A KILLER sounding import copy of AC/DC’s original Australian debut album with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
These sides are doing just about everything right — big, full-bodied, lively and dynamic with tight punchy bass and wonderfully rich and present vocals
“As debut album titles go, AC/DC’s High Voltage supplied a perfect encapsulation of the band’s electrifying brand of rock & roll. So perfect, in fact, they actually used it twice: for their first album proper, the Australian-only version of High Voltage, released in February 1975; and for the better-known international debut from mid-1976, which was essentially a collection of highlights from the former and its late-1975 successor, TNT.”
One of our good customers had this to say about some Hot Stampers he purchased recently:
I’ve been spending time this week listening to the seven records that arrived from you last week, and have been having a fabulous time doing it. So I thought I’d write to say THANKS – you guys really know how to pick ‘em!
Top honors in the batch definitely goes to the AC/DC Back in Black Hot Stamper. Wow, does it ever ROCK! And it’s not even the best one you had – which makes me wonder just how amazing the best copies sound. It really beats the pants off of my George Marino remaster, to say nothing of my old Canadian pressing. The sheer energy that leaps off the vinyl is incredible. To me, this record supports again the hypothesis that I first tested when I bought my Joni Mitchell Hot Stamper from you last fall: That I don’t have to wait until I manage to put together a really topnotch stereo system before I can enjoy at least some of what Hot Stampers have to offer. Obviously, as my system gets better I imagine I’ll enjoy them even more; but even with my current budget-ish system, recently much improved with Aurios and an EAR 834p (both recommended by you – thank you!), the Back in Black Hot Stamper shines. There’s truly nothing finer than listening to a record that sounds that good!
Anyway, all in all, it’s a pleasure purchasing from you, so thanks again. I’ll be back for more once my budget allows.(more…)
Superb sound for this AC/DC classic with solid Double Plus (A++) grades or close to them on both sides – exceptionally quiet vinyl too
The open, spacious soundstage, full-bodied tonality and Tubey Magic here are obvious for all to hear – huge, punchy, lively and rockin’ throughout
A real turning point for the band – the last album with Bon Scott, the first produced by Robert Mutt Lange, and the first to crack the Top 100 in America (with the gazillion selling Back in Black waiting right around the corner)
5 stars: “AC/DC has never sounded so enormous, and they’ve never had such great songs, and they had never delivered an album as singularly bone-crunching or classic as this until now.”
This vintage Atlantic pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
Musically Back In Black has everything you’d want from this kind of hard rock — a tight, punchy rhythm section; raging guitar riffs; and deliciously decadent lyrics screamed to perfection. What surprised us is how amazing this music sounds on the right copy. You’ve probably heard these songs a million times, but we bet you haven’t heard them sound like this. This is the kind of record that you’ll want to keep turning up. The louder you play it, the better it gets — but only if you’ve got a great pressing like this.
Side two earned our rare A++++ grade. Our sonic grade graphics only go up to three pluses, but this side two took it all the way to four!
We awarded this copy our very special Four PlusA++++ grade on side two, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.(more…)