Top Artists – Al Kooper

Bob Dylan – Blonde On Blonde and Some Bad Side Fours

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  • With outstanding Double Plus (A++) sound on all four sides, this was one of the better copies we heard in our most recent shootout – quiet vinyl too!
  • You won’t believe how big, rich and full this album can sound on a copy this good
  • Includes tons of quintessential Dylan classics: Rainy Day Women, I Want You, Just Like A Woman, and more – they all sound phenomenal
  • 5 stars: “Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.” 

This album is an essential addition to any Dylan collection, and we work hard to find worthy copies. It’s not easy. In fact, it’s tough to find great pressings of any of Dylan’s 60’s albums, really. It takes a well-mastered copy to get the vocals and the harmonica — key elements of course — to sound smooth, full-bodied and clear. Any pinched quality will be obvious to the listener. You lose a lot of points for that shortcoming here at Better Records. (more…)

Two Reviews of Blood, Sweat & Tears – Fremer Vs. Better Records – You Be the Judge

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More Fremer Vs. Better Records — You Be the Judge

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In 2010 MF reviewed both the Sundazed and Speakers Corner Heavy Vinyl pressings of the album. I think his review is mistaken on a number of counts, and mostly unhelpful. The commentary below will discuss his errors in detail, in the hopes that you, dear reader, will not make the same mistakes yourself. 

He talks about his history with the album for a while, and then notes:

Anyway, the original “360 Sound” edition of this record sounds fantastic. It’s a high quality Columbia studio recording, with vivid harmonics, impressive transparency and dynamics, shimmering highs and tight extended bass. The soundstage is expansive and the images tightly presented. I’m not sure it can get much better than the original given how well-pressed Columbia records were in those days, especially if you have a clean original.

We, however, seem to hold precisely the opposite view. I quote from our review:

“Why did it take us so long [to do a Hot Stamper shootout]? Let me ask you this: have you ever played this album? The average copy of this record is a sonic MESS. Even the best copies have problems.”

We then go on to discuss in detail what most copies do wrong and what to listen for in order to find a copy that gets it right. (More on that later.) (more…)

Highway 61 Revisited – Not So Good on Sundazed in Mono

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Sonic Grade: D

Hall of Shame Pressing and another Sundazed record debunked.

I don’t think mono works for this album, so we never carried this pressing nor recommended it.

Here are some other records that we don’t think sound very good in MONO.

Here are some we think can sound amazing in MONO.

Listening in Depth to The Rolling Stones – Let It Bleed

 

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD. It’s also our favorite test track for side one. The first minute or so clues you into to everything that’s happening in the sound.

Listen for the amazing immediacy, transparency and sweetly extended harmonics of the guitar in the left channel. Next, when Watts starts slapping that big fat snare in the right channel, it should sound so real you could reach out and touch it. (more…)

Child Is Father to the Man – What to Listen For

Child Is Father to the Man

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At the end of a long day of listening at loud levels to multiple copies of this album you may want to run yourself a nice hot bath and light some candles. If you have an isolation tank so much the better. You could of course turn down the volume, but what fun is that? This music wasn’t meant to be heard at moderate levels. Playing it that way is an insult to the musicians who worked so hard to make it.

The Right Balance

Every once in a while you hear a pressing in which the right balance has been struck, and this one clearly belongs to that group. It’s not perfect; you have to put up with a few rough patches to get the sound that serves most of the music properly. No copy will do it all; with this album the goal is to do the best you can.
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