Top Artists – Ambrosia

Ambrosia – Somewhere I’ve Never Travelled – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This SUPERB WHITE HOT STAMPER copy is our overall winner from the recent huge Hot Stamper shootout we did for Ambrosia’s second — and second best — album. Friends, it’s been a long time coming but, judging by this copy and the others which fared well, it was worth it. We LOVE this music.

Ambrosia is one of the few groups that has mastered the technique of being both far-out galactic in scope of vision and mainstream AM commercial in execution… There is an unusual dreamlike quality that pervades its work. The songs seem to be reaching the listener direct from some strange and beautiful realm of the unconscious. It is an experience rare in popular music today, or at any time.

Billboard, 1977

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We here present one of the best sounding copies for Somewhere I’ve Never Travelled we have ever played. Side one rated A+++, As Good As It Gets, with a side two that was not far behind at A++. From beginning to end this pressing is KILLER. (more…)

Ambrosia – Ambrosia – An Album We Are Clearly Obsessed With

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AMBROSIA is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it. It’s also part of our extensive Listening in Depthseries. There is no question that this band, their producers and their engineers sweated every detail of this remarkable recording. They went the distance. In the end they brought in Alan Parsons to mix it, and Doug Sax to master it. The result is a masterpiece, an album that stands above all others.

It’s not prog. It’s not pop. It’s not rock. It’s Ambrosia — the food of the gods.

The one album that I would say it most resembles is Dark Side of the Moon. (Note the Parsons connection.) Like DSOTM, Ambrosia is neither Pop nor Prog but a wonderful mix of both and more. 

Perhaps hearing Dark Side was what made you realize how good a record could sound. Looking back on it over the last thirty years, it’s clear to me now that this album, along with a handful of others, is one of the surest reasons I became an audiophile, and managed to stick with it for so long. What could be better than hearing music like this sound so good? (more…)

Ambrosia – The First Four Plus Copy We’d Ever Heard, Going All the Way Back to 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This White Hot Stamper original LP goes BEYOND DEMO DISC sound. What that means exactly I’m not sure, but I know it when I hear it, and this record has THAT SOUND. Side one of this copy has ENERGY and LIFE we have never heard before.

Please note: we award the Four Plus grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. So the side one here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus! (more…)

Ambrosia – One Eighty

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is smooth, rich ANALOG at its best, easy on the ears as we like to say.

This is clearly the poppier side of Ambrosia, containing as it does two of their highest-charting mainstream hits, Biggest Part of Me (#3) and You’re the Only Woman (#13). I myself of course prefer the proggy first two albums, falling as they do into the broad category of Art Rock where my favorite albums by Bowie, Peter Gabriel, Roxy Music, Supertramp, 10cc, later-period Beatles, Jethro Tull, Pink Floyd, Traffic and so many others from the last forty-plus years can be found.

These artists’ recordings tend to be big, powerful and exceedingly hard to reproduce, which, probably more than anything else, accounts for my becoming a serious stereo enthusiast while still in my teens. (My mother had to co-sign the loan I needed to purchase the currently-state-of-the-art ARC SP3A-1 preamp I coveted. I remember it being $600+ at a time when I was earning roughly $2 an hour. That had to hurt, but I did it. Bought a D-75 amp after I paid it off too.)

The Music

One Eighty (recorded on 1/80, get it?) kicks off with a real rocker: Ready, which is a great name for an opening track and really gets the album off to a high-energy start. Side two opens with my favorite track on the album, Livin’ On My Own. I actually used to demonstrate my system with it: the bass is huge, way up in the mix and really punchy. Additionally there are powerful multi-tracked vocal harmonies in the chorus that are wall-to-wall, surprisingly dynamic, yet sweet (all things considered; this is a modern recording after all).

One Eighty has an excellent mix of rock and softer pop ballads. The last track, Biggest Part Of Me, no matter how many times you’ve heard it, on the radio or elsewhere, is an exceptionally well-produced (designed?) piece of songcraft that will tug at anyone’s heartstrings, anyone who has a heart that is (if I may quote the title of the best song Burt Bacharach ever wrote). On a big audiophile system it should be both powerful and emotional. (more…)

Ambrosia – Life Beyond L.A.

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This White Hot Stamper Ambrosia LP has the kind of sound you would never expect to find in the grooves of this album. It was a THRILL to hear, especially at the volumes at which we played it! The transparency and openness were off the charts, and unmatched by any other copy in our shootout. We’re big fans of this band here at Better Records — we love their take on complex, big production rock!

It’s also yet another example of the value of taking part in the myriad revolutions in audio. If you never want your prized but sonically-challenged records to sound any better than they do right now, this minute, don’t bother to learn how to clean them better, play them back better or improve the acoustics of your room. No one can make you do any of those things. The only reason you might have for doing them is so that you can enjoy more of your favorite music with much better sound. Is that a good enough reason? If you’re on this site I’m guessing it is.

That’s the reason we do it. We want records like this one, which didn’t start sounding good until about 2005, and now sound MUCH better than I ever thought they could, to keep getting better and better. Why shouldn’t they?

And these improvements we talk about so much have allowed us to enjoy records we could never fully enjoy before because they never really sounded all that good to us. Now they do, and they will keep getting better, as more and more developments come along in all areas of analog reproduction. (more…)

This Album Takes Everything We’ve Got

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Another in our series of Home Audio Exercises.

During our most recent Hot Stamper shootout we were reminded of a fact that had slipped our minds: Trying to get this record to sound right is a truly humbling experience. Without a doubt it deserves the title for Most Difficult to Reproduce in the Rock and Pop category. (Yes, we know, there is no such thing, we just made it up.) 

This record will bring any stereo to its knees, including one like ours, which is tuned and tweaked within an inch of its life. Everything has to be working at its absolute best before I would even consider any attempt to play the album. It’s not enough to have the stereo warmed up and cookin’, with everything in the house unplugged. The electricity from the pole needs to be at its best, not that grungy garbage you get in the middle of the day or around dinner time, when all your neighbors have their appliances going. You need that late-at-night, two o’clock in the morning everybody-has-gone-to-bed-and-turned-off-all-their-stuff electricity for this bad boy to work its magic.

I learned an important lesson from a shootout we conducted not long ago, which boils down to this: You can play hard-to-reproduce records all day long if your system is tuned up and working fine. Ours has to be, every day. The shootouts we do require that everything is working properly or we simply couldn’t do them. (more…)

The Old 80/20 Rule in Action (But It’s Actually More Like 90/10)

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Ambrosia’s first album does exactly what a Test Disc should do. It shows you what’s wrong, and once you’ve fixed it, it shows you that it’s now right.

We audiophiles need records like this. They make us better listeners, and they force us to become better tweakers. You cannot buy equipment that will give you the best sound. You can only tweak the right equipment to get it.

At most 20% of the sound of your stereo is what you bought. At least 80% is what you’ve done with it. Based on my experience I would put the number closer to 90%. (more…)

Ambrosia – How Novel Patterns Emerge During Shootouts

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Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Ambrosia

When you sit down to play ten or twelve copies of an album, one right after the other, patterns in the sound are going to emerge from that experience, patterns which would be very likely to pass unnoticed when playing one copy against another or two over the course of the twenty or thirty minutes it would take to do it.

In the case of this album, the pattern we perceived was simply this: About one or two out of that dozen or so will have punchy, solid, rich, deep bass. (There is a huge amount of bass on the recording so recognizing those special copies is not the least bit difficult if you have a full-range speaker and a properly treated room.)
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