A distinguished member of the Better Records Hall of Fame.
I discovered that some of these later Capitol reissues can really sound good about ten years ago. They’re cheap when you find them because collectors don’t want them and audiophiles as a whole think that cheap reissues always sound bad. But here at Better Records we don’t really deal too much with record collectors per se. We deal with that tiny minority of audiophiles who want real music that actually sounds good. (The majority of audiophiles want Patricia Barber records and they can have her.)
So we love finding great Sinatra albums from his prime recording days that actually sound the way we want them to — lively and fun.
This means slogging through lots of bad pressings in order to find the gems like this one. Buy hey, somebody’s got to do it. I guess it might as well be me since nobody else wants the job.(more…)
This outstanding vintage Stereo Capitol pressing earned solid Double Plus (A++) sonic grades on both sides
Here is the sound we love at Better Records – these sides are full-bodied and Tubey Magical, with especially smooth, present vocals
“Cole gives an assured, unhurried performance. And that’s the point: that Cole has tamed the rambunctious May does not mean he doesn’t give wonderful interpretations to some wonderful songs: ‘Don’t Get Around Much Anymore,’ ‘Just One of Those Things,’ ‘The Song Is Ended (But the Melody Lingers On).’ And the light-handed swing supports those efforts well.” – All Music
A distinguished member of the Better Records Rock and Pop Hall of Fame.
An amazing pressing of a superb recording, this White Hot Stamper really gets this music right!
Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself.
We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.(more…)
Get ready to swing with the Chairman of the Board on this incredible White Hot Stamper pressing of this classic album from 1959! This is one of the more fun Sinatra albums we’ve had the pleasure of playing around here, and this is a copy that delivers BIG TIME. Billy May and his orchestra back Frank with wonderful arrangements here, and a copy like this lets you appreciate everyone’s hard work. The brass blasts on side two are to die for!
It’s tough to find good sounding copies of almost any Sinatra album, finding amazing copies of his most classic albums like this one with reasonably quiet surfaces is a ridiculously tough task. Even for us, the guys who do nothing but search for and audition records all day every day! So we were thrilled to play a copy like this one that did just what we wanted from music like this.
This pressing did it all — and on both sides — with incredible energy and exceptional immediacy. The brass blasts are OUT OF THIS WORLD. If you never thought you’d hear a Sinatra record sound as powerful as the man himself came across — this is the pressing that you’ve been looking for. Most copies were either smeary or edgy, but this one was wonderfully smooth with impressive clarity(more…)
The first Harold Arlen Song Book to hit the site, and with sound like this it’s going to be very hard to beat. White Hot on side two, Super Hot on side one, Ella is especially rich, Tubey Magical and breathy throughout. Look at the great songs on Volume 2: Come Rain Or Come Shine, It’s Only A Paper Moon, One For My Baby, Get Happy, I Gotta Right To Sing The Blues, Over The Rainbow and more.
The vinyl is about as quiet and scratch-free as we ever come across on these early stereo pressings. Even with us hitting multiple stores every week we have trouble finding even one clean copy of an album like this a year.
But we found this one, and it won our shootout.(more…)
ONE OF THE MOST TUBEY MAGICAL MALE VOCAL RECORDS WE’VE EVER HAD THE PLEASURE OF PLAYING! We shot this out against similar copies, earlier pressings, and a 180g reissue, and nothing was quite in a league with this. Turn up the volume, turn down the lights, and let Nat serenade you from right between your speakers — he’ll be IN THE ROOM with you!(more…)
Notice that, at least for most of the material, and perhaps all of it, Sinatra does not seem to be stuck in a vocal booth. He sounds like he is actually standing on the same stage as Ellington’s band.
Whether this is a recording trick — he’s in a booth but the engineer did a great job creating a sound for the booth that matched the ambience and space of the studio — or whether he is standing front and center with the band, the illusion is convincing and adds greatly to the “reality” of the performance..
Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.(more…)