Top Artists – Airto

Miles Davis – Bitches Brew – Our Shootout Winner from 2009

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Bitches Brew

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A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING MASTER TAPE A+++ SOUND ON SIDES ONE AND FOUR. We had no idea this music could sound anywhere near this good; every Hot Stamper shootout we had tried before this week was a complete bust. It’s not an easy album to find in clean condition, let alone a copy that sounds like this and plays quietly throughout! If jazz-fusion is your bag, sides one and four of this copy will take you on a trip like few other records could. You can hear right in to the soundfield, and you can be sure that there’s a whole lot going on in there.

Our favorite track on this album, Miles Runs The Voodoo Down, is found on the A+++ side four, which means the sound for it is OFF THE CHARTS.

The incredible musicianship and Teo Macero’s innovative production each help take these jazz-fusion soundscapes to places most folks had never imagined before. And a copy like this one takes the entire production to a whole new level. I can’t begin to tell you how many crappy copies have hit our table over the years, but after finding this one I’m really glad we never gave up on this album. It’s the copy that finally made the music work for us. (more…)

Airto – Free – Reviewed in 2006

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a Minty looking CTI LP with VERY GOOD SOUND. 

We’re on a winning streak with RVG these days (September 2006), three in a row, in fact: Chet Baker (She Was Too Good To Me), Freddie Hubbard (Red Clay), and now this wonderful Airto record. The best music is found on side two, especially the last two tracks.

AMG 4 1/2 Star Rave Review!

Other than a couple of obscure efforts for Buddah in 1970, this was percussionist Airto’s debut as a leader, and this is still his most famous record. A brass section arranged by Don Sebesky is heard on two tracks, and such all-stars as keyboardist Chick Corea, flutist Hubert Laws, the reeds of Joe Farrell, and even pianist Keith Jarrett and guitarist George Benson make worthwhile appearances. Flora Purim joins Airto in the one vocal piece (“Free”), and “Return to Forever” receives an early recording. The music combines together jazz, Brazilian music, and aspects of fusion and funk quite successfully.

Deodato – Prelude

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  • This killer pressing earned solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • The brass and percussion are amazing on 2001 (and every other track) – thanks RVG
  • We had no idea there was space this huge in the recording until we heard the best copies
  • “Also Sprach Zarathustra (2001),” won the 1974 Grammy Award for Best Pop Instrumental Performance

Both sides are surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction.

Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it. (more…)

Airto – Fingers – Truly a Desert Island Disc

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A distinguished member of the Better Records Jazz Hall of Fame.

Fingers is one of our all time favorite records, a Desert Island disc to be sure. I’ve been playing this album for more than thirty years and it just keeps getting better and better. Truthfully it’s the only Airto record I like. I can’t stand Dafos, and most of the other Airto titles leave me cold. I think a lot of the credit for the brilliance of this album has to go to the Fattoruso brothers, who play keyboards, drums, and take part in the large vocal groupings that sing along with Airto. 

At times this record really sounds like what it is: a bunch of guys in a big room beating the hell out of their drums and singing at the the top of their lungs. You gotta give RVG credit for capturing so much of that energy on tape and transferring that energy onto a slab of vinyl. (Of course this assumes that the record in question actually does have the energy of the best copies. It’s also hard to know who or what is to blame when it doesn’t, since even the good stampers sound mediocre most of the time. Bad vinyl, worn out stampers, poor pressing cycle, it could be practically anything.) (more…)

Airto Fingers – Listening in Depth

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Presenting another entry in our extensive Listening in Depth series.

At times this record really sounds like what it is: a bunch of guys in a big room beating the hell out of their drums and singing at the the top of their lungs. You gotta give RVG credit for capturing so much of that energy on tape and transferring that energy onto a slab of vinyl. 

Of course this assumes that the record in question actually does have the energy of the best copies. It’s also hard to know who or what is to blame when it doesn’t, since even the good stampers sound mediocre most of the time. Bad vinyl, worn out stampers, poor pressing cycle, it could be practically anything.

In-Depth Track Commentary (more…)

Stan Getz Jazz Samba Encore

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More Jazz Samba Encore

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A distinguished member of the Better Records Jazz Hall of Fame.

Yet another wonderful Getz Samba record, the third in the series. Some of our faourite music has this Samba syncopation: Sergio Mendes, first and foremost of course, but also Airto, and all the wonderful Getz albums from this period. Their enchanting Brazilian rhythms make their music fun. 

Thanks go to all the engineers involved in this recording:

VAL VALENTIN

BOB SIMPSON

PHIL RAMONE

RAY HALL (more…)

George Benson – White Rabbit

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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George Benson – White Rabbit

We recently conducted another extensive shootout for White Rabbit and it was a BLAST. It always is. Benson and his funky jazz all-stars buds (Ron Carter, Herbie Hancock and Airto to name a few) tear through some great material here, and on both sides of this copy the sound as KILLER.

If you want to hear the best George Benson record we know of, this is the one. The Grammy-winning Breezin’ from 1976 is a perfectly good album but it’s quite a bit more commercial than the earlier White Rabbit here from 1972, his first album to make the top ten on the jazz charts. (more…)