Top Arrangers – Nelson Riddle

Rosemary Clooney – Rosie Solves The Swingin’ Riddle!

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An outstanding copy with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
These sides are rich, sweet and Tubey Magical with wonderfully breathy vocals and lots of space around all of the players
“The pair made the most of their first collaboration, devising a program of 12 standards that combined Riddle’s pugnacious yet intricate arrangements with Clooney’s warm, grand vocals to create a swing record with feeling… Vocalist fits together with orchestra like hand in glove…” – All Music

Ella Fitzgerald – Ella Swings Lightly

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A distinguished member of the Better Records Jazz Hall of Fame.

Exceptionally lovely All Tube sound from 1958, with a huge, rich orchestra conducted by our man, Marty Paich. Grammy Award for Best Improvised Jazz Solo – these were the days when Ella was on top of the world.

When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else. (more…)

Ella Fitzgerald – The Johnny Mercer Song Book

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The huge, rich orchestral sound captured so beautifully by Val Valentin is always one of the many highlights to be found on the songbook series. By the time this album came out in 1964 Ella had already recorded 18 LPs worth of songbooks – this was the last, going out on a high note. Some of the Mercer Classics here are Too Marvelous For Words, Day In – Day Out, Laura, Skylark, Midnight Sun, I Remember You.

The recording is outstanding, with huge amounts of space and midrange richness that might just take your breath away. (more…)

Linda Ronstadt – For Sentimental Reasons

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For Sentimental Reasons

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A superb sounding copy of Ronstadt’s 1986 release with outstanding Double Plus (A++) sound from the first note to the last – exceptionally quiet vinyl too
Both sides are incredibly clean, clear, full-bodied, and lively with plenty of extension on both ends, we’ve never heard For Sentimental Reasons sound like this!
The final installment of the jazz trilogy that Ronstadt recorded with bandleader and arranger Nelson Riddle
“… it is in the hushed intensity of Mr. Riddle’s string arrangements for the album’s ballads that one senses a musician reaching deeply into his soul to make eloquent final statements… The arrangements’ emotional gravity reverberates in Miss Ronstadt’s singing…”

Both sides give you a much more natural sounding Linda than you have ever heard. She’s fuller, sweeter, breathier, less spitty (some tracks more than others) and just plain less artificial than any others we played. (more…)

Ella Fitzgerald – Whisper Not – Our Shootout Winner from 2006

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Whisper Not

A distinguished member of the Better Records Rock and Pop Hall of Fame.

THIS IS ONE OF THE BEST ELLA FITZGERALD RECORDS I’ve heard in a very long time! I’m telling you, this is Ella at her best! Having just played a lovely sounding copy of Clap Hands, Here Comes Charlie, an album that tends to err on the bright side, I now realize that this album has the opposite problem — it’s a little bit smoother in places than it should be. Of course that’s a much more tolerable problem than the reverse.

These are the comments for the last copy we had on the site.

For whatever reason, I’ve never stumbled upon a clean copy of this record. Consequently, I’d never heard it. But my local record store had one sitting in the bin one day in lovely condition, which presented me with the perfect opportunity to find out whether this album presented the early “good” Ella or the later “bad” Ella. Because sometime in the ’60s she started making bad records. I know. I’ve played them. Misty Blue comes to mind. Everything she ever did for Pablo comes to mind. Some of you out there have told me that you actually like some of her Pablo material, but I cannot share your enthusiasm for those recordings. In my opinion she had completely lost it by the time she hooked up with her old buddy Norman Granz in the ’70s.

On the cover of this record she looks a little frumpy, and I was afraid this album was going to be frumpy too. I’m glad to say that the opposite is true. This album swings with the best she’s ever recorded. A lot of the credit much go to Marty Paich, one of my all-time favorite arrangers. Ever since I heard what he did for Art Pepper on his Modern Jazz Classics record for Contemporary I have been a big fan. This album just solidifies my love for the guy.

A couple of high points on this record: Spring Can Really Hang You Up The Most, the song Ella sang on her masterpiece, Clap Hands, is here rearranged for the players at hand, and the interpretation is fresh and moving. The song I Said No is filled with silly double entendres and is a hoot.

But I have to say those are two high points picked almost at random. Every track on this album is wonderful. I think this is one of her three or four best recordings ever. (Another is the Johnny Mercer songbook album.) (more…)

Dean Martin – This Time I’m Swingin’

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This Time I’m Swingin’

A wonderful copy that lets this music swing the way it’s supposed to! Triple Plus (A+++) sound throughout
Classic Capitol big, full-bodied, Tubey Magical sound — Deano’s vocals are present and natural in the best tradition of rat-mate Frank Sinatra in the early ’60s
With Nelson Riddle arranging, you can be sure the album has plenty of swing all right — and the brass sounds amazing here
4 1/2 Stars in the All Music Guide: “…an easy swinging collection…”

If you’re a fan of the Capitol Sinatra sound you’ll love this record. It’s an exceptionally difficult title to find in anything but trashed condition. I’ve been a fan of this record for many years but this is the first copy we’ve been able to find that’s clean enough to go up on the site with White Hot Stamper grades. (more…)

Ella Fitzgerald – Let No Man Write My Epitaph – Reviewed in 2006

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Let No Man Write My Epitaph

A distinguished member of the Better Records Jazz Hall of Fame.

This very nice looking Verve T Label original Mono LP with the early pink cover has lovely sound. Ella’s voice is present, smooth and sweet. Since this recording only involves voice and piano, the loss of stereo information presents no problem for the listener. Ella and her accompanist are dead center and tonally correct. Many Verve Ella records are a disaster sonically – this is one of the exceptions.

Oscar Peterson & Nelson Riddle

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Peterson and Riddle’s 1963 collaboration finally arrives on the site with stunning Shootout Winning Triple Plus (A+++) sound from first note to last
With a lively and present piano, and a smooth, full sounding orchestra, this is just the right sound for this music
“From the opening flutes to the last flush of piano and orchestra, this is smooth-swinging jazz par excellence.”
4 stars: “… a quietly strong, rich, fully evocative set of great tracks that emphasize the undercurrent rather than the overflow of emotions.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These vintage Verve pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)

Frank Sinatra – Sinatra’s Sinatra

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This Sinatra release from 1963 has out of this world Triple Plus (A+++) sound from start to finish
Forget the reissues – the stereo original we are offering here is the only way to go for rich, tubey, dynamic, musical sound
Frank rerecorded some of his biggest hits in stereo for this album – the record is one Sinatra Classic after another
Amazon 5 Stars: “Riddle’s arrangements are, as always, top-notch, and Sinatra is in fine, engaging form.”

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Frank Sinatra – Strangers In The Night – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

What to listen for you ask? The superb engineering of LEE HERSCHBERG and EDDIE BRACKETT! The sound is, in a word, luscious.

Man, this record has more TUBEY MAGIC than any Sinatra record I can remember playing.

Find me a Sinatra CD, any Sinatra CD, that sounds like this and I will eat it.

If you want to know what the best sounding Sinatra records sound like, this is your chance. Folks, in my opinion it simply does not get any better than a killer Hot Stamper pressing of Strangers In The Night. (more…)