AMAZING SOUND AND WONDERFUL MUSIC! We just finished our first huge shootout for this great album and this one was a BIG step up over most of the pressings we played. This is one of the better sounding orchestral-backed male vocal albums that we know of, and on a copy like this the sound can be MINDBLOWINGLY GOOD. Side one is rich, lush and warm; more importantly, the vocals are PERFECTION.
Side one earned an A+++ grade, which means this copy is going to be incredibly hard to beat no matter how many copies you have access to. The orchestra sounds excellent and the vocals are Right On The Money. There’s tons of ambience, shocking immediacy and lots of punch to the bottom end. You are not going to believe how big and lush the sound of this record is. Guaranteed to make your jaw drop or your money back!(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
The biggest issue with Reprise-era Sinatra is always grit and grain, and we’re happy to report that this superb pressing has very little of either.
Also it’s often the case that the strings may seem a bit shrill or smeary (or both; smear itself can actually make the strings sound shrill). The more harmonically correct and rosiny the string tone the better, obviously.
We tried to get this shootout off the ground in 2012 and just did not have a big enough pile of copies to work with in order to find a truly killer pressing. This time around we had a much bigger pile to work with and much better luck.(more…)
With nearly Triple Plus (A++ to A+++) sound from start to finish, this vintage stereo pressing sounds just right
This orchestrated album of ballads boasts superb 1959 Sinatra All Tube Analog sound
This early pressing has the MIDRANGE MAGIC that’s missing from the later reissues we’ve played – it gives you the sense that Frank Sinatra is right in the room with you
These two exceptionally good sounding sides have two very important qualities – both the breath, and the front and center immediacy, of Sinatra’s vocals, with Jenkins’ tubey rich orchestral arrangements in support
“Jenkins gives the songs a subtly tragic treatment, and Sinatra responds with a wrenching performance.”
He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is rich, sweet, and free of any artificiality. You immediately find yourself lost in the music, because there’s no “sound” to distract you.
This copy was simply fuller, richer, clearer, more tonally correct, more transparent, bigger, livelier and more involving than practically any other we played (hence the high grades). It’s the very definition of a Hot Stamper. (more…)
A lovely pressing of this audiophile favorite, with Double Plus (A++) sound and fairly quiet vinyl on both sides to rival the best pop vocal recordings we know of
Nat himself sounds especially immediate and real, and the strings are much less of a problem here than they are on most pressings
If all you know of this album is the weirdly unnatural remix DCC did (on Analogue Productions vinyl too) this pressing will be nothing less than a revelation
4 1/2 stars: “Nat King Cole’s collaborations with Gordon Jenkins rank among the finest from either artist or arranger. 1957’s Love Is the Thing remains the epitome of the pair’s undeniable compatibility, and it topped the album charts for eight weeks.”
Love Is The Thing has always been one of the better Nat “King” Cole recordings we play. The music is sublime, and on the right copy the sound can be superb. Armed with a much larger variety of pressings to play, including some interesting “finds” among them, our recent shootout convinced us that it actually is The Best. We have never heard the man sound better than he does on the best copies of this very recording.
One of the key elements we noticed on the best of the best was the quality of relaxation in Nat’s performance. He sings so effortlessly on the good sounding pressings. On some pressings that casual quality is not nearly as noticeable.(more…)
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing, particularly on side one.
We want to give a special shoutout here to conductor/arranger Gordon Jenkins, who also handled the same duties on Nilsson’s Must Own classic A Little Touch Of Schmillson in The Night.
Jenkins worked with Nat King Cole on four albums for Capitol: Love Is the Thing (1957), The Very Thought of You (1958), Every Time I Feel the Spirit (1959) and Where Did Everyone Go? (1963).(more…)
Another in our series of Home Audio Exerciseswith advice on what you should be listening for when critically evaluating your copy (or ours) of the album.
Love Is The Thing has long been one of the best sounding Nat “King” Cole recordings we had auditioned over the years. With a large variety of copies to play, including some interesting “finds” among them, we now know it actually is The Best. We have never heard the man sound better than he does on the hottest copies of this very album.
Of course we’re always on the lookout for Nat King Cole albums with good sound. In our experience that is not nearly as easy as one might expect. Far too many of his recordings are drenched in bad reverb and can’t be taken seriously. At least one we know of has his voice out of phase with the orchestra on most of the copies we played, putting a quick end to that shootout. (more…)
For those of you who’ve never chanced upon it, here is the ‘live’ version of the album in five parts.
Nilsson was way ahead of his time. Rod Stewart recently made an album of classic popular music that went to number one and revived his career. Harry Nilsson understands this music SO MUCH BETTER and sings it SO MUCH BETTER than Rod Stewart that one can only come to that conclusion. Either that or the rest of the world doesn’t appreciate Nilsson as much as I do. Probably both I guess. Too bad. This album is better than all the “also rans” albums put together. (more…)
He’s the man behind the scenes for Nilsson’s Must Own classic, A Little Touch Of Schmillson in The Night, a Desert Island Disc for yours truly. His work for Nat King Cole is beyond fault.
Jenkins worked with Nat King Cole on four albums for Capitol: Love Is the Thing (1957), The Very Thought of You (1958), Every Time I Feel the Spirit (1959) and Where Did Everyone Go? (1963).
He did three albums with Sinatra for Capitol: A Jolly Christmas From Frank Sinatra (1957), Where Are You? (1957) and No One Cares (1959) and five more after Sinatra moved to Reprise: All Alone (1962), September of My Years (1965), Ol’ Blue Eyes Is Back (1973), “Future” suite – Trilogy: Past Present Future (1980) and She Shot Me Down (1981).