Top Artists – Barney Kessel

Julie Is Her Name – A Boxstar Bomb

 

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A Hall of Shame pressing from Cisco / Impex / Boxstar.

One question: Where’s the Tubey Magic?

We would never have pointed you in the direction of this awful Boxstar 45 of Julie Is Her Name, cut by Bernie Grundman, supposedly on tube equipment. I regret to say that we actually sold some copies, but in my defense I can honestly and truthfully claim that we never wrote a single nice thing about the sound of the record. That has to count for something, right? (more…)

Barney Kessel – Vol. 3: To Swing Or Not To Swing

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A distinguished member of the Better Records Jazz Hall of Fame.

This Early Contemporary Yellow Label Mono LP sure has AMAZING SOUND!

Man, this music is a blast when it sounds this good. I don’t think there’s a whole lot you could do to make this music sound any better! It’s one of the best early mono Contemporary LP I’ve ever played. It’s so tubey magical and Kessel’s guitar sound is out of this world. 

The music here matches the sound for excellence. The whole band just swings. There’s a real old rag-timey feel to the songs. Look at this list of all-star players: Harry Edison, Jimmy Rowles, Red Mitchell and Shelly Manne — this is some serious jazz talent. (more…)

Barney Kessel – Workin’ Out – Our Shootout Winner from 2013

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a 2-pack set of original pressings that gives you wonderful sound for both sides of this great Contemporary album, A++ for the first and A+++ for the second. There is a catch, however, one that won’t bother some of you at all but will drive a few of you crazy: the side one pressing is in mono and the side two is in stereo. All that mattered to us was that they both sounded great, and a quick flip to the not-so-hot side of either pressing will quickly show you why we paired these up.    

I imagine there are both mono and stereo copies that sound great on both sides, but we sure haven’t been able to find one! Obviously this is not an easy record to come by these days. (more…)

Barney Kessel – Some Like It Hot – Our Shootout Winner from 2005

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A distinguished member of the Better Records Jazz Hall of Fame.

Original Contemporary Black Label Stereo LP from 1959 with DEMO DISC QUALITY SOUND! (The picture is not correct as you may have noticed.)

For those of you who appreciate the sound that Roy DuNann and, in this case, Howard Holzer, were able to achieve in the ’50s at Contemporary Records, this LP will be a Must-Own unless you already have it. Their stuff just doesn’t get any better than this. Tubey magic, richness, sweetness, dead on timbres from top to bottom — this is a textbook example of their sound at its best. (more…)

Barney Kessel – Barney Kessel Plays Carmen (Stereo) – Our Shootout Winner from 2014

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A distinguished member of the Better Records Jazz Hall of Fame.

This original Black Label Contemporary stereo LP has a STUNNING side two! Barney Kessel Plays Carmen is one of our favorite jazz guitar recordings of all time, and on a copy like this the sound is absolutely KILLER. 

As you can see from looking at the condition notes, this copy is quieter than any other we have listed to from our recent shootout. Fifties jazz doesn’t play much better than this copy right here. (more…)

Barney Kessel – Carmen – Transparency Is Key

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The best Hot Stamper Original Yellow Label Mono pressings have the Tubey Magic we’ve come to expect from Contemporary circa 1958, with that warm, rich, full-bodied sound that most engineers can’t begin to understand. However, some pressings in our shootout managed to give us an extra level of transparency and ambience that the original pressings rarely do. 

There’s a room around this drum kit. So many copies don’t show you that room, not if they have the full sound that a copy like this does. (It’s amazing all the detail you can hear in a leaned-out record, but what good is that? The sound is leaned out! If you like that sound buy the OJC or the CD. Leave these wonderful originals to those of us who know the sound we’re after.)

I had the OJC pressing of this record years ago and couldn’t get in to the music. The OJC’s tend to be a bit on the thin side and it killed my enjoyment of this album. (more…)

Barney Kessel – Some Like It Hot

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A distinguished member of the Better Records Jazz Hall of Fame.

