more…)

Blondie – Eat To The Beat

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  • Incredible sound for this followup to Parallel Lines with both sides earning a Triple Plus (A+++)!
  • Turn it up as loud as you want – the top end and vocals are balanced, smooth and tonally correct, not gritty or edgy
  • The drums and bass of Die Young Stay Pretty are as real sounding as if you were standing five feet from the band
  • 4 1/2 stars on Allmusic:The British… made Eat to the Beat another chart-topper, with three major hits, including a number one ranking for Atomic and almost the same success for Dreaming.

This is Mike Chapman’s Big Beat Sonic Masterpiece — yes, bigger and better than Parallel Lines — akin to the debuts of The Knack and The Cars, and every bit as huge and punchy as either.

Eat to the Beat lives and dies by its energy, its bass and above all by its transient snap. The drums and bass of Die Young Stay Pretty are as real sounding as if you were standing five feet in front of a the band. On the best copies it’s hard to imagine that song sounding any better. The drum and bass are massive in their attack. It’s the very definition of punch. (more…)

Blondie – Parallel Lines – Our Four Plus Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Can this kind of music get any better? This album is a MASTERPIECE of Pure Pop, ranking right up there with The Cars first album. I can’t think of many albums from the era with the perfect blend of writing, production and musicianship Blondie achieved with Parallel Lines.

As expected, if you clean and play enough copies of a standard domestic major label album like this one, sooner or later you will stumble upon The One, and boy did we ever. This side two had OFF THE CHARTS with presence, breathy vocals, and punchy drums. It was positively swimming in studio ambience, with every instrument occupying its own space in the mix and surrounded by air. There was not a trace of grain, just the silky sweet highs we’ve come to expect from analog done right.  (more…)

Blondie – Parallel Lines on Audiophile Vinyl

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Sonic Grade: D or worse

All Hall of Shame Pressings.

EMI and Simply Vinyl both released Heavy Vinyl versions of the album with little sonic success. I remember being underwhelmed by the Simply Vinyl version, the perfect example of the smeary sub-gen sound you get when a record is made from a dub tape. The EMI 180 was brighter and thinner and every bit as wrong in its own way. Choosing among them would have been difficult. The best choice: none of the above. 

As is so often the case, the Heavy Vinyl Reissues are simply a disgrace.

MOBILE FIDELITY

Two words: compressed muck (like most domestic pressings, to be fair). (more…)