- For its debut on the site, we present this amazing sounding British original pressing, with a Triple Plus (A+++) side one (the Rod Stewart side)
- Side two (the Elton John produced side) was outstanding as well, earning a Double Plus (A++) for its rich, tubey sound
- No wonder side one sounds like the best of Rod Stewart & The Faces’ early-’70s albums – Mike Bobak engineered them
- “The backing band on Stewart’s side include fellow Face and future Rolling Stone, Ron Wood, on electric guitar and acoustic guitarist Sam Mitchell, who appeared on many of Stewart’s early-’70s solo albums.”
Here’s how this shootout got started.
A few years ago while I was working on the site I had music on youtube playing. The song “Flying” came on from the It Ain’t Easy album, and when the chorus came in I could not believe how big, rich and powerful it sounded — this, on computer speakers!
I tracked down my copy of the album, the domestic Green Label WB pressing with a different cover you no doubt have seen in your local record store bin and threw it on the table for a quick listen. In moments it was obvious that my domestic original was a big step down sonically from what I imagined the source for the youtube video sound would have been.
CD or LP, didn’t matter. My copy was made from dub tapes and as a consequence had very little of the magic I’d swooned over. (more…)
If you’re looking for quiet vinyl and good sound on this title I don’t think we will have anything for you for the foreseeable future. But of course you never know, we could luck into some killer copies on any one of our regular record hunting days. It’s pure luck to find any early stereo copy in good shape, let alone one that has the right stampers, the right sound and good surfaces. Each of our last two shootouts took us five years to make happen if that tells you anything.
This Reprise Tri-Color stereo pressing has killer Hot Stamper sound on both sides, which means it came out on top in our recent shootout, only the second we’ve done since 2006 (!).
See all of our Rimsky-Korsakov albums in stock
- This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare Four Plus (A++++) grade
- We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
- It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
- We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that
We award this copy’s side one our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade.
This London pressing contains a stunningly BEAUTIFUL Tale of the Tsar Saltan Suite. It’s clearly one of the great Demo Disc Quality recordings from the Golden Age (or any age for that matter), with everything that a top Golden Age Orchestral recording should have: all the magic; all the timbral and harmonic subtlety; all the sweetness and warmth; all the Tubey Magical richness.
All that and more. Folks, this is the kind of record that makes you sit up and take notice. Finally, HERE is the kind of sound that can bring an orchestra to life in your very own listening room. (more…)
This Early Contemporary Yellow Label Mono LP sure has AMAZING SOUND!
Man, this music is a blast when it sounds this good. I don’t think there’s a whole lot you could do to make this music sound any better! It’s one of the best early mono Contemporary LP I’ve ever played. It’s so tubey magical and Kessel’s guitar sound is out of this world.
The music here matches the sound for excellence. The whole band just swings! There’s a real old rag-timey feel to the songs. Look at this list of all-star players: Harry Edison, Jimmy Rowles, Red Mitchell and Shelly Manne — this is some serious jazz talent.
The Players and Personnel
Bass – Red Mitchell
Drums – Irv Cottler, Shelly Manne
Engineer – John Palladino
Guitar – Barney Kessel
Photography By – William Claxton
Piano – Jimmy Rowles
Recording Supervisor – Lester Koenig
Rhythm Guitar – Al Hendrickson
Tenor Saxophone – Bill Perkins, Georgie Auld
Trumpet – Harry Edison