This is absolutely the right sound for this music. There was simply nothing that could beat the Triple Plus side, in any area of reproduction. If you like the sound of relaxed, All Tube jazz recordings, you can’t do much better than Some Like It Hot. Many of the copies we played suffered from blubbery bass and transient smearing, but the clarity and bass definition here are surprisingly good. 

This copy is spacious, sweet and positively dripping with ambience. The liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

One of our original pressings had an amazing side two but side one was just a dull, thick, blubbery mess. We may try to sell it someday because even half of an amazing sounding record is worth owning, in my opinion anyway. (Considering that most audiophiles don’t seem to pay much attention to the sonic variations in the sound of their records from side to side, you can be sure that most collectors have plenty of records with only one good side. They just never noticed.) (more…)

Barney Kessel – Music to Listen to Barney Kessel By – Our Mono Shootout Winner

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A distinguished member of the Better Records Jazz Hall of Fame.

This Triple Triple (A+++) mono pressing blew everything else out of the water – nothing could touch it! How can you beat a Roy DuNann recording of five reeds, piano, guitar and a rhythm section that includes Shelly Manne and Red Mitchell? The timbre of the instruments is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off. 

The Demo Disc sound on this copy is really something to hear – all tube, live-to-two-track direct from the Contemporary studio.

This Minty Original Yellow Label Contemporary Mono LP from 1956 has DEMO DISC QUALITY SOUND! No other copy we played was in a class with this bad boy — it does it ALL. For those of you who appreciate the sound that Roy DuNann (and Howard Holzer on other sessions) were able to achieve in the ’50s at Contemporary Records, this LP is a Must-Own (unless you already have it, which is doubtful considering how hard it is to find a copy in clean condition).

It’s got all the top qualities of the recording we discuss below, and the least amount of shortcomings. Really, nothing could touch it. It’s pretty much everything you want in a record like this. I’d love to keep it but when would I have time to play it? Instead I’ll sleep well knowing that it’s going to a good home.

Their stuff just doesn’t get any better than this. Tubey magic, richness, sweetness, dead-on timbres from top to bottom — this is a textbook example of Contemporary sound at its best.

From an audiophile point of view, how can you beat a Roy DuNann recording of five reeds, piano, guitar and a rhythm section that includes Shelly Manne and Red Mitchell? It’s audiophile heaven. The sound is gorgeous, all tube, live-to-two-track direct from the Contemporary studio. (more…)

Barney Kessel – Easy Like – Reviewed in 2005

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A distinguished member of the Better Records Jazz Hall of Fame.

This is an original Mono Contemporary Yellow Label DEMO LP (although the cover shows the OJC). The record plays EX++ to Mint Minus Minus — if you can stand some surface noise this is a very good sounding LP. The sound is good; however, it’s almost impossible to find quiet pressings of these old Contemporary albums. This is about as quiet as they get! 

“…the set features Kessel in boppish form with quintets in 1953 and 1956 featuring, either Bud Shank or Buddy Collette doubling on flute and alto. Kessel shows off the influence of Charlie Christian throughout the performances, with the highlights including “Easy Like,” “Lullaby of Birdland,” “North of the Border,” and the accurately titled “Salute to Charlie Christian.”  (more…)

Benny Carter – Jazz Giant

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  • With two Triple Plus (A+++) Shootout Winning sides, this copy blew the doors off of everything else we played
  • If you still think that Analogue Productions is remastering records properly, you have definitely never heard a real Contemporary that sounds like this(!)
  • The sound of Contemporary Records is alive on this copy, with space, size, clarity and richness that no other pressing can match
  • “Benny Carter had already been a major jazz musician for nearly 30 years when he recorded this particularly strong septet session for Contemporary … This timeless music is beyond the simple categories of “swing” or “bop” and should just be called “classic.”

If you like the sound of Contemporary Records, you won’t find a better example than this! Midrange magic doesn’t get anymore magical. (more…)