Top Arrangers – Gil Evans

Miles Davis – Birth of the Cool

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A distinguished member of the Better Records Jazz Hall of Fame.

Birth Of The Cool in White Hot Stamper form! We’ve been trying to find copies of this classic music from 1949-1950 that really delivered in an audiophile sense, but as you might imagine it was one tough task. We checked out Mono and Stereo copies, Originals and Reissues… basically anything we could get our hands on. It wasn’t easy and it wasn’t cheap, but we managed to find a pressing here that delivers excellent sound throughout. (more…)

Miles Davis – Sketches of Spain – Mono Shootout Winner in 2008

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A distinguished member of the Better Records Jazz Hall of Fame.

This Mono Six Eye Columbia original pressing is the WINNER and [not-at-all] CURRENT CHAMPION of our Sketches of Spain shootouts. This record always sounded so thin and aggressive, with Miles’ horn always somewhat pinched and sour, but now it sounds wonderful. Who knew this record could sound so good?

Harry Pearson put this record on his TAS List of Super Discs.

Let’s talk about this mono copy. It is clearly more transparent, with less distortion, than any other copy we heard (and this means out of more than twenty!) There may be better sounding pressings out there, but I would be surprised to find one that would be more than a marginal improvement over what I’m hearing on this copy — and that goes for both sides. (more…)

Miles Davis – Sketches of Spain – Our Shootout Winner in 2016

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A distinguished member of the Better Records Jazz Hall of Fame.

The first White Hot copy to hit the site in nearly EIGHT years! Both sides were stunning, knocking us out and earning our top Triple Plus (A+++) grade.

When you get a Hot Stamper like this one the sound is truly MAGICAL. (AMG has that dead right in their review.) Tons of ambience, tubey magic all over the place; let’s face it, this is one of those famous Columbia recordings that shows just how good the Columbia engineers were back then. The sound is lively but never strained. Davis’s horn has breath and bite just like the real thing. What more can you ask for?

Harry Pearson added this record to his TAS List of Super Discs a few years back, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

Of course you can be quite sure that he would have been listening exclusively to the earliest pressings on the Six Eye label. Which simply means that he probably never heard a copy with the clarity, transparency and freedom from distortion that these later label pressings offer.

The Six Eyes are full of Tubey Magic, don’t get me wrong; Davis’s trumpet can be and usually is wonderful sounding. It’s everything else that tends to suffer, especially the strings, which are shrill and smeary on most copies: Six Eyes, 360s and Red Labels included. (more…)

Miles Davis – Birth of the Cool

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Birth of the Cool

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  • An incredible pressing of this Groundbreaking Jazz Classic, with Shootout Winning Triple Plus (A+++) sound on the first side and Double Plus (A++) on the second
  • This vintage mono pressing will show you just how well-recorded these 1949-50 sessions were 
  • It’s the records they made from these tapes (more often from the dubs of them) that have given everybody the wrong idea about these wonderful sounding recordings
  • 5 stars: “So dubbed because these three sessions are where the sound known as cool jazz essentially formed, Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it all seem easy, even at its most intricate.”

NOTE: This is not the quietest copy we’ve ever heard, so we’re keeping the price down. If you want to hear how amazing the album can sound and can put up with less than-ideal surfaces, this is the copy to get.

If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


We’ve been trying to find copies of this classic music from 1949-1950 that really delivered the audiophile goods, but it took us years to track down the right pressings from the right era with the right stampers. We went through Monos, Stereos, Originals, Reissues of every kind… basically everything we could get our hands on.

It sure wasn’t easy and it sure wasn’t cheap, but after about ten years of digging we’re pretty sure we’ve got The Birth of the Cool’s number. This copy is proof positive. We guarantee you have never heard a version of this music that sounds remotely as good as this very record. (more…)

Miles Davis – Porgy and Bess – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

WOW! This Original Six Eye Stereo pressing does EVERYTHING we ever hoped for from this great album! We’ve been searching for a killer copy of this one forever but without much luck. Here’s the first one to ever hit the site, and it is a MONSTER. Both sides have KILLER A+++ sound — super tubey magical and tonally balanced with real depth to the soundfield. (more…)

Miles Davis – Basic Miles – Our Four Plus Shootout Winner from 2018

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A distinguished member of the Better Records Jazz Hall of Fame.

We award this copy’s side two our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed.

We estimate that less than one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. As I write this there is not a single other record on the site that earned that grade on either side. You can’t get much more rare than that.

Kind of Blue

Want to know how good our Hot Stamper Kind of Blue pressings sound? Listen to this very record. If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.

