_Conductors – Fiedler

Mussorgsky et al. – Danse Infernale – Our Shootout Winner from 2009

More of the music of Modest Mussorgsky

Danse Infernale

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A distinguished member of the Better Records Orchestral Music Hall of Fame

It took two copies — one for side one, one for side two — to find two sides this good. We love this album but most copies are unbelievably dreadful. (Actually, if you’ve played a fair number of DG recordings over the years you might not have any trouble believing how bad the average one is, so I take that back.) 

This German Import has DEMONSTRATION QUALITY SOUND — of a kind. Being a DG recording, one of the things you won’t be demonstrating with this record is natural string tone — it’s just not part of the DG sound. But, this record is ALIVE.

Some of the most powerful deep bass I have ever heard on LP. Dynamics that are rarely heard outside of the concert hall. Wonderful spaciousness, openness and depth. String basses and cellos that growl like the real thing.

But you don’t really want to buy this record for the sound, as good as it is in its own way. What you want to buy this record for is the best performance of Night On Bald Mountain ever recorded. Fiedler plays it with a kind of abandonment that no other conductor has to my knowledge. It’s supposed to be a wild witches’ frenzy, and this is the only performance I know of that allows you to picture such diabolic revelry in your mind’s eye. (more…)

Grieg / Peer Gynt Suites / Fiedler (LSC 2125) – Reviewed in 2008

More of the music of Edvard Grieg (1843-1907)

More Peer Gynt Suites / Fiedler

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Red Seal pressing with EXCELLENT SOUND!

Fiedler is wonderful here, which is to be expected. What’s unusual about this Red Seal is how good the sound is. It’s extremely transparent and tonally correct. It sounds to me like a flat transfer. Some tubey colorations would be nice, especially in the louder passages. The sound also lacks a bit of weight in the bottom end. But these faults are mostly made up for by the tremendous clarity and freedom from distortion that this pressing has. I doubt if the Shaded Dog has those qualities.

Everything But the Beer / Fiedler Conducts a Boston Pops Concert – Reviewed in 2012

More recordings conducted by Arthur Fiedler

Everything But the Beero

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.

We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.

Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t. (more…)

Various Artists – Destination Stereo – Our Shootout Winner from 2015

More Living Stereo

Destination Stereoo

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Side one is White Hot, with some of the best 1959 Living Stereo we’ve ever heard. Explosive dynamics, HUGE space and size, with unerringly correct tonality, this is a Demo Disc like no other. When “in -the-know” audiophiles discuss soundstaging and depth, they had better be talking about a record that sounds like this. Shockingly real – proof positive that the cutting systems of the day are capable of much better sound than we normally assume. 

This reasonably quiet RCA Shaded Dog LP has DEMONSTRATION QUALITY SOUND on BOTH sides. It is without a doubt THE best sounding copy we have ever heard*. (more…)

Grieg / Music From Peer Gynt / Fiedler – A Cisco Disaster

More of the music of Edvard Grieg (1843-1907)

Music From Peer Gynt / Fiedler

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Sonic Grade: F

Hall of Shame pressing from Cisco / Impex

Pretty bad, on a par with the shrill crap Classic Records has been dishing out for years, but in the opposite tonal direction: dull and deadsville. (more…)

Gaite Parisienne with Fiedler – More Smeary Dreck from Classic Records

More Jacques Offenbach (1819-1880)

More Gaite Parisienne / Fiedler

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Sonic Grade: F

Another Classic Records LP found wanting. 

The last time I played the Classic I thought it was a smeary mess, as awful as their awful Scheherazade (both shamefully on the TAS List as I recall). If I were to play it today I’m guessing it would join the other Classic Records entries in our Hall of Shame. 

 I love Fiedler’s performance and the 1954 two track RCA Living Stereo sound but finding an original Shaded Dog pressing in clean condition under $500 with the right stampers (something above 10 as a rule) is all but impossible nowadays.

If you want to go that way more power to you. 

This 1954 2-track recording is RCA’s first stereo recording of the work. 1954. Can you believe it? Two mics and two channels and it blows away 99% of all the classical recordings ever done! Some old record collectors and tube lovers say classical recording quality ain’t what it used to be. This record proves it.

Liszt / The Music of Franz Liszt / Fiedler – Our Shootout Winner from 2010

More Franz Liszt’s music

Fiedler

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

The rich, textured, rosin-on-the-bow lower strings on this record are to die for. Find me a modern record that sounds like this and I will eat it, and by “modern record” we hasten to include both modern recordings and modern remasterings of older recordings. NO ONE alive today can make a record that sound even remotely like this.  

To call it a lost art is to understand something that few vinyl-loving audiophiles appear to have grasped since the advent of the Modern Reissue, which is simply this: they don’t sound as good.

After twenty years of trying and literally hundreds of failed examples, they have yet to make a record as powerful and life-like as this Shaded Dog from fifty-plus years ago.

Fortunately for the both of us, we are not trying to make a record that sounds the way this one does, we’re just trying to find it, and folks, we found the hell out of this one. (more…)

Anderson / Fiddle-Faddle / Fiedler

More Living Stereo

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This famous Fiedler / Boston Pops recording of Leroy Anderson’s music has Super Hot Stamper sound on both sides! I frankly admit to never having taken this title seriously. I imagine few hard core Shaded Dog collectors have ever bothered to play it, which is their loss, not ours. It’s very well recorded, with tons of Golden Age Living Stereo magic. Talk about BIG and RICH, both sides will show you exactly why modern audiophiles drool over these recordings. You simply cannot find this sound anywhere else.

Side One

A++. It’s dynamic and lively, with huge size and scope and lovely transparency (a quality we find virtually non-existent on modern pressings by the way). Bells up top, rich lower strings, tons of Tubey Magic — it’s all here folks.

There is however some smear, heard most clearly on the strings. A++ is about right we think.

Side Two

A++, so transparent, with spaciousness, depth and 3-D that really draws you in and lets you forget you’re listening to a record at all. You will have a very hard time finding a Golden Age classical record that sounds better.

Listen to the horns on the second track — man do they ever sound REAL.

Track three has some pizzicato playing that you can demo your stereo with.

Like side one, a bit of smear holds it back from out top grade. (more…)

Rossini-Respighi / La Boutique Fantasque – Reversed Polarity Copy!

More Ottorino Rossini

More La Boutique Fantasque / Fiedler

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is one of the pressings we’ve discovered with Reversed Polarity.

This is a WONDERFUL sounding, very quiet original Shaded Dog pressing of one of the rarest Living Stereo titles. Dropping the needle on side one was a shock — the sound was terrible: thin, shrill and practically unlistenable. Since I know this to be an exceptionally good sounding record, there was only one possibility: reverse absolute phase. Sure enough, the magic of Living Stereo reappeared. If you can’t reverse your phase, this is not the record for you! 

Are they all that way? I have no way of knowing. I run across a clean quiet copy like this about every ten years. If any of you out there own this record and yours is not reversed phase let me know what your stamper numbers are, I’d be very interested.

This has always been a favorite title with audiophiles. It’s full of lovely orchestral colors, much like The Nutcracker. As usual, Fiedler and the Boston Pops are accorded superb sound.