Top Artists – Billie Holiday

Billie Holiday – Music For Torching

More Billie Holiday

More Music For Torching

xxxxx
xxxxx

  • With excellent Double Plus (A++) sound or BETTER on both sides, this is a killer copy of one of Billie’s best
  • Not only that, but this pressing plays as quietly as any we can find – Mint Minus to Mint Minus Minus
  • A superb recording of jazz standards with a great lineup and Billie in top form, as well as Tubey Magical sound, with especially breathy vocals
  • Great versions (and lovely sound) for It Had to Be You, Come Rain or Come Shine, A Fine Romance, and too many more to list
  • “The overall feeling on this 1955 recording… is strictly after-hours: the party is long over but a few close friends remain for nightcaps and, is that the sun peeking through the windows?” — Allmusic

You’d be hard-pressed to find a female vocal album from the 1950s with sound comparable to this one. We just finished up a big shootout for the sublimely titled Music For Torching, and this lovely copy was clearly one of the better pressings we played. If you love smoky jazz standards the way only Lady Day can sing them, we think you’ll be blown away to hear her sound this warm, rich and present. (more…)

Billie Holiday’s Lady In Satin – Superb Columbia 30th Street Studio Sound

More Billie Holiday

More Lady In Satin

xxxxx

  • Amazingly clear and Tubey magical Triple Plus (A+++) sound on the first side and excellent Double Plus (A++) sound on the second
  • Dramatically richer, fuller and more Tubey Magical than most other copies, with breathy vocals and rosiny, fairly smooth strings
  • I’m a Fool to Want You on this very copy may just send chills racing up and down your spine
  • 4 1/2 stars on Allmusic: “Lady Day herself said that this session was her personal favorite.”

On the better copies both the sound and music are absolutely breathtaking. 

What to Listen For (WTLF)

The better copies reproduce clearly what to our minds are the three most important elements in the recording — strings, rhythm, and vocal — and, more importantly, the are reproduced properly balanced with one another. (more…)

Billie Holiday – All Or Nothing At All

More Billie Holiday

More All Or Nothing At All

xxxxx

xxxxx

I expected our amazing sounding original to win the shootout, but it didn’t!

xxxxx


The reprocessed fake stereo copy here is to be avoided at all costs. It sounds as bad as any fake stereo record I can remember playing. What were they thinking?

****************

  • A KILLER sounding copy with Triple Plus (A+++) sound or very close to it from start to finish, on quiet vinyl to boot 
  • This is one of the best sounding Billie Holiday records we have ever heard – it’s even a clear step up from the originals we had on hand
  • This 2 LP set features most of the tracks from the original release plus another handful of recordings from the same period (1955-1956)
  • “… features some of Billie Holiday’s top Verve performances from the mid-’50s… she runs the emotional gamut from summery optimism to pathos-rich musings. Befitting her perennial after-hours mood, the majority of songs here feature Holiday in a low-down mood of the highest order.” – All Music

Naturally, the highest quality vocal reproduction has to be the main focus on a Hot Stamper pressing for any Billie Holiday record we would offer. Her voice should be rich and tubey, yet clear, breathy and present.

In addition to being tonally correct and natural, the pressings we offer must also be highly resolving. With the right room and the right equipment, properly set-up and adjusted of course, you will hear everything that these vintage recordings have to offer, including the three-dimensional space of the studios in which the various sessions were recorded, under the auspices of Norman Granz.

The Sound of the Original

The original Trumpet Player Verve mono we had on hand to play suffered from an EQ problem we run into frequently in our shootouts for vintage vocal albums. Actually, to be clear, there were two main problems in the case of All or Nothing At All: a boosted midrange and occasional sibilance issues. (more…)