That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match.

The nine minute plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear it, on any record, at any price. With Fran Dance on the same side, that gives you about 17 minutes of great sounding jazz by Miles’ classic Kind of Blue lineup.

Side one has the same cats playing for more than 12 minutes. By my calculation that’s close to another album’s worth of material from the group. The rest of the material on this compilation is best seen as gravy; maybe not essential, but never less than interesting. (more…)

Miles Davis – Basic Miles

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  • Insanely good Classic Jazz sound for this wonderful Miles Davis collection, with both sides rating Triple Plus (A+++) 
  • The nine minute plus Green Dolphin Street that opens side two has some of the coolest jazz you will ever hear, on any record, at any price
  • If you want to know what the best copies of Kind of Blue sound like, this pressing will tell you, because it has that sound
  • We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match

Want to know how good our Hot Stamper Kind of Blue pressings sound? Listen to this very record. If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians. (more…)

Miles Davis and Gil Evans – Porgy and Bess

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  • Outstanding Double Plus (A++) sound from start to finish – you will have a very hard time finding a better Porgy and Bess
  • This 30th Street recording shows just how good Columbia’s legendary engineers were back then
  • If you’re looking for a stunningly natural, lifelike large group jazz recording, you can’t do much better than this album 
  • 5 stars: “The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin’s Porgy and Bess are indeed profound… It was Evans’ intimate knowledge of the composition that allowed him to so definitively capture the essence… No collection of American jazz can be deemed complete without this recording…” 

The music is a classic example of the partnership between Davis and arranger Gil Evans, and a must-own for serious jazz fans. Those of you who have marveled at the sound of our Hot Stamper copies of Sketches Of Spain are sure to get a lot out of this one. (more…)

Sketches Of Spain on Six Eye in Stereo

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1960 – It Was a Very Good Year

When you get a Hot Stamper like this one the sound is truly MAGICAL. (AMG has that dead right in their review.) Tons of ambience, Tubey Magic all over the place; let’s face it, this is one of those famous Columbia recordings that shows just how good the Columbia engineers were back then. The sound is lively but never strained. Davis’s horn has breath and bite just like the real thing. What more can you ask for?

We Was Wrong in the Past About HP and Six Eye Labels

In previous commentary we had written:

Harry Pearson added this record to his TAS List of Super Discs a few years back, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

Of course you can be quite sure that he would have been listening exclusively to the earliest pressings on the Six Eye label. Which simply means that he probably never heard a copy with the clarity, transparency and freedom from distortion that these later label pressings offer.

The Six Eyes are full of Tubey Magic, don’t get me wrong; Davis’s trumpet can be and usually is wonderful sounding. It’s everything else that tends to suffer, especially the strings, which are shrill and smeary on most copies, Six Eyes, 360s and Red Labels included.

Over the course of the last few years we’ve come to appreciate just how good the right Six Eye stereo pressing can sound.

In fact, the two copies earning the highest grades were both original stereo pressings. Other pressings did well, but none did as well as the originals. This has never been our experience with Kind of Blue by the way. The later pressings have always done the best job of communicating the music on that album. (more…)

Miles Davis – Quiet Nights


Our White Hot Shootout Winner for 2018

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  • A Shootout Winning copy of this Miles Davis-Gil Evans classic and one of only a handful to hit the site in years
  • Side one earned our top grade of Triple Plus (A+++), side two was close behind at A++ to A+++
  • Not the quietest copy we’ve ever played – Mint Minus Minus to EX++ on both sides – but obviously one of the best sounding
  • Fred Plaut engineered the sessions, and on this amazing early pressing they sound rich, warm, smooth and clear
  • In the Saturday Review, Quiet Nights received praise for Davis’ “wonderfully songful trumpet in a Latin-American vein”, set against “piercingly lustrous curtains of tone and discreet Caribbean rhythms.”

See all of our Miles Davis albums in stock

We recently shot out a short stack of these — not an easy record to find in clean condition, in stereo, on the earlier labels, at affordable prices these days, so we didn’t have the eight to ten copies we like to have for a full shootout — and found that the music on Quiet Nights was every bit as enchanting as we remember it.

The music is very much in the style of Sketches Of Spain and the sound is comparable to that album as well. This is Davis’ final official collaboration with arranger and conductor Gil Evans. The quintet on this album includes Miles Davis on the trumpet, George Coleman on tenor sax, Victor Feldman on piano, Ron Carter on bass and Frank Butler on drums. (more